09/05/2026
Mohamad Khayata (b. 1985, Damascus) is a Syrian multidisciplinary artist whose practice interrogates displacement as both lived condition and visual structure. Working across photography, mixed media, painting, sculpture, and sound, Khayata constructs layered compositions that examine migration, fragmented identity, and the reconstruction of belonging.
A graduate of the School of Fine Arts in Damascus, Khayata’s work emerged alongside the socio-political rupture of Syria, positioning memory not as nostalgia but as material. Central to his visual language is the recurring motif of the patchwork quilt both metaphor and method through which he addresses the fragmentation of homeland and the desire to reassemble it. Stitching, layering, and assembling become acts of resistance against erasure, proposing repair as an aesthetic and political gesture.
Much of his work engages with the realities of Syrian displacement in Lebanon, examining labor, social restriction, and the invisible architectures shaping migrant existence. Yet rather than documentary representation, Khayata favors poetic reconstruction. His figures and surfaces operate as fields of accumulation where textiles, images, and materials merge to reflect the tension between rupture and continuity.
Photography remains foundational to his process, often serving as the structural base upon which other mediums intervene. Through overlay, erasure, and material interruption, Khayata destabilizes the image, mirroring the instability of nationhood and selfhood.
His work has been exhibited across Europe, the Middle East, and the United States, including presentations at 392Rmeil393 Art Center (Beirut), Journeys Festival International (Leicester), the British Council (London and Brussels), Beirut Art Fair, Vantage Point Sharjah, and Artplex Gallery (Los Angeles), among others.
Through acts of stitching, layering, and recomposition, Khayata positions art as a site where fractured geographies can be visually reimagined where displacement is not only documented, but transformed.
