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Trinket (2008/2015), a monumental American flag writhing in the whirlwind of industrial fans, has been interpreted as a ...
15/05/2022

Trinket (2008/2015), a monumental American flag writhing in the whirlwind of industrial fans, has been interpreted as a monument to hollow American patriotism. It was first shown in 2008 at Grand Arts, a project space in Kansas City, Mo., and was presented as the centre piece in William Pope.L: Trinket (2015) at the Museum of Contemporary Art, LA. Over the course of the show the flag dissolved at its constantly fidgeting end, a potent metaphor for the undermining of democracy – and, perhaps an appeal to prevent further estrangement from democratic principles: ‘People need to feel their democracy, not just hear words about it,’ Pope.L was quoted in the exhibition text by curator Bennett Simpson. ​​​​​​​​
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Alongside Trinket (2008/2015), Pope.L presented Small Cup (2008) at MOCA – a video that is currently on view at Schinkel Pavillon.​​​​​​​​
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POPE.L: BETWEEN A FIGURE AND A LETTER​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​
April 9 – July 31, 2022​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​
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Curated by Dieter Roelstraete @dieter_roelstraete​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​
Exhibition Management by Anja Lindner @anja_li_de​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​
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Funded by Funded by Hauptstadtkulturfonds #hauptstadtkulturfonds, Neustartkultur #neustartkultur and Rudolf Augstein Stiftung #rudolfaugsteinstiftung and the US Embassy Berlin #usembassyberlin​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​
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With special thanks to Mitchell-Innes & Nash @miandn #mitchellinnesandnash ; Additional thanks to Maxim Gorki Theater @maxim_gorki_theater #maximgorkitheater​​​​​​​​​​​​​​​​
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Image: POPE.L,Trinket, 2015, Installation view at The Geffen Contemporary at MOCA LA; Courtesy of the artist and MOCA, Photo: Brian Forrest​​​​​​​​
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#popel #dieterroelstraete #betweenafigureandaletter #schinkelpavillon #schinkelklause

WE’RE BACK
12/05/2022

WE’RE BACK

Cow Commercial is a part of Pope.L's Black Domestic project, a set of performances, photographs, and one video, in which...
09/05/2022

Cow Commercial is a part of Pope.L's Black Domestic project, a set of performances, photographs, and one video, in which he appears as a lively/edgy domestic worker. It has been interpreted as a spoof on the popular campaign “Got Milk?,” (90s) and an explicit critique of racial stereotypes that turn identities into consumable commodities.​​​​​​​​
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Currently on view at Schinkel Pavillon is the first, long-overdue solo exhibition of the exceptional US-artist Pope.L in Berlin.​​​​​​​​​​​​​​​​​​​​​​​​
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POPE.L: BETWEEN A FIGURE AND A LETTER​​​​​​​​​​​​​​​​​​​​​​​​
April 9 – July 31, 2022​​​​​​​​​​​​​​​​​​​​​​​​
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Curated by Dieter Roelstraete @dieter_roelstraete​​​​​​​​​​​​​​​​​​​​​​​​
Exhibition Management by Anja Lindner @anja_li_de​​​​​​​​​​​​​​​​​​​​​​​​
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Funded by Funded by Hauptstadtkulturfonds #hauptstadtkulturfonds, Neustartkultur #neustartkultur and Rudolf Augstein Stiftung #rudolfaugsteinstiftung and the US Embassy Berlin #usembassyberlin​​​​​​​​​​​​​​​​​​​​​​​​
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With special thanks to Mitchell-Innes & Nash @miandn #mitchellinnesandnash ; Additional thanks to Maxim Gorki Theater @maxim_gorki_theater #maximgorkitheater​​​​​​​​
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Image: Pope.L, Black Domestic a.k.a. Cow Commercial (Video Still), 1994; Courtesy of the artist.​​​​​​​​
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#popel #dieterroelstraete #betweenafigureandaletter #schinkelpavillon #schinkelklause

