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BOM DIA BOA TARDE BOA NOITE

BOM DIA BOA TARDE BOA NOITE www.bomdiabooks.de BOM DIA BOA TARDE BOA NOITE was founded in 2011 by Manuel Raeder and Manuel Goller in Berlin, solely run by Studio Manuel Raeder since 2013.

The small publishing house is specialized in high quality artist books that are conceived as an integral part of an art work or as the art work itself that, often, plays with the format of the book and reflects its medium. In 2014, the first book of Bom Dia Kinder, a new series of children books made by artists, was launched.The books of Bom Dia are produced in close collaboration with a group of

The small publishing house is specialized in high quality artist books that are conceived as an integral part of an art work or as the art work itself that, often, plays with the format of the book and reflects its medium. In 2014, the first book of Bom Dia Kinder, a new series of children books made by artists, was launched.The books of Bom Dia are produced in close collaboration with a group of

Wie gewohnt öffnen

12/05/2022

#Repost @zustand_retopulfer
・・・
Art prize Basel-Landschaft, Spartenpreis Kunst, 2022. yesterday in Oltingen. Video Portrait by @joelsames . Many Thanks to Dominique Mollet for his laudatio and to the team at Kulturelles and to Kulturrat. Theater prize went to actor #ginahaller. Literature to @maxkueng. #retopulfer @hollybush_gardens @bomdiabooks #gardening #worms #nettles
film at
https://vimeo.com/709015947
❤️❤️❤️

#Repost @studiomanuelraeder ・・・We are excited to introduce you to BOM DIA WEARBOM DIA Baseball cap, 6-panel cap, brown a...
06/05/2022

#Repost @studiomanuelraeder
・・・
We are excited to introduce you to BOM DIA WEAR

BOM DIA Baseball cap, 6-panel cap, brown and purple, 100% cotton, one Size fits all, available in brown and purple

BOM DIA ZINI COTTON, longsleeve checked pattern shirt, brown, orange, green, 100% cotton, one pocket, buttons, yellow embroidered stitching on back, available sizes: M, L

BOM DIA ZINI WOOL, longsleeve checked pattern shirt, brown, beige, blue, 100% wool, one pocket, buttons, blue embroidered stitching on back, available sizes M, L

designed @studiomanuelraeder you can order them via www.bomdiabooks.de @bomdiabooks as long as they last

#Repost Studio Manuel Raeder] ・・・We are excited to introduce you to BOM DIA WEARBOM DIA Baseball cap, 6-panel cap, brown...
06/05/2022

#Repost Studio Manuel Raeder]
・・・
We are excited to introduce you to BOM DIA WEAR

BOM DIA Baseball cap, 6-panel cap, brown and purple, 100% cotton, one Size fits all, available in brown and purple

BOM DIA ZINI COTTON, longsleeve checked pattern shirt, brown, orange, green, 100% cotton, one pocket, buttons, yellow embroidered stitching on back, available sizes: M, L

BOM DIA ZINI WOOL, longsleeve checked pattern shirt, brown, beige, blue, 100% wool, one pocket, buttons, blue embroidered stitching on back, available sizes M, L

designed Studio Manuel Raeder] you can order them via www.bomdiabooks.de @bomdiabooks as long as they last

#Repost @ingabooks ・・・A new title at Inga from AKV Berlin in collaboration with @bomdiabooks, Very Normal People is now ...
12/04/2022

#Repost @ingabooks
・・・
A new title at Inga from AKV Berlin in collaboration with @bomdiabooks, Very Normal People is now available for purchase.

In this collection of stories and illustrations, Anna M. Szaflarski examines the subject of violence, in particular as it is experienced through the female body. Beginning with an autobiographical experience, the story triggers a dissociative state that plunges the book in and out of imaginary worlds and associative narrative threads.

#Repost @hopscotchreadingroom ・・・Weekly Notes on Book Design with @formal.settings Part LXIII: Very Normal People (2019)...
10/04/2022

#Repost @hopscotchreadingroom
・・・
Weekly Notes on Book Design with @formal.settings Part LXIII: Very Normal People (2019) by Anna M. Szaflarski ✹ Published by @BomDiaBooks in collaboration with AKV Berlin ✹ Designed by @AnnaMSzaflarski and Santiago da Silva. The book comes with a full-color poster inlay.

