Bemerkungen
DAAD Artists-in-Berlin Program fellows for 2022.
#DAAD Berliner Künstlerprogramm des DAAD
Anna Huber ist zum dritten Mal Valeska-Gert-Gastprofessorin an der Freien Universität Berlin. In der Abschlusspräsentation des Seminars Zwischen-Räume – Seismographische Körper. Valeska-Gert-Gastprofessur Anna Huber zeigen Studierende der Tanzwissenschaft am Montag, 17. Januar 2022 um 19 Uhr am Pariser Platz Ergebnisse ihrer Forschungsarbeit mit der Schweizer Tänzerin und Choreografin: Sie erkunden, wie sich in der Pandemie die Choreografien des Alltags und die Partituren und Spuren der Wege im öffentlichen Raum verschoben haben, und wie im Dialog mit den Architekturen des Raumes der Körper als Instrument eines kreativen Prozesses erfahrbar wird.
In Kooperation mit Freie Universität Berlin und Berliner Künstlerprogramm des DAAD.
Anna Huber. Foto © Bettina Stoess
Anna Zamecka – obsypana nagrodami reżyserka z Polski jest obecnie stypendystką Berlińskiego Programu DAAD dla Artystów - Berliner Künstlerprogramm des DAAD.
Jej debiut "Komunia" był pokazywany na ponad 100 festiwalach i konkursach filmowych na całym świecie i zdobył ponad 40 nagród, w tym Europejską Nagrodę Filmową (European Film Awards) w Berlinie w kategorii najlepszy europejski film dokumentalny.
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Berliński Program DAAD dla Artystów to jeden z najbardziej prestiżowych międzynarodowych programów stypendialnych. Co roku ok. 20 pisarzy, filmowców, kompozytorów oraz artystów wizualnych z całego świata przyjeżdża do Berlina, aby pracować i uczestniczyć w bogatym życiu artystycznym miasta.
Zdjęcie: Jasper Kettner
#UwielbiamyNaszychStypendystów
#ArtistAnnouncement
Pallavi Paul's latest film, The Blind Rabbit, introduces allegorical fiction to lay bare systemic oppression of political freedoms, especially during the years of Indian Emergency in the 1970s and accounts of police brutality in her hometown, New Delhi. Through fragmentary recordings, eyewitness accounts, text and sound elements, the filmmaker continues to retell stories around those who are left most vulnerable within the spaces of state law and metropolitan survival. Ultimately, The Blind Rabbit conveys how official chronicles of history often paint iconic scenes that keep a majority of the protagonists hidden from view.
Supported by Berliner Künstlerprogramm des DAAD (Artists-in-Berlin Program) and Ishara Art Foundation
Images:
The Blind Rabbit, Video still, 2021. Courtesy of the artist.
#ArtistAnnouncement
#PallaviPaul
#LanguageIsMigrant #CeciliaVicuña
#Colomboscope2022
#contemporaryart #interdisciplinaryart #artfestival #instart #asianart #southasianart #srilankanart #artinsrilanka #artinfo #artists #artnews #colombo #srilanka #eunicsrilanka #culturalrelations #colomboscope Fold Media Natasha Ginwala Anushka Rajendran
Ви працюєте в галузі образотворчого мистецтва, літератури, музики або кіно, маєте досвід і вже встигли продемонструвати свій талант, але бажаєте далі розвиватися? Тоді ви ще маєте можливість подати заявку на програму для творчих діячів Berliner Künstlerprogramm des DAAD.
Починаючи з 1963 року, програма щорічно запрошує близько 20 діячів культури різного віку протягом одного року (а якщо ви працюєте в кінематографії - протягом шести місяців) жити і працювати в Берліні!
🗓 Заявки приймаються до 1 грудня
Долучайтеся 🌟
👉 Більше інформації за посиланням:
https://www.berliner-kuenstlerprogramm.de/en/application/?fbclid=IwAR3rJK3sLaxeA0PATOu3PXMFrU2Poh_HrYSnkMVKlyP_wvA_VV2bQcJgi4I
Autostrada Biennale team meets artists, curators and partners and visits important contemporary art spaces in Milano and Berlin.
We are so delighted with the hospitality of our curators Övül Ö. Durmusoglu and Joanna Warsza and their commitment for the new collaborations with potential partners.
We want to thank Elena Agudio - Artistic Director of SAVVY Contemporary in Berlin, Slavs and Tatars, Natalie Keppler - Curator at Berliner Künstlerprogramm des DAAD, KW Institute for Contemporary Art and Berlin Biennale team and curator Kader Attia, Jennifer Chert - Owner of ChertLüdde Gallery, Timea Junghaus - Director of European Roma Institute for Arts and Culture - ERIAC, Hamze Bytyci - Founder of Roma Biennale, Roberta Tenconi - Curator in Pirelli HangarBicocca in Milan, Fondazione Prada in Milan, Giacinto Di Pietrantonio Curator and professor in Accademia di Belle Arti di Brera, and artists Petrit Halilaj, Alvaro Urbano, Ulf Aminde, Agnieszka Polska, Edona Kryeziu, Christina Dimitriadis, Marta Popivoda, Florian Malzacher, Ahmet Ogut, Alban Muja and many others for their time to meet us and talk about possible collaborations.
The journey continues!
#autostradabiennale
#thejourneycontinues
Walking as Alibi: The Dreams of Cynthia | Virtual Performance hosted by Colomboscope | PREMIERING NOW | LIVE ON YOUTUBE 💫
This performance by Pallavi Paul revisits her 2017 film 'The Dreams of Cynthia / Cynthia ke Sapne'. It opens up the filmic as a porous field of actions, pulling in the artist's own voice and presence. How may a protagonist morph into beyond human forms through poethical interpretation and political turmoil? Paul plants a surplus imaginary, such that despite spatial ruin and necropolitics, rebellious practices of life-making continue to sprout. Mounted as an online experience, it punctuates the enduring grammar of 'screening', 'exhibition', and reading with a renewed address to the present while being contemporary to various orders of cinematic, geological, and industrial time.
Supported by the DAAD Artists-in-Berlin Program with funds from the Federal Foreign Office in the framework of the International Relief Fund for Organizations in Culture and Education
#BKPReliefFund2021 Berliner Künstlerprogramm des DAAD #VirtualPerformance #PallaviPaul
https://www.youtube.com/watch?v=wsaqOGb_OX8
¡Felicidades a los proyectos ganadores de las becas catalizadoras de TEOR/éTica, financiadas por Berliner Künstlerprogramm des DAAD y el Ministerio Federal de Relaciones Exteriores Auswärtiges Amt!
Nos encanta que hayan ganadores de toda la región.
+++ Zwischen-Räume – Seismographische. Körper Valeska-Gert-Gastprofessur Anna Huber +++ Donnerstag, 28.10.2021, 19 Uhr, Akademie der Künste, Pariser Platz +++
Die Schweizer Tänzerin und Choreografin Anna Huber erkundet in ihrer dritten Valeska-Gert-Gastprofessur mit Fokus auf Zwischen-Räume und Grenz-Zonen, wie sich in der gegenwärtigen Pandemie, dieser Krise des Körperlichen, die Choreografien des Alltags und die Partituren und Spuren der Wege im öffentlichen Raum verschoben haben. Eröffnungsvortrag mit Anna Huber, Gabriele Brandstetter und Nele Hertling. In Kooperation mit Freie Universität Berlin und dem Berliner Künstlerprogramm des DAAD.
Anna Huber. Foto © Bettina Stoess
The practice of Academy alumna Renée Green from the early 1980s to the present day is part of the exhibition "Inevitable Distances," which opens tonight at 6 p.m. at Berliner Künstlerprogramm des DAAD . You can reserve a time slot for the opening event here:
https://cutt.ly/ZRQWm67
daadgalerie, Berlin presents Renée Green: Inevitable Distances.
October 22, 2021–January 9, 2022
Berliner Künstlerprogramm des DAAD #daadgalerie #RenéeGreen #InevitableDistances
More info: e-flux.com/announcements/423337/
https://vimeo.com/601588109
AUSTRALIAN STORY: My father was a veteran of the second world war. He fought in the battle for Berlin and survived the terror of the Halbe Pocket. Taken prisoner by the Russians, tortured, starved and released, he escaped the iron curtain and made his way to Australia with an assumed name and under contract as a Displaced Person. The 'war' that he endured was an eternal search for a belonging, for an identity, for a soul, for those were the things that he had lost, and those were the things that he WOULD fight for. In founding a new family, the death of my mother dealt a grave blow. Burdened with a newborn, a one and two year old, he was resolute in reclaiming his existence as a person of worth on this earth. He died in January 2017, a tortured soul, a forgotten soldier. In life he had been displaced but found a new life, a new identity, and a new home in Australia. In death his soul remains displaced, for no government will afford him his redemption through a recognition of his right to legitimacy. Ransomed into service for the Waffen SS, a N**i, he forfeited his soul in exchange for the lives of his Volksdeutsch family. My father was born in Poland, fought for Germany and belongs in Australia. He will forever remain in my heart, a champion of sacrifice, a testament to the fabric of the human spirit, and yet an enigma to those who are unable to understand.
