Lukas Schmidt guitars

Lukas Schmidt guitars Meisterwerkstatt für Zupfinstrumentenbau in Rothenburg ob der Tauber.

22 - model 15 3/8This guitar will be coming with me to this year’s GUITAR SUMMIT - Europe’s Biggest Guitar Show . The id...
22/09/2026

22 - model 15 3/8

This guitar will be coming with me to this year’s GUITAR SUMMIT - Europe’s Biggest Guitar Show .

The idea of a hollow body guitar without a sound port has been around for a while. I very much like the concept as it allows me to built an electric guitar that handles high volumes well, while keeping its acoustic resonance. Dressed in aged Pelham Blue and loaded with Firebird pickups, this hollow body certainly has some hair to it.

Stop by booth 248 and try what an archtop can do.

20/09/2026

23 - model 15 3/8

This guitar will be coming with me to this year’s show. Come by booth 248 and play it for yourself.

20 - model 15 3/8This archtop is the most acoustic of the guitars I will bring to the GUITAR SUMMIT - Europe’s Biggest G...
17/09/2026

20 - model 15 3/8

This archtop is the most acoustic of the guitars I will bring to the GUITAR SUMMIT - Europe’s Biggest Guitar Show show.

While they are all built from a carved spruce top and mahogany back, sides and necks, the character of the specific instrument is defined by fine-tuning. Subtle changes to plate thickness, bracing height and the recurve area let me adjust the tone of the guitar. And yes, cutting two f-holes into the top changes quite a lot.

Since these details are best experienced in person, come by booth 248 to play the guitars and hear the difference for yourself.

11/09/2026

22 - model 15 3/8

This guitar will be coming with me to this year’s show. Come by booth 248 and play it for yourself.

23 - model 15 3/8This guitar is coming with me to the GUITAR SUMMIT - Europe’s Biggest Guitar Show . Be sure to stop by ...
05/09/2026

23 - model 15 3/8

This guitar is coming with me to the GUITAR SUMMIT - Europe’s Biggest Guitar Show . Be sure to stop by booth 248 and give it a try.

Yes, it’s a perloid fretboard. While some might think of quirky Italian or Japanese builds, or even the bold avant-garde models designed for the 1933 Chicago World’s Fair, seeing it on a modern, handcrafted archtop is bound to polarize.

Come by, plug it in, and test it for yourself.

02/09/2026

Hearing guitar 20 in the hands of , playing her composition Smile on this handcrafted 15 3/8” archtop guitar.

The full video is now available on YouTube.

Find out more about the guitar and Mareille’s music via the links in our bios.

GUITAR SUMMIT - Europe’s Biggest Guitar Show is coming up again, make sure to stop by booth 248!The show is always a gre...
28/08/2026

GUITAR SUMMIT - Europe’s Biggest Guitar Show is coming up again, make sure to stop by booth 248!

The show is always a great opportunity to meet people, talk guitars, and, most importantly, get the guitars into your hands and let you try them.

Come take a closer look at model 15 3/8, plug it in, and play it for yourself.

Guitar Summit 2026
September 25 - 27
Rosengarten | Mannheim
Booth 248

26/08/2026

Here’s a short excerpt from our recent session with , playing her composition Smile on guitar 20 - a handcrafted 15 3/8” archtop guitar by LS guitars.

The full video is now available on YouTube.

Find out more about the guitar and Mareille’s music via the links in our bios.

After assembling the sides around the neck and tail blocks, I glue in the first set of linings, into which I fit the sid...
03/08/2026

After assembling the sides around the neck and tail blocks, I glue in the first set of linings, into which I fit the side reinforcements. A second set of linings locks everything in place and adds a great deal of stiffness.
This method is similar to the side construction found in classical guitars and offers a lightweight alternative to laminated sides.

For me, it’s a balance of strength, stability, and keeping the instrument as light and responsive as possible.

15/07/2026

Breathing some life into the thing!

Carving and refining the edge of the soundhole is only a small part of the tuning process that gives the instrument its voice. Once this process is complete, the guitar top can “breathe” and develop a distinctive tone.

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Rothenburg Ob Der Tauber

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