With POPE.L: Between A Figure And A Letter, the Schinkel Pavillon presents the first, long overdue solo exhibition of th...
05/05/2022

With POPE.L: Between A Figure And A Letter, the Schinkel Pavillon presents the first, long overdue solo exhibition of the exceptional US artist Pope.L in Berlin.​​​​​​​​
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POPE.L: BETWEEN A FIGURE AND A LETTER​​​​​​​​
April 9 – July 31, 2022​​​​​​​​
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Curated by Dieter Roelstraete @dieter_roelstraete​​​​​​​​
Exhibition Management by Anja Lindner @anja_li_de​​​​​​​​
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Funded by Funded by Hauptstadtkulturfonds #hauptstadtkulturfonds, Neustartkultur #neustartkultur and Rudolf Augstein Stiftung #rudolfaugsteinstiftung and the US Embassy Berlin #usembassyberlin​​​​​​​​
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With special thanks to Mitchell-Innes & Nash @miandn #mitchellinnesandnash ; Additional thanks to Maxim Gorki Theater @maxim_gorki_theater #maximgorkitheater​​​​​​​​
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#popel #dieterroelstraete #betweenafigureandaletter #schinkelpavillon #schinkelklause

"When you take the time to stop and look at history, you never know when it will end – suddenly, just like that, you’re ...
03/05/2022

"When you take the time to stop and look at history, you never know when it will end – suddenly, just like that, you’re in it, swimming, dreaming, floating, upside down; every sense of direction is just another layer and you ask yourself, how long have I been here gazing into this water? how long have I been here staring at my reflection? how long have I been turning to you, turning the pages of this ponder, dressed in this wonder? And you turn to me . . . laughing, punching my uncertainty, and I tumble out into the frozen floes of aisles, the mirrored lobbies, stumbling out, out, out, onto the streaming sidewalk, completely disoriented, into oncoming traffic." suggests Pope.L's voiceover in Reenactor (2012), a continuous loop of almost six hours in its longest version, in which actors in Confederate uniforms and Robert E. Lee fake beards circulate through ordinary spaces in Nashville. ​​​​​​​​
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Currently on view at Schinkel Pavillon is the first, long-overdue solo exhibition of the exceptional US-artist Pope.L in Berlin.​​​​​​​​​​​​​​​​
​​​​​​​​​​​​​​​​
POPE.L: BETWEEN A FIGURE AND A LETTER​​​​​​​​​​​​​​​​
April 9 – July 31, 2022​​​​​​​​​​​​​​​​
​​​​​​​​​​​​​​​​
Curated by Dieter Roelstraete @dieter_roelstraete​​​​​​​​​​​​​​​​
Exhibition Management by Anja Lindner @anja_li_de​​​​​​​​​​​​​​​​
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Funded by Funded by Hauptstadtkulturfonds #hauptstadtkulturfonds, Neustartkultur #neustartkultur and Rudolf Augstein Stiftung #rudolfaugsteinstiftung and the US Embassy Berlin #usembassyberlin​​​​​​​​​​​​​​​​
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With special thanks to Maxim Gorki Theater @maxim_gorki_theater #maximgorkitheater​​​​​​​​​​​​​​​​
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Image: Pope.L, Reenactor (2012), Video Still. Courtesy of the artist.​​​​​​​​
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#popel #dieterroelstraete #betweenafigureandaletter #schinkelpavillon #schinkelklause

Pope.L's A Vessel in a Vessel in a Vessel and So On (2007), a piece consisting of a pirate lady mannequin with a bust of...
01/05/2022

