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Balice Hertling

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France
Paris
Balice Hertling

Balice Hertling was founded in Paris in September 2007 by Daniele Balice and Alexander Hertling.

BALICE HERTLING
84 Rue des Gravilliers
75003 PARIS
T +33 (0)9 79 42 96 99

WWW.BALICEHERTLING.COM

29/08/2026

Last days to see “Entresueños”, Mercedes Llanos’ second solo exhibition at the gallery, through September 5.

Mercedes Llanos
Untitled, 2026
Oil on wood on panel
35.6 x 47.9 cm
14 x 18 7/8 in

Mercedes Llanos

22/08/2026

Images from TO SHARE A STOMACH, a group exhibition at The Brick in Los Angeles, organized by Aram Moshayedi.

In a letter to Aram, Tayyari imagines a way of arriving in Los Angeles when physical passage is no longer possible. She sends her presence through her aunts’ scarves and perfumes, transforming them into vessels carrying family memory. The work reflects on displacement, longing, and the transmission of Iranian identity across generations.

“I will travel through their dyed blonde hair. Through everything they changed and everything they could not.
At the end it was the only way I could arrive when nothing else was allowed to pass.
By soil. By spit. By scent.”

Shabahang Tayyari to, 2026
Perfume, silk scarves, wooden dining table, printed paper, clay, and a curse
38 × 71 × 33 ½ in. (96.5 × 180.3 × 85.1 cm)
 August 8 – September 19, 2026.
The Brick, Los Angeles, USA

Shabahang Tayyari The Brick

19/08/2026

Morgan Courtois Essence

Opening Thursday, September 10, 6–9pm On view through 10.10.26

Balice Hertling 84 rue des Gravilliers, 75003 Paris

Morgan Courtois (b. 1988, Abbeville, France) lives and works in Paris. Recent solo exhibitions include presentations at Balice Hertling, Paris (2026, 2016), Fondation Pernod Ricard, Paris (2022), Centre d’art contemporain Les Capucins, Embrun (2019), and Passerelle Centre d’art contemporain, Brest (2018). His work has also been included in exhibitions at MO.CO., Montpellier (2025), Collection Lambert, Avignon (2024), Seredipity, Goa (2023), Musée d’Art Moderne de Paris (2021, 2017), Lustwarande, Tilburg (2019), and Fondation Louis Vuitton, Paris (2018), among others. He participated in the Lyon Biennial in 2022 and the Geneva Biennial of Sculpture in 2020.

Image: Courtesy of the artist

02/08/2026

Swiss Institute’s 40th Anniversary
Regift at Luma Westbau until Sep 26, 2026

Luma Westbau
Löwenbräukunst
Limmatstrasse 270
8005 Zürich

To mark its 40th anniversary, Swiss Institute (SI) revisits Regift, the landmark 2009 exhibition originally organized at SI in New York by John Miller with Piper Marshall. Co-produced by SI and Luma Foundation, the anniversary edition is presented at Luma Westbau, bringing together original participants alongside an expanded selection of artists whose practices engage with questions of generosity, exchange, and value in contemporary contexts, with over 50 artists across two floors reflecting four decades of SI’s program and international networks.

Artworks from the exhibition have been generously donated to SI and are available for purchase. Please see SI’s website for more information. Sales inquiries can be directed to [email protected].

Artwork:
Rafik Greiss, Talismans II, 2026
Gelatin silver print on found paper, wood, plexiglas
68 x 52 x 7 cm (68 x 52 x 7 cm)
Courtesy of the artist

Swiss Institute Luma Westbau

16/07/2026

Puppies Puppies (Jade Guanaro Kuriki-Olivo) on view at Sonsbeek 2026, Arnhem, curated by Christina Li and Amira Gad.