Despite the well-meaning proverbial advice, we do judge books by their covers (after all, that’s what covers are for). But format, thickness and binding also contribute to forming our impression of what type of book we are looking at, and who it’s for. Strip away all graphic elements and you can still easily tell a coffee table book, a romance novel and a children's book apart, based on their typical form.

The dimensions of Very Normal People (31 by 23.5 cm and about 1 cm thick), paired with the large body text and mostly illustrative content, makes it look like a children's book at first glance, but the reader soon gets wiser. “I never imagined that I would find myself pinned down and strangled by a partner” the story opens. Who ever does? Sometimes we encounter sides of people that are darker than the first impressions suggested.

By pairing autobiographical writing and surreal drawings, artist and writer Anna M. Szaflarski analyzes the subject of violence as experienced by the female body. The narrative brings the reader into the dissociative state that violence can trigger, and the world she presents is eerie. The naive design expression starkly contrasts the gravity of the subject matter. Alice is far from wonderland here. The unruly cover lettering helps tell the story, with pointy, irregular letterforms that are shoving and jostling uncomfortably amongst each other. On the inside, two different typefaces are used to distinguish between the narrator and other voices, and here and there the lines shift and bend, adapting to other elements.

Aside from speaking about painful and personal experiences, Szaflarski also challenges the norms for the form in which we speak about violence. The reader is reminded that - with books as with people - things are not always what they initially seem.👀

#Repost @casabosques ・・・“Poetry is the only way out of here is her guiding principle; mantra; battle cry. Poetry is not ...
09/04/2022

#Repost @casabosques
・・・
“Poetry is the only way out of here is her guiding principle; mantra; battle cry. Poetry is not merely a label for writery, it is an attitude to the wor(l)d, a reflexive tool of reflecting. In present surpassing limits of absurdity on a daily base, poetry is a way of making simultaneity and contradiction tangible. In days like these, it becomes absolutely necessary in order not to lose one‘s mind. ”

Poetry is the only way out of here de Nouria Behloul, publicado por @bomdiabooks , está disponible en la librería y página web 📚📱

#CasaBosques #Bookstore #IndependentBookstore #Libros #Revistas

#Repost @hanns_aplast ・・・I am so happy and proud to announce the first book I edited together with @kunsthallemuenster i...
31/03/2022

#Repost @hanns_aplast
・・・
I am so happy and proud to announce the first book I edited together with @kunsthallemuenster is out now!

Thank you @lucasliccini and @studiomanuelraeder for the magnificent design and to @bomdiabooks for their trust in the project. Thank you to all the wonderful authors, their beautiful texts and to all the incredible artists involved.

Thank you for the attention. 🐦🪶

Book launch and reading @hopscotchreadingroom Saturday 26.3.22 18:00 hrsThis publication is hosting a collection of poem...
17/03/2022

Book launch and reading @hopscotchreadingroom Saturday 26.3.22 18:00 hrs

This publication is hosting a collection of poems by Nouria Behloul written between 2011 and 2021. Poetry is the only way out of here is her guiding principle; mantra; battle cry. Poetry is not merely a label for writery, it is an attitude to the wor(l)d, a reflexive tool of reflecting. In present surpassing limits of absurdity on a daily base, poetry is a way of making simultaneity and contradiction tangible. In days like these, it becomes absolutely necessary in order not to lose one’s mind.

Language: English
Size: 215 × 135 mm
Pages: 144 + folded poster
Format: Softcover
Designer: Studio Manuel Raeder @studiomanuelraeder
Text by: Nouria Behloul @nouriabehloul
ISBN: 978-3-96436-053-3

#Repost @printedmatter_stmarks ・・・Like a donkey dressed in zebra’s clothing, criticism can appear in a borrowed coat; pe...
05/03/2022

#Repost @printedmatter_stmarks
・・・
Like a donkey dressed in zebra’s clothing, criticism can appear in a borrowed coat; perhaps it can even reveal itself in stolen poems. Here, among fables of donkeys, shoemakers and barricades, German angels and non-German angels, and a few lines from Emily Dickinson, the transformative possibilities of art are unfolded in the figure of labor.

