Sandra Abou Abdo

Sandra Abou Abdo Sandra Abou Abdo / artist / art pedagogue / art teacher

I chose the rough grain of the wood as an echo. Deep blue and dark plumage call out, their voices interweave with the gr...
09/05/2026

I chose the rough grain of the wood as an echo. Deep blue and dark plumage call out, their voices interweave with the grain - pushing ahead, loosening behind it. A game of sound and surface.

Which feather part do you notice first, and where would you hang it with you?

In "Piercing Gaze," I portray a woman whose blue eyes demand attention rather than simply observe. The textured surface ...
11/04/2026

In "Piercing Gaze," I portray a woman whose blue eyes demand attention rather than simply observe. The textured surface and vibrant colors contrast with natural wood and metallic accents; golden areas act as a protective layer alongside delicate lace and red blossoms. Protruding nails and relief-like structures create a raw topography that deliberately leaves the image open to personal interpretation. What story lies in her gaze? Share a word or a feeling in the comments—I'm eager to hear your interpretations. A striking focal point that will add a unique touch to your space. Texture WoodArt MetalArt Eyes WallArt ArtCollector InteriorArt

I painted " Mind on fire" on wood panels to let the grain itself become part of the story. Clouds and textured elements ...
18/03/2026

I painted " Mind on fire" on wood panels to let the grain itself become part of the story. Clouds and textured elements rise from her head, portraying a mind suspended between memory and something more elusive. Warm wood tones meet cool blues; small metal accents punctuate the surface like scattered thoughts. When I worked on her face I wanted one side to feel rooted and the other to drift — which side speaks to you? Tell me the first word that comes to mind. If this piece calls to you, I can imagine it bringing a quietly provocative note to a living room or studio.

08/03/2026

Drawing flowers on wood feels like a quiet conversation with nature.
Each line follows the grain, each petal grows from the heart of the tree.
Pencil, wood, and a moment of stillness — that’s all it takes to let a small garden bloom in your hands.

01/03/2026

There’s a special kind of magic when varnish touches texture.
The valleys darken, the peaks catch the light, and the whole painting feels like it’s taking a deeper breath—ready to be seen, touched, and lived with.
www.sandraabouabdo.com




27/02/2026

In Whispering Rain, the world is blurred by water and memory.
It’s not just about sadness, but about the soft cleansing that follows—when every raindrop becomes a small act of forgiveness falling from the sky.
www.sandraabouabdo.com

23/02/2026

PRIMING THE PAINTING : It’s not the glamorous part of painting, but it’s where the work really begins—sealing, smoothing, preparing a foundation that will hold every layer of emotion that comes next.
Good paintings start with good preparation. 😃www.sandraabouabdo.com

20/02/2026

Devil is in the Details: quiet afternoon in the atelier, just me, the smell of oil and wood, and another soul slowly appearing on the surface.

15/02/2026

There’s something so satisfying about the final step: brushing on that last layer of varnish. The colors deepen, the surface comes to life, and the painting finally feels “finished.”
Today I sealed a new piece, and it’s officially ready to leave the studio and find its home 😃🥳
www.sandraabouabdo.com




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Berlin

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