Studio Rikke Astrid

Studio Rikke Astrid I love creating visual art. I work with printmaking, drawing, painting and mixed media — driven by ideas, curiosity and materials.

Inspired by, among other things, nature, stories, myths, textures and the search for my own visual language
Based in Denmark

Monoprint Created with AKUA Intaglio ink on an acrylic plate.Built through painted layers and transferred to Arches BFK ...
20/05/2026

Monoprint

Created with AKUA Intaglio ink on an acrylic plate.
Built through painted layers and transferred to Arches BFK Rives 300 gsm.
Printed on a Polymetaal HS35.

Monoprint created with AKUA Intaglio ink on an acrylic plate.Built through painted layers and transferred to Arches BFK ...
18/05/2026

Monoprint created with AKUA Intaglio ink on an acrylic plate.

Built through painted layers and transferred to Arches BFK Rives 300 gsm. Printed on a Polymetaal HS35.

17/05/2026

From plate to print.

Monoprint created with AKUA Intaglio ink on an acrylic plate.
Printet on Arches BFK Rives 300 gsm using a Polymetaal HS35

I’m still working with cyanotype and am particularly drawn to the graphic expression and the deep blue tones of the tech...
12/05/2026

I’m still working with cyanotype and am particularly drawn to the graphic expression and the deep blue tones of the technique. Here printed on 300 gsm watercolour paper using wild plants as the motif.

A four-piece seriesMixed media: Drypoint and watercolourCharbonnel Encre Taille DouceSchmincke Horodan watercoloursFabri...
11/05/2026

A four-piece series
Mixed media: Drypoint and watercolour

Charbonnel Encre Taille Douce
Schmincke Horodan watercolours
Fabriano Unica 250 gsm paper

For Mother’s Day, I created a small series of handprinted cards.Ten variations from the same linoleum plate. Each handpr...
10/05/2026

For Mother’s Day, I created a small series of handprinted cards.
Ten variations from the same linoleum plate. Each handprinted card is slightly different through colour and print pressure.

Printed with Cranfield Relief Ink on thin white card.

06/05/2026
06/05/2026

Two techniques — one surface

Terracotta SeaFrom plate to print — and back againThis piece explores layering between intaglio and relief printing.The ...
03/05/2026

Terracotta Sea
From plate to print — and back again

This piece explores layering between intaglio and relief printing.
The sea and sky were printed first using etching ink on damp Arches BFK Rives paper.
After drying, the fish were added as a second layer using linocut — printed with the same ink, but under different pressure and conditions.
An experiment in how one material behaves across techniques.

Intaglio + relief print
Arches BFK Rives 300 gsm
Charbonnel Encre Taille Douce

Adresse

Randers

Internet side

Underretninger

Vær den første til at vide, og lad os sende dig en email, når Studio Rikke Astrid sender nyheder og tilbud. Din e-mail-adresse vil ikke blive brugt til andre formål, og du kan til enhver tid afmelde dig.

Genveje

Del