Poems and Parables on the Political Utility of Art, by Karl Katz Lydén, is a small book. It looks like poetry, but it is better described as a kind of criticism. Taking up some recent disqualifications of art’s political potential, it refutes them in a threefold movement: against the notion of commodification of works of art; against the act of denouncing art as always-already reified from the safe position of a pure, untouched theory; against the notions that art must either reveal our alienation, or produce immediate effects on the social sphere. Outlining art’s transformative possibilities in the figure of a certain labor, the argument is shaped among fables of donkeys, zebras from Gaza, apes from Adorno, and a particular barricade from the Paris Commune.

Published by Bom Dia Books.

$14.95 Stock ID 215995 link in bio

We are open today 12-8

#Repost @skylightbooks ・・・Tons of new titles and restocks in the annex. Including the incredible @jennagribbon monograph...
01/03/2022

#Repost @skylightbooks
・・・
Tons of new titles and restocks in the annex. Including the incredible @jennagribbon monograph, new HR Giger books from @kaleidoscopemagazine and the new David Hockney issue of @middleplane

#Repost @worldfoodbooks ・・・BACK IN THE BOOKSHOP: NICHOLAS MANGAN — TERMITE ECONOMIES (2021)•This publication assembles t...
15/02/2022

#Repost @worldfoodbooks
・・・
BACK IN THE BOOKSHOP: NICHOLAS MANGAN — TERMITE ECONOMIES (2021)

This publication assembles three phases of Termite Economies, a major series of artworks produced between 2018 and 2020 by the Australian artist Nicholas Mangan.

In Termite Economies (Phase 1) Mangan researched an anecdote that termite abilities might one day lead humans to gold deposits. Phase 2 explored termite eusociality, pheromonal communication, building behavior, biomimicry, superorganism and swarm intelligence. Phase 3 deployed termite collectivism as a speculative model for rerouting human neural pathways. Within each phase, Mangan developed specific methods to explore these phenomena formally, spatially, and through moving images.

Termite Economies grappled with the potentiality of collective social behavior and complexities of systematic exploitation of non-human intelligence.

The book presents each phase in the order of the exhibition series. It includes process and research photographs, diagrams, installation and detailed imagery. It includes an essay by Artist Mariana Silva, a fictional text by writer ST.Lore, a conversation between Mangan and cultural theorist Ana Teixeira Pinto, and a republished essay by Dr. Guy Theraulaz Research Director Member of Team CAB: Collective Animal Behavior Center for Research on Animal Cognition, CNRS.

Alert to both history and science, Nicholas Mangan (born 1979, Geelong, Victoria, lives and works in Melbourne) is a multi-disciplinary artist known for interrogating narratives embedded in a diverse range of objects. With a keen interest in the processes of forming meaning from objects, culture and natural phenomena, Mangan creates unnerving drawings, montages, sculptures and installations. His work addresses a wide range of themes, including the ongoing impacts of colonialism, humanity's fraught relationship with the natural environment, contemporary consumptive cultures and the complex dynamics of the global political economy.

Available via our website and in the bookshop.

#worldfoodbooks #nicholasmangan @bomdiabooks #zigatesten #stlore #marianasilva #anateixeirapinto #guytheraulaz @suttongallerymelbourne

#Repost @como_ediciones ・・・DESCUBRIR EL LIBRO 46Never odd or evenVolumen llMariana Castillo Deball y otros autores.Bom D...
15/02/2022

#Repost @como_ediciones
・・・
DESCUBRIR EL LIBRO 46
Never odd or even
Volumen ll
Mariana Castillo Deball y otros autores.
Bom Dia Boa Tarde Boa Noite, 2011
@marianacastillodeball
@bomdiabooks

#Repost @printedmatter_stmarks ・・・Window / Spacetime, by Ayami Awazuhara, is a portrait of the city of Berlin. A variety...
31/01/2022

#Repost @printedmatter_stmarks
・・・
Window / Spacetime, by Ayami Awazuhara, is a portrait of the city of Berlin. A variety of shops that have names of countries and cities refer to different faraway places and invite the reader on an imaginary journey. Dis- and misplacing distant memories of the past triggers a yearning sense of other destinations within the everyday scenarios.⁠

The publication succeeds a video work with the same title which was shown at the exhibition Drift and Shift in Kunstverein Göttingen in 2018.⁠ Published by @bomdiabooks