Pope.L's A Vessel in a Vessel in a Vessel and So On (2007), a piece consisting of a pirate lady mannequin with a bust of Martin Luther King Jr, turned upside-down, dripping chocolate, was brought up in a recent interview with the artist– published in @taz.die_tageszeitung – on his current show Between A Figure and A Letter at Schinkel Pavillon. The sculpture seems to relate to intersectionality as a potentially infinite hole, in which cause and effect have become indistinguishable.
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Read the full article on https://taz.de/Ausstellung-von-William-PopeL/!5846475/
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Currently on view at Schinkel Pavillon is the first, long-overdue solo exhibition of the exceptional US-artist Pope.L in Berlin.​​​​​​​​
​​​​​​​​
POPE.L: BETWEEN A FIGURE AND A LETTER​​​​​​​​
April 9 – July 31, 2022​​​​​​​​
​​​​​​​​
Curated by Dieter Roelstraete @dieter_roelstraete​​​​​​​​
Exhibition Management by Anja Lindner @anja_li_de​​​​​​​​
​​​​​​​​
Funded by Funded by Hauptstadtkulturfonds #hauptstadtkulturfonds, Neustartkultur #neustartkultur and Rudolf Augstein Stiftung #rudolfaugsteinstiftung and the US Embassy Berlin #usembassyberlin​​​​​​​​
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With special thanks to Maxim Gorki Theater @maxim_gorki_theater #maximgorkitheater​​​​​​​​
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Image: William Pope.L, A Vessel in a Vessel in a Vessel and So On, 2007. Pirate lady statue; Martin Luther King, Jr. plaster bust; wood; pump; light; chocolate. Courtesy of the artist and MC. Photo: Joshua White.
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#popel #dieterroelstraete #betweenafigureandaletter #schinkelpavillon #schinkelklause

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DISAPPEARING BERLIN, 2021/11/13, Spreewaldbad: 'Unter' by Billy Bultheel and Viviana Abelson. ⠀⠀⠀⠀⠀⠀⠀⠀⠀ 'A highlight of DISAPPEARING BERLIN 2021, realized together with the Radialsystem: a performance Billy Bultheel and Viviana Abelson at the Spreewaldbad, that will undergo renovations in 2022. (...) [The artists] transformed the profanity of the Wellenbad into a kind of eerie church of art.' – words by @hannoreads for @berliner_zeitung ⠀⠀⠀⠀⠀⠀⠀⠀⠀ 'Unter', by Billy Bultheel @billyjohnbultheel and Viviana Abelson @vivvaina_ was performed by Alexander Iezzi @alexanderiezzi, Andie Stecher, Rebecca Lane, Adam Sinclaire: @adamsinclaire and Max Murray, and presented by DISAPPEARING BERLIN x radialsystem. ⠀⠀⠀⠀⠀⠀⠀⠀⠀ Thank you @radialsystem_berlin Additional thanks to @berliner_baederbetriebe ⠀⠀⠀⠀⠀⠀⠀⠀⠀ Images: Billy Bultheel and Viviana Abelson, Unter (2021), DISAPPEARING BERLIN produced by Schinkel Pavillon, Spreewaldbad. Photos by Thyago Sainte @thyagosainte ⠀⠀⠀⠀⠀⠀⠀⠀⠀ DISAPPEARING BERLIN 2021 ⠀⠀⠀⠀⠀⠀⠀⠀⠀ 
Artistic direction by Marie-Therese Bruglacher @m_a_r_e_s_e 
Project management by Anja Lindner @anja_li_de 
 Production assistance by Patrick Kohn @ts_taurus 
 ⠀⠀⠀⠀⠀⠀⠀⠀⠀ DISAPPEARING BERLIN 2021 was funded by @kulturstiftungdesbundes  ⠀⠀⠀⠀⠀⠀⠀⠀⠀ #disappearingberlin #schinkelpavillon #billybultheel #vivianaabelson #radialsystemberlin #spreewaldbad #marietheresebruglacher #performanceart
The Schinkel Pavillon presents a second volume of the exhibition dedicated to HR Giger, this time entering a dialogue with the work of an artist who inspired him throughout his​​​​​​​​ lifetime: the subversive German Surrealist Hans Bellmer. Their provocative aesthetics, depicting at times explicit sexual acts and repulsive creatures, was for both a form of political resistance and rebellion. The exