Boorn Wirn

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Boorn Wirn My name is Denzel Coyne I was born and raised in Perth.

I am a proud Noongar artist with traditional/apical connection to Menang/Goreng Boodjah in the Great Southern region of Western Australia and my work is deeply rooted in my cultural heritage.

Lately, I've been scrolling through Facebook, Instagram and TikTok, seeing all the amazing things our Aboriginal busines...
22/10/2026

Lately, I've been scrolling through Facebook, Instagram and TikTok, seeing all the amazing things our Aboriginal businesses, artists and cultural practitioners are achieving, and I can't help but feel inspired and proud of our mob. 🖤💛❤️

Seeing our people performing on some of the biggest stages, dancing and playing didgeridoo at major sporting events like the AFL and tennis, creating cultural awards and gifts, and receiving commissions from all around the world, including well-known people and celebrities, really opens my eyes to what's possible.

It reminds me that the sky really is the limit, and there's no telling how far I can take Boorn Wirn if I continue to believe in myself, stay dedicated and keep learning.

But one thing I want people to understand is that I never started this journey for the money.

I started making artefacts as part of my own healing journey. It was a way for me to reconnect with my culture, strengthen my identity, find purpose and develop myself as a person. Along the way, I discovered a passion for creating traditional artefacts, learning about our old people's ways and hopefully inspiring our younger generations to take an interest in their culture.

What started as something for my own healing has slowly grown into something much bigger than I ever imagined.

And it certainly hasn't been an easy road.

I've experienced jealousy, criticism and people attacking me through my business. There have been challenges, setbacks and times when I've had to push through and remind myself why I started in the first place.

But despite all that, I continue to move forward, because the positives far outweigh the negatives.

When I look back at some of the opportunities I've been fortunate enough to receive, I feel nothing but gratitude.

From commissioned orders for organisations, communities and schools in places like Derbal Yerrigan, Wungening and Parkerville, to attending markets and stalls, creating artefacts for people from different walks of life, and seeing some of my work travel overseas to places like China and New Zealand. Even having the opportunity to create pieces for people like Karri Kola and Lavar Ball.

Sometimes I sit back and think, Who would've thought something that started as part of my healing would take me this far?

I also want to acknowledge some of the people and organisations who supported me in the early stages, especially Coolabaroo. That first purchase meant more than you probably realised. It helped me purchase more materials, keep creating and continue building something I believed in.

Every sale, whether big or small, has made a difference. It has helped me put food on the table, pay bills, maintain my vehicle, cover business expenses and, most importantly, provide for my family while doing something I genuinely love.

To everyone who has ever purchased an artefact, shared my work, recommended my business, encouraged me or simply taken the time to show an interest, I sincerely thank you.

But there's another group of people I especially want to acknowledge.

To every single person who has taken time out of their own day to teach me something, share their knowledge, show me a different technique, help me identify timber, offer advice or encourage me to develop my skills — thank you.

Each and every one of you has played a part in my journey and contributed in some way to how Boorn Wirn came about.

Although these artefacts are made by my hands, I recognise that I wouldn't have the knowledge and skills I have today without the people who were willing to share what they knew.

I will always be grateful for that.

And that's something I want to carry forward myself.

I love gifting my work to family, friends and sometimes even complete strangers. There's something special about giving somebody something you've created with your own hands, especially when there's cultural meaning behind it.

I'm also more than happy to share what I've learnt with anybody who genuinely wants to learn.

Because what's the point of holding all that knowledge to myself, only to take it to the grave?

If somebody has taken the time to teach me, then I believe I have a responsibility to pass that knowledge on where it's appropriate, especially to our younger generations, so they too can benefit from it and hopefully continue passing it down.

I still have so much to learn, so many skills to develop and so many things I want to achieve. I'm nowhere near where I want to be, but when I look back at where I started, I'm proud of how far I've come.

Seeing other Aboriginal businesses and cultural practitioners succeeding doesn't discourage me. It motivates me. It shows me what's possible when our mob believe in themselves, support one another and continue keeping our culture strong.

My dream isn't just to grow a successful business. It's to continue healing, learning, providing for my family, sharing knowledge and hopefully creating opportunities for others along the way.

Success to me isn't just about how much money I make or how far my artefacts travel. It's about the people I connect with, the knowledge I gain and pass on, the lives I can positively influence and the legacy I leave behind.

To everyone who has been part of this journey, from the very beginning right through to today, thank you from the bottom of my heart.

This journey is far from over. ❤️

Boorn Wirn — Born Warrior 🖤💛❤️

Handcrafted on Noongar Boodjar. Inspired by culture, driven by healing, and dedicated to keeping knowledge alive.

07/10/2026

🪃 Mulga Fiddleback Boomerangs for Sale 🪃

As a proud Noongar man, I have handcrafted this beautiful matching pair with love, care and respect here on Noongar Boodjar.

Made from stunning mulga timber sourced through Creative Timbers, both boomerangs feature incredible fiddleback grain running through the wood—making them a truly unique, one-of-a-kind set.

Each boomerang measures approximately 72 cm long and 6.7 cm wide at its widest point.

A lot of time and careful work has gone into shaping and finishing these pieces, and they are now ready to find a new home.

$600 for the pair.

If you’re interested in purchasing them, please send the Boorn Wirn business page a private message.

07/10/2026

🪃 Mulga Fiddleback Boomerangs for Sale 🪃

This beautiful matching pair has been handcrafted with love, care and respect here on Noongar Boodjar.

Made from stunning mulga timber sourced through Creative Timbers, both boomerangs feature incredible fiddleback grain running through the wood—making them a truly unique, one-of-a-kind set.

A lot of time and careful work has gone into shaping and finishing these pieces, and they are now ready to find a new home.

If you’re interested in purchasing them, please send the Boorn Wirn business page a private message.

12/09/2026

🖤 Artefacts Made in Honour of Uncle Warren 🖤
Over the last few days I’ve been putting my hands and heart into making these pieces to help raise funds towards giving my Uncle Warren the send-off he deserves.
Every piece pictured has been handcrafted from rock oak, with the timber carefully selected for each individual artefact. Rather than just cutting something to shape, I take the time to look at the natural bends, grain and character of the wood and work with what the tree has already given me.
This collection includes two handcrafted boomerangs, a shield and a pair of tapping sticks.
There’s a lot of time, travel, cultural knowledge and hands-on work that goes into these pieces—from selecting the right timber through to shaping, sanding and finishing them and bringing out that beautiful natural grain you can see in the photos.
But these ones mean a little more to me.
I’ve made them to help my family with the costs of Uncle Warren’s funeral. Funerals are expensive, and we only get one opportunity to give our loved ones their final send-off. I want to do whatever I can with the skills and knowledge I’ve been given to contribute.
All funds raised from these artefacts will go towards helping with Uncle Warren’s funeral costs.
If anyone would like to purchase one, support the fundraiser, or even simply share this post around, it would be deeply appreciated by me and my family.
These aren’t just pieces of rock oak—they’ve been made with purpose, in memory of Uncle, and to help send him home with love and respect.
Rest easy, Uncle Warren. 🖤
Born Wirn — Culture • Country • Craft • Connection

08/09/2026

🖤 CRAFTING WITH PURPOSE — SUPPORTING UNCLE WARREN’S FINAL SEND-OFF 🖤

These beautiful pieces of wood, each carrying its own natural shape and lovely grain, will soon be crafted into special cultural artefacts to help raise funds for my Uncle Warren’s funeral.

Every dollar raised through these pieces will go towards helping our family give Uncle the best and most respectful send-off possible.

We only get one opportunity to farewell someone we love and honour their life properly. I want to do everything within my power to contribute and make Uncle’s final journey a meaningful one.

Any support—whether you purchase a piece, take part in the fundraiser, share this post, or simply help spread the word—would be deeply appreciated by me and our family.

More information about the completed artefacts and how you can support the fundraiser will be shared soon.

