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Es un equipo internacional de artistas que desarrolla el panorama cultural dentro y fuera de España

08/10/2026

What happens when you press the reset button, but everything starts to look strangely familiar again?

Created by Thomas Markusson in 2017, Monster combines fragments of the faces of G20 leaders into an ever changing portrait of political power.

With one press of a large red button, the faces are rearranged across four screens. There are 160,000 possible combinations, yet somehow the result always feels like a variation of the same thing.

Inspired by Dada and its use of absurdity, chance and irreverence, Thomas brings that same spirit into the age of the 24 hour news cycle.

Is Monster a portrait of political leadership? A contemporary Frankenstein? A reset button that never really resets anything?

Maybe the point is that you decide.

Thomas Markusson, Monster, 2017.

| From the DOM Art Residence collection, Barcelona.
Available for acquisition. DM us for details.

07/10/2026

A new artist is joining DOM Digital Residency.

Today, Agnes Hansella (Agnes Hansella) begins her residency with us.

Agnes is an artist whose practice centers around macramé and material experimentation. Her relationship with the technique began in 2017, when she started knotting to rest her ears after intense work with audio for film.

Since then, macramé has become the foundation of her artistic exploration. By experimenting with materials, forms, patterns and textures, Agnes pushes the technique beyond its traditional associations, creating intricate works that blur the line between craft and contemporary sculpture.

Her work brings together precision and playfulness, challenging conventional ideas of what fiber art can look like.

What begins with a thread can lead somewhere entirely unexpected. We’ll be following the process as it happens.

Welcome to DOM, Agnes

30/09/2026

Introducing the people behind DOM Art Residence, and the ideas that shape the residency as it moves between digital and physical space.

This time, Irina, curator of DOM Art Residence, introduces the curatorial concept behind our nomadic residency project in Venice - a shipping container that functions simultaneously as exhibition space, archive and storage.

Over ten months, ten artists stream their creative processes and, at the end of each residency period, send their finished works to Venice. The container gradually transforms from empty to full, accumulating the physical results of processes first experienced online.

Its movement mirrors the residency itself: from artist to artist, process to object, digital to physical.

A glimpse into the curatorial thinking behind the project - and the people shaping DOM Art Residence.

29/09/2026

WHAT ARE WE?

This question takes a strange turn in the work of Arnaud Dezoteux, one of our three finalists for LOOP City Screen Barcelona.

In his work, drawn and computer-animated animals enter spaces that were created by humans, for humans - but where humans are no longer present.

As the animals begin to inhabit these empty environments, something shifts. They start to look as though they belong there. The human presence, meanwhile, becomes almost ghost-like.

We chose Arnaud’s work because it unsettles something we usually take for granted: our place at the centre of the world around us.

Who belongs? Who is observing? Who is the outsider?

And when the human disappears from the picture, what are we?

24/09/2026

WHERE ARE WE GOING?

Juhyun Cho’s work Flight to Nowhere takes its starting point from a real phenomenon that emerged during the pandemic: flights that took off without a destination, travelled through the air, and eventually landed exactly where they began.

There is movement, distance and the feeling of going somewhere - but no actual arrival.

We chose Juhyun as one of our three finalists for LOOP City Screen Barcelona because her work turns the question of direction into something both literal and absurd.

What does movement mean when there is no destination? Are we still progressing simply because we are moving?

Almost 130 years after Gauguin asked Where are we going?, Juhyun offers a strangely contemporary possibility:

Nowhere.

23/09/2026

Introducing the people behind DOM Art Residence, and the work that keeps an online residency visible, connected and engaging over six months.

This time, Natalia, responsible for communication, shares how we follow each artist’s process - from developing daily storytelling and social media to organising online studio visits and conversations with curators.

Because presenting artistic practice virtually comes with its own challenges. It is not only about showing what happens in the studio, but creating context around an evolving process and finding ways for artists to connect with audiences and professionals beyond the screen.

Over six months, communication becomes part of the residency itself - creating continuity between practices, encounters and moments happening across different places.

A glimpse into the less visible side of the project - and the people and responsibilities that hold it together.

21/09/2026

WHERE DO WE COME FROM?

For our participation in LOOP City Screen Barcelona, this question led us to the work of 강가토지수 Ji Su Kang-Gatto

Born in Seoul and raised in Germany, Ji Su explores what it means to reconnect with a cultural identity that can feel both deeply personal and somehow distant.

In Identities and Recipes, she prepares traditional Korean dishes using the familiar language of YouTube cooking tutorials. But what begins as cooking becomes something much more intimate: a way of approaching her origins, reclaiming them, and asking what it really means to belong to a culture.

We chose Ji Su Kang-Gatto as one of our three finalists because her work transforms a simple, everyday act into a space for questioning identity, memory and belonging.

Where do we come from - and how do we find our way back to it?

18/09/2026

Introducing the people behind DOM Art Residence, and the offline work that makes an online residency possible.

This time, Genia, our Program & Operations Manager, shares what it takes to build the physical infrastructure behind the residency - from finding Palazzo Bembo and constructing the container to coordinating contractors, legal teams, artist logistics, shipments and all the technical details that make the online process work.

Because an online residency doesn’t exist only on a screen. Behind the livestream is a complex physical and technical setup that has to function every day.

Now, the process continues with Venice in Motion, the tour marking the end of this year’s Digital Residency.

A glimpse into the less visible side of the project - and the people and responsibilities that hold it together.

17/09/2026

We’re excited to introduce the three artists selected as finalists for DOM Art Residency’s participation in LOOP City Screen Barcelona 2026:

Ji Su Kang-Gatto
Arnaud Dezoteux
Juhyun Cho

This year, our selection takes its starting point from three questions posed by Paul Gauguin almost 130 years ago:

Where do we come from?
What are we?
Where are we going?

Questions that remain just as present today - perhaps even more difficult to answer.

Through three very different video practices, the selected artists explore ideas of origin, identity, belonging, human presence and direction.

None of the works tries to give us a definitive answer. Instead, each artist approaches one of these questions from a different perspective, opening up new ways of thinking about who we are and how we inhabit the world around us.

Over the next few posts, we’ll introduce each finalist and share why their work became part of this selection for LOOP City Screen Barcelona.

WHERE DO WE COME FROM? WHAT ARE WE? WHERE ARE WE GOING?
after Paul Gauguin.

11/09/2026

What happens to an artwork after an artist leaves an art residence?

Sometimes it travels back home with the artist. Sometimes it stays in the residence. And sometimes it ends up in a private collection, carrying with it a very particular moment in the artist’s practice – a work made in a specific place, under specific circumstances, and often unlike what the artist was making before or after the residency.

We’ve recently been talking to some of the collectors who chose works by DOM artists after our residencies. Today, we’d like to share three of those works and the stories behind them — why they were chosen and what the collectors see in them.

Our first collector has chosen to remain anonymous. She invited us into her home and showed us three works by artists who took part in our very first residency in 2023.

We asked her a simple question: Why these three?

Here’s what she told us.

Dirección

Barcelona

Teléfono

+34638441575

Página web

http://domartresidence.com/

Notificaciones

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