$19 Stock ID 215659, link in bio

#Repost @matthewhiggs2015 ・・・Book of the day! 💛📖💛 The extraordinary 470 page history of the Beau Geste Press (1971-1976)...
23/01/2022

#Repost @matthewhiggs2015
・・・
Book of the day! 💛📖💛 The extraordinary 470 page history of the Beau Geste Press (1971-1976). Published by @capcmusee @les_presses_du_reel and @bomdiabooks in 2020 following the 2017 exhibition at @capcmusee in Bordeaux. The book is a definitive account of the independent publishing house based in rural Devon in the UK. The Beau Geste Press was a big influence on my independent publishing activities in the early-mid 1990s.🙂 Kudos to all concerned! 👏👏 I bought my copy from @printedmatterinc #beaugestepress

#Repost @isabelnunodebuen ・・・My new book is out! 💕Published by @kunstverein_hannover and @bomdiabooks , it is designed b...
23/01/2022

#Repost @isabelnunodebuen
・・・
My new book is out! 💕Published by @kunstverein_hannover and @bomdiabooks , it is designed by Santiago da Silva with texts by Silke Hohmann, Sergey Harutoonian and Chris Sharp. You can get it online at www.bomdiabooks.de or this weekend at @indexartbookfair at BOM DIA BOA TARDE BOA NOITE’s stand at @kurimanzutto @indexartbookfair ⚡️

#Repost kurimanzutto] ・・・Index Art Book Fair @indexartbookfair en kurimanzutto.Enero 20-23, 2022Editoriales participante...
17/01/2022

#Repost kurimanzutto]
・・・
Index Art Book Fair @indexartbookfair en kurimanzutto.
Enero 20-23, 2022

Editoriales participantes:

John of the Thing / Juan de la Cosa – MX
kurimanzutto libros – MX
La Señorita Etcétera Librería – MX
Librería El Insulto – MX
Libros UNAM – MX
MAGMA / Leernos Juntas – MX
Museo Jumex – MX
O Book Publisher – DE
Onomatopee – NL
Originaria – MX
Other forms – US
Pitzilein Books – MX
pois é – US
Recreo Valencia Art Book Fair – ES
Roma Publications – NL
Secret Riso Club – US
SILVESTRE/WERKPLAANTS TYPOGRAPIE – NL
Sonntag – DE
Spector Books – NL
Sternberg Press – DE
Suave + Matte Editions – MX
t-e-e/vacaciones de trabajo – MX
Temblores Publicaciones – MX
This is Jackalope – ES
Umor Rex – MX
Valiz – NL
Wendy's Subway – US
White Fungus – TW
ZINI books – MX
ZOLO PRESS – MX

Casa Bosques] @restauranterosetta @panaderiarosetta
#IndexArtBookFair
#kurimanzutto
#ArtBookFair
#librosdearte #iabf @2bridgesmusicarts
@accattone_magazine
@alexcartagenamex
@alias_editorial
@amigas_intimas
#bielbooks
@bienaltlatelolca
@bigsurbooks
@bomdiabooks
@cajanegraeditora
@cancanpress
Casa Bosques]
@clubdelprado
@cthulhu_books
@edicioneshungria
@edicionesmanivela
@faunalibros
@espacmx
@fiebreediciones
@bastidakullick
@gatonegroediciones
@handshake.fun
@harmonipan_
@humobooks
@ingabooks
@johnofthething
kurimanzutto]
@lasritaetc
@elinsulto
@librosunam
@los_sumergidos
@m.agm.a
@matte.editions
@microutopiaspress
@museojumex
@obookpublisher
@onomatopeenet
@other.forms
@pitzileinbooks
@recreoartbookfair
@roma.publications
@secret_riso_club
@silvestre.p.b
@sonntag_berlin
@spectorbooks
@sternberg_press
@suave.ooo
#temblorespublicaciones
@this_is_jackalope
@valiz_books_projects
@wendyssubway
@werkplaatstypografie
@whitefungus
@zinibooks
@zolo.press

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#Repost @ingabooks ・・・ A new title at Inga from AKV Berlin in collaboration with @bomdiabooks, Very Normal People is now available for purchase. In this collection of stories and illustrations, Anna M. Szaflarski examines the subject of violence, in particular as it is experienced through the female body. Beginning with an autobiographical experience, the story triggers a dissociative state that plunges the book in and out of imaginary worlds and associative narrative threads.
#Repost @hopscotchreadingroom ・・・ Weekly Notes on Book Design with @formal.settings Part LXIII: Very Normal People (2019) by Anna M. Szaflarski ✹ Published by @BomDiaBooks in collaboration with AKV Berlin ✹ Designed by @AnnaMSzaflarski and Santiago da Silva. The book comes with a full-color poster inlay. Despite the well-meaning proverbial advice, we do judge books by their covers (after all, that’s what covers are for). But format, thickness and binding also contribute to forming our impression of what type of book we are looking at, and who it’s for. Strip away all graphic elements and you can still easily tell a coffee table book, a romance novel and a children's book apart, based on their typical form. The dimensions of Very Normal People (31 by 23.5 cm and about 1 cm thick), paired with the large body text and mostly illustrative content, makes it look like a children's book at first glance, but the reader soon gets wiser. “I never imagined that I would find myself pinned down and strangled by a partner” the story opens. Who ever does? Sometimes we encounter sides of people that are darker than the first impressions suggested. By pairing autobiographical writing and surreal drawings, artist and writer Anna M. Szaflarski analyzes the subject of violence as experienced by the female body. The narrative brings the reader into the dissociative state that violence can trigger, and the world she presents is eerie. The naive design expression starkly contrasts the gravity of the subject matter. Alice is far from wonderland here. The unruly cover lettering helps tell the story, with pointy, irregular letterforms that are shoving and jostling uncomfortably amongst each other. On the inside, two different typefaces are used to distinguish between the narrator and other voices, and here and there the lines shift and bend, adapting to other elements. Aside from speaking about painful and personal experiences, Szaflarski also challenges the norms for the form in which we speak about violence. The reader is reminded that - with books as with people - things are not always what they initially seem.👀
#Repost @casabosques ・・・ “Poetry is the only way out of here is her guiding principle; mantra; battle cry. Poetry is not merely a label for writery, it is an attitude to the wor(l)d, a reflexive tool of reflecting. In present surpassing limits of absurdity on a daily base, poetry is a way of making simultaneity and contradiction tangible. In days like these, it becomes absolutely necessary in order not to lose one‘s mind. ” Poetry is the only way out of here de Nouria Behloul, publicado por @bomdiabooks , está disponible en la librería y página web 📚📱 #CasaBosques #Bookstore #IndependentBookstore #Libros #Revistas
#Repost @hanns_aplast ・・・ I am so happy and proud to announce the first book I edited together with @kunsthallemuenster is out now! Thank you @lucasliccini and @studiomanuelraeder for the magnificent design and to @bomdiabooks for their trust in the project. Thank you to all the wonderful authors, their beautiful texts and to all the incredible artists involved. Thank you for the attention. 🐦🪶
Book launch and reading @hopscotchreadingroom Saturday 26.3.22 18:00 hrs This publication is hosting a collection of poems by Nouria Behloul written between 2011 and 2021. Poetry is the only way out of here is her guiding principle; mantra; battle cry. Poetry is not merely a label for writery, it is an attitude to the wor(l)d, a reflexive tool of reflecting. In present surpassing limits of absurdity on a daily base, poetry is a way of making simultaneity and contradiction tangible. In days like these, it becomes absolutely necessary in order not to lose one’s mind. Language: English Size: 215 × 135 mm Pages: 144 + folded poster Format: Softcover Designer: Studio Manuel Raeder @studiomanuelraeder Text by: Nouria Behloul @nouriabehloul ISBN: 978-3-96436-053-3