Rest peacefully, Uncle Warren. This work will be created with love, culture and respect in your honour. 🖤🙏🏽

01/09/2026

🖤💛❤️ Every artefact carries knowledge.

Today I visited the Albany Museum and spent time learning from the displays about Menang Noongar people, our Ancestors and the belongings they made and used.

As a Noongar man making cultural artefacts, seeing this knowledge recorded means a lot to me. It deepens my understanding of the work I do and reminds me how much there is still to learn and carry forward.

Woodworking begins long before the carving. It involves knowing Country, understanding materials, recognising a useful shape in a branch, and knowing how to work with what the wood gives you.

The displays shared some powerful examples:

🪃 Kyli, also recorded as kalli or curl — boomerangs. Historical photographs show these belongings in the hands of Menang people, connecting the finished objects with the people who carried and used them.

🪵 Dowak or towk — wooden clubs. The museum describes grooves that helped with grip and examples fitted with a tooth or stone tool in resin, allowing them to serve as an adze for woodworking as well.

🌿 Meera, also recorded as meara, mero or miro — spearthrowers. Some carried a stone cutting edge at the handle end, useful for woodworking and maintaining wooden spear points. One implement could serve several purposes.

🌱 Timber chosen for a purpose. The displays name mungurn, described as swamp wattle, for certain spears. That is the kind of detail that encourages me to keep learning about our local plants and their uses.

🪨 Taap — knives, and koitj or kodj — axes. These bring together knowledge of stone, handles and adhesives. One display describes a resin mixture containing palik, or grass tree gum, charcoal and yonga, or kangaroo, dung. Every material had a part to play.

These names and spellings are recorded across the museum displays, with some belongings identified specifically with Menang Country and others with the wider South West.

What stayed with me was seeing how knowledge held in old belongings is helping people make, learn and reconnect today. There are living makers and knowledge-holders continuing this work, sharing their skills and bringing stories back to community.

That is something I want my work to contribute to: carefully made artefacts, a deeper understanding of their materials and history, and opportunities to keep learning and sharing with the next generation.

I’m sharing these photographs and what I learned with respect for the Ancestors, Elders, makers and families whose knowledge is represented. The information here comes from the Albany Museum displays I visited, alongside my own reflections as a maker.

There is knowledge in the wood, skill in the making, and a story worth carrying forward.

14/08/2026

A few orders of handmade artefacts I’ve completed over the past couple of months. Every piece has been shaped by hand, with patience, respect for the wood and a strong connection to culture and Country.

This collection includes a yiraki, made from mallee—also known as moort in Noongar language—along with several pairs of tapping sticks crafted from different timbers, including mallee, jarrah, mangart and white gum. Each type of wood carries its own colour, grain, weight and sound, making every pair completely unique.

I’ve also made two yandi dishes. I believe the first may be yate, although I’m not completely certain, while the second was carved from beautiful curly jarrah with an incredible natural fiddleback running through the grain. The character in that timber really speaks for itself.

There are also two toloks—traditional hitting or throwing sticks. These were used during hunting to follow up a wounded animal and finish it quickly, preventing unnecessary suffering. One was made from wanil, or peppermint, and the other from what I believe is rock oak. Both came up beautifully, but I especially love the strength, colour and finish of the rock oak piece.

Last but definitely not least is this long mallee spear. It is probably the straightest spear I have made so far, and I’m genuinely proud of how it turned out. Seeing my skills, patience and understanding of different timbers continue to grow with every artefact means a great deal to me.

These aren’t simply pieces of wood. Each artefact carries purpose, history, knowledge and a story—keeping culture alive through the hands of the next generation.

Thank you to everyone who continues to follow, encourage and support my journey and my business. Your support allows me to keep learning, creating and sharing culture.

For purchases, custom orders or enquiries, feel free to send the page a message.

🌿 Handmade on Goreng Country
🖤💛❤️ 100% Aboriginal-owned
🌳 Every piece is individually shaped—no two are ever the same

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