“Please do not abbreviate or shorten this title • it is just as important as the work itself • This work is evidence • a mark • that I fought • through my expression • through my voice • through my protests • for people to acknowledge • that I am a woman • my chromosomes • my genitalia • the s*x I was assigned at birth do not determine my gender • they do not make me any less of a woman • OUR EXISTENCE AS TRANS WOMEN • TRANS PEOPLE • IS NOT UP FOR DEBATE • WE SHOULD NOT BE TREATED AS LESS THAN • WE DESERVE RESPECT AND UNDERSTANDING • WE DESERVE TO HAVE HEALTHCARE • WE DESERVE TO HAVE HOUSING • WE DESERVE TO WALK OUT THE DOOR WITHOUT THE FEAR OF HARM OR DEATH • WE DESERVE TO BE OURSELVES • WE DESERVE TO LAVISH IN WHO WE ARE • and we deserve equity not just equality • I learned from my Trancestors • to not shrink in the face of violence • erasure • discrimination • for so many trans people • our starting line is not the same as our cis counterparts • this should be acknowledged and accounted for • there’s a reason we aren’t in many slightly older art history books • there’s a reason I never felt mirrored when studying art • we were never let into any of these spaces (not that long ago) • with Sylvia Rivera as my guiding light • I will demand what I deserve • I will be vocal • I won’t be stepped on • I am a Puerto Rican Japanese Indigenous Trans Woman • I am made in the image of a higher spirit/entity • my body was shaped • molded • and my existence is art • (as are the other trans people on this planet) • it’s quite frankly a miracle that I’m here today • a brain tumor survivor • a r**e survivor • a survivor of all that went against me • and every obstacle • my presence • is in this sculpture • performing in my absence • I am a woman • and no one can ever take that from me (this is my body being handed over to many people • to be used • to be sold • to be exhibited • to be exchanged • and this is not lost on me • it’s apart of the work) • Hahom” 2026

13/07/2026

Last week to visit Choreodrome, Minh Lan Tran’s solo exhibition at Fondazione Giuliani (), Rome, on view until 17 July 2026.

Choreodrome is Tran’s first solo exhibition in an Italian institution. Bringing together painting, drawing, and moving image, the show is conceived as a constellation of works, site-specific interventions, and choreographic elements that unfold across the gallery as a continuously shifting environment.

Discover a selection of works presented in the exhibition.

1. Minh Lan Tran, Consciousness Transference IV, 2026

2. Minh Lan Tran, Unresolved Catharsis II, 2026

3. Minh Lan Tran, Split, 2026

4. ⁠Minh Lan Tran, Consciousness Transference III, 2026
tran

10/07/2026

Opening this September: Simone Fattal, Des villes au fond d’un lac, a retrospective at the Musée d’Art Moderne de Paris.

The exhibition traces more than fifty years of Simone Fattal’s artistic practice, from her early landscape paintings to her ceramics, collages, and works on paper.

Born in Damascus in 1942 and raised in Lebanon, Simone Fattal is a Lebanese-American artist, writer, and publisher. Her multidisciplinary practice spans watercolor painting, collage, ceramics, and bronze sculpture.

On view from 18 September 2026 to 24 January 2027.

08/07/2026

Images from The Longest Sleep, an installation by Rafik Greiss () with Galeria Municipal do Porto (). Centered on mawlids, gatherings dedicated to local Sufi saints, the work explores the human quest for transcendence through collective ritual and altered states of consciousness.

Originally exhibited at Balice Hertling in 2024, Greiss continues to develop a practice that moves fluidly between moving image, installation, and performance.

Photos by Inês Aleixo.

25/06/2026

Mercedes Llanos‘s artworks are currently on view at the Balice Hertling Gallery, as part of the exhibition “Entresueños”, until August 30th 2026.

Mercedes Llanos (b. 1992, Mar del Plata, Argentina) lives and works in New York, USA. Her first solo exhibition with Balice Hertling took place in 2022. Recent exhibitions include Amanita, New York (2024); Espacio Tacuarí, Buenos Aires (2023); and Balice Hertling, Paris (2025, 2022), among others.

Mercedes Llanos
Bed #4, red spiral signifies past trauma, 2026
Oil and graphite on canvas
195.6 x 264.2 cm
77 x 104 in

Mercedes Llanos
Bed #7, codependencia radioactive, 2026
Oil and graphite on canvas
195.6 x 264.2 cm
77 x 104 in

20/06/2026

Balice Hertling is pleased to present Enzo Cucchi’s Untitled, 2026, at our booth S18 at Art Basel.

Enzo Cucchi (b. 1949, Ancona, Italy) currently lives and works in Rome. He has been a key figure in Italian art since the 1970s, known for his highly expressive and lyrical paintings. Cucchi has held numerous solo exhibitions at major institutions worldwide, including the Stedelijk Museum Amsterdam (1983); Solomon R. Guggenheim Museum, New York (1986); Centre Georges Pompidou, Paris (1986).

Enzo Cucchi
Untitled, 2026
Pigments and oil on canvas
212 x 155 cm
83 1/2 x 61 in

Adresse

Paris

Heures d'ouverture

Mardi	11:00 - 19:00
Mercredi	11:00 - 19:00
Jeudi	11:00 - 19:00
Vendredi	11:00 - 19:00
Samedi	11:00 - 19:00

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