#Repost @printedmatter_stmarks ・・・ Like a donkey dressed in zebra’s clothing, criticism can appear in a borrowed coat; perhaps it can even reveal itself in stolen poems. Here, among fables of donkeys, shoemakers and barricades, German angels and non-German angels, and a few lines from Emily Dickinson, the transformative possibilities of art are unfolded in the figure of labor. Poems and Parables on the Political Utility of Art, by Karl Katz Lydén, is a small book. It looks like poetry, but it is better described as a kind of criticism. Taking up some recent disqualifications of art’s political potential, it refutes them in a threefold movement: against the notion of commodification of works of art; against the act of denouncing art as always-already reified from the safe position of a pure, untouched theory; against the notions that art must either reveal our alienation, or produce immediate effects on the social sphere. Outlining art’s transformative possibilities in the figure of a certain labor, the argument is shaped among fables of donkeys, zebras from Gaza, apes from Adorno, and a particular barricade from the Paris Commune. Published by Bom Dia Books. $14.95 Stock ID 215995 link in bio We are open today 12-8
#Repost @skylightbooks ・・・ Tons of new titles and restocks in the annex. Including the incredible @jennagribbon monograph, new HR Giger books from @kaleidoscopemagazine and the new David Hockney issue of @middleplane
#Repost @worldfoodbooks ・・・ BACK IN THE BOOKSHOP: NICHOLAS MANGAN — TERMITE ECONOMIES (2021) • This publication assembles three phases of Termite Economies, a major series of artworks produced between 2018 and 2020 by the Australian artist Nicholas Mangan. • In Termite Economies (Phase 1) Mangan researched an anecdote that termite abilities might one day lead humans to gold deposits. Phase 2 explored termite eusociality, pheromonal communication, building behavior, biomimicry, superorganism and swarm intelligence. Phase 3 deployed termite collectivism as a speculative model for rerouting human neural pathways. Within each phase, Mangan developed specific methods to explore these phenomena formally, spatially, and through moving images. • Termite Economies grappled with the potentiality of collective social behavior and complexities of systematic exploitation of non-human intelligence. • The book presents each phase in the order of the exhibition series. It includes process and research photographs, diagrams, installation and detailed imagery. It includes an essay by Artist Mariana Silva, a fictional text by writer ST.Lore, a conversation between Mangan and cultural theorist Ana Teixeira Pinto, and a republished essay by Dr. Guy Theraulaz Research Director Member of Team CAB: Collective Animal Behavior Center for Research on Animal Cognition, CNRS. • Alert to both history and science, Nicholas Mangan (born 1979, Geelong, Victoria, lives and works in Melbourne) is a multi-disciplinary artist known for interrogating narratives embedded in a diverse range of objects. With a keen interest in the processes of forming meaning from objects, culture and natural phenomena, Mangan creates unnerving drawings, montages, sculptures and installations. His work addresses a wide range of themes, including the ongoing impacts of colonialism, humanity's fraught relationship with the natural environment, contemporary consumptive cultures and the complex dynamics of the global political economy. • Available via our website and in the bookshop. • #worldfoodbooks #nicholasmangan @bomdiabooks #zigatesten #stlore #marianasilva #anateixeirapinto #guytheraulaz @suttongallerymelbourne
#Repost @como_ediciones ・・・ DESCUBRIR EL LIBRO 46 Never odd or even Volumen ll Mariana Castillo Deball y otros autores. Bom Dia Boa Tarde Boa Noite, 2011 @marianacastillodeball @bomdiabooks
#Repost @printedmatter_stmarks ・・・ Window / Spacetime, by Ayami Awazuhara, is a portrait of the city of Berlin. A variety of shops that have names of countries and cities refer to different faraway places and invite the reader on an imaginary journey. Dis- and misplacing distant memories of the past triggers a yearning sense of other destinations within the everyday scenarios.⁠ ⁠ The publication succeeds a video work with the same title which was shown at the exhibition Drift and Shift in Kunstverein Göttingen in 2018.⁠ Published by @bomdiabooks ⁠ $19 Stock ID 215659, link in bio
#Repost @matthewhiggs2015 ・・・ Book of the day! 💛📖💛 The extraordinary 470 page history of the Beau Geste Press (1971-1976). Published by @capcmusee @les_presses_du_reel and @bomdiabooks in 2020 following the 2017 exhibition at @capcmusee in Bordeaux. The book is a definitive account of the independent publishing house based in rural Devon in the UK. The Beau Geste Press was a big influence on my independent publishing activities in the early-mid 1990s.🙂 Kudos to all concerned! 👏👏 I bought my copy from @printedmatterinc #beaugestepress
#Repost @isabelnunodebuen ・・・ My new book is out! 💕Published by @kunstverein_hannover and @bomdiabooks , it is designed by Santiago da Silva with texts by Silke Hohmann, Sergey Harutoonian and Chris Sharp. You can get it online at www.bomdiabooks.de or this weekend at @indexartbookfair at BOM DIA BOA TARDE BOA NOITE’s stand at @kurimanzutto @indexartbookfair ⚡️