DOM Es un equipo internacional de artistas que desarrolla el panorama cultural dentro y fuera de España

From Venice to studios around the world.Accepted Without Review connects visitors at Palazzo Bembo with 10 international...
16/06/2026

From Venice to studios around the world.

Accepted Without Review connects visitors at Palazzo Bembo with 10 international artists sharing their practice live throughout the residency.

🕙 Livestreams daily from 10:00–18:00 CET
📅 9 May – 22 November 2026

Watch live on our YouTube channel. Link in bio.

WeAreHumanityLive Performance by Lilli Müller📅 20 June 2026, 17:00📍 Giardini Marinaressa, VeniceWhere the audience becom...
10/06/2026

WeAreHumanity
Live Performance by Lilli Müller
📅 20 June 2026, 17:00
📍 Giardini Marinaressa, Venice

Where the audience becomes the artwork. Take part in WeAreHumanity!

As part of Accepted Without Review, the experimental digital residency by DOM Art Residence, artist Lilli Müller invites the public to participate in WeAreHumanity — a live performance that transforms spectators into active collaborators.

Through the process of body casting, sculptures are created in real time with the help of volunteers. What begins as an individual gesture becomes a collective act of creation, built on trust, participation, and human connection.

Each cast becomes part of Human Raft, Lilli Müller’s long-term sculptural project exploring vulnerability, resilience, courage, and hope. Developed over decades and shaped through the participation of hundreds of people, the work reflects both individual journeys and our shared human experience.

The sculptures created during the performance will become part of the evolving installation presented by DOM Art Residence at Palazzo Bembo during the Venice Biennale 2026 • Personal Structures 2026.

08/06/2026

Membranes: Opening Night.

Thank you to everyone who joined us for the inauguration and shared this special evening of art, dialogue, and connection.

Created by German artists Katrin Bittl and Reiner Heidorn in collaboration with the local community, Membranes explores the relationship between body, nature, and society. Through painterly installations, video performances, and live artistic interventions, the exhibition transforms a traditional public space into a dynamic environment for contemporary art and meaningful exchange.

At its core, Membranes reflects on boundaries as places of encounter rather than separation — spaces where vulnerability becomes strength, diversity fosters connection, and new forms of dialogue can emerge.

The exhibition remains open to visitors throughout June:

📍 Plaça de l’Acadèmia Building, Ground Floor Hall
📅 June 3–26
🕤 Monday–Friday, 9:30 AM–9:00 PM

03/06/2026

From mobile U-Haul galleries in New York to container-based exhibition formats across Europe, artists and curators continue searching for ways to move art outside institutional architecture and into the city itself.

Projects like U-Haul Gallery transform rented moving trucks into temporary exhibition spaces — challenging the economics, exclusivity, and fixed geography of the contemporary art world.

Mobility here becomes more than logistics.
The container turns into a curatorial gesture.

A gallery no longer depends on permanent walls.
Context itself becomes the medium: streets, parking lots, industrial zones, public encounters, unexpected viewers.

This logic resonates strongly with contemporary moving image, installation, and public art practices — where exhibition space is no longer neutral, but active, unstable, and alive.

At DOM Art Residence, this idea takes a very literal and spatial form in our current project at the Venice Biennale.

Inside Palazzo Bembo, we have built a container-like structure that functions as a scaled replica of institutional exhibition architecture. It operates both as a physical space and as a metaphorical device — reflecting on how contemporary art systems are constructed, framed, and contained.

Within this container, artists work live, their processes streamed through embedded screens, turning the act of making into part of the exhibition itself.

As with U-Haul Gallery, context is not a background condition — it is the work.



Reel made using footage from the JENKEMMAG YouTube channel

Continue reading in the comments 👇MembranesThe idea for this exhibition emerged, evolved, nearly disappeared, and then f...
29/05/2026

Continue reading in the comments 👇

Membranes

The idea for this exhibition emerged, evolved, nearly disappeared, and then found its form again over the course of almost a year. Throughout all this time, it never let go of me.

Often, when projects become too difficult to realize, it is a sign that perhaps they are not meant to happen. But in this case, the answer to the question, “Should this exhibition exist?” felt completely clear to me, and almost inevitable.

I  know Reiner Heidorn personally, while I first met Katrin Bittl on a video call while working on a project for Loop City Screen. And I am absolutely, unwaveringly in love with their work. As an added gift, they are people with a finely tuned sense of irony toward both the world and themselves, but above all, they are delicate, sensitive, profound, and genuinely empathetic human beings.

What unites them is a particular way of looking at reality, as if through a microscope, studying not the surface of things, but their internal structure.

In the exhibition Membranes, Katrin Bittl and Reiner Heidorn enter into a dialogue in which the membrane becomes a metaphor for our perception of the world.

A membrane, as a thin enclosing layer, simultaneously separates and selectively allows passage. It is a boundary through which exchange occurs between the inner and the outer.

We often perceive “normality” visually, remaining on the surface. Yet the visible exterior is only a thin boundary behind which an entire universe unfolds, in plants, in the human body, in every living form.

26/05/2026

PERFORMANCE PARTY
Jenia Granilshchikov
May 30 | 15:00–18:00 CET
Live from Clermont-Ferrand

As part of the DOM Art Residence project and the Personal Structures exhibition in Venice, artist Jenia Granilshchikov will host a live performance-party from his home, both offline and online.

For three hours, the artist and his friends will cook, talk, drink, and listen to music, spending time together. Everything will be streamed live on the DOM Art Residence YouTube channel.

However, this will be more than a regular stream: we will turn online presence into actual participation. The viewers will be able to become part of what is happening: leave comments, ask questions, interrupt conversations, suggest topics, and provoke discussions. Messages from the chat will be read and discussed in real time, and the chat will become an active part of the event itself.

Those who are physically in Clermont-Ferrand will be able to join in person. Everyone else can attend through the livestream.

It is an experiment in presence, intimacy, and collective experience, an attempt to blur the boundary between physical and digital space.

Registration for online participation via Eventbrite.

If you would like to attend in person in Clermont-Ferrand, please send us a direct message, and we will share the address. Please note that the event has a limited capacity.

150 hours of livestreaming performance.150 hours somewhere between exposure and complete inner isolation.This carousel f...
25/05/2026

150 hours of livestreaming performance.

150 hours somewhere between exposure and complete inner isolation.

This carousel features notes by artist on how the perception of self, time, and presence begins to shift when life turns into a continuous performance.

DOM was created from the desire to build a space where art exists beyond the moment of exhibition.We have always been in...
22/05/2026

DOM was created from the desire to build a space where art exists beyond the moment of exhibition.

We have always been interested not only in the final work, but also in the process itself: research, dialogue, exchange, and the environment in which artistic practice develops.

That is why DOM continues to grow as an international community bringing together artists, curators, and researchers from different cultural contexts.

For us, it is important to make the artistic process more open and to reduce the distance that often exists between the artist and the viewer.

A key role in shaping this approach belongs to our curator, Irina Cheremisova whose practice is rooted in attentive curatorship, dialogue, and the creation of organic connections between artists, space, and audience.

Today, some of the DOM artists are participating in the current residency at the biennial exhibition Personal Structures 2026 in Venice, while we continue developing new international collaborations and future projects.

We have also recently opened our OPEN CALL for LOOP 2026 — a project focused on moving image, video art, and public screenings within urban space.

DOM is not only about exhibiting art.
It is about creating an environment where art can exist as a living experience and a form of interaction.

20/05/2026

Jenia Granilshchikov — live from the studio

Fragments of time, memory, and unfinished narratives.
Working across video, sound, installation, and performance, Jenia Granilshchikov constructs visual sequences where meaning emerges gradually — through accumulation, disappearance, and repetition.

As part of Personal Structures 2026, his practice unfolds as a continuous process rather than a fixed image — streamed live from the studio into the spaces of Palazzo Bembo in Venice.

Visitors will be able to experience the residency in person, while online audiences can follow the artistic process in real time through the DOM Art Residence YouTube channel.

From trace to presence.
From studio to city.

More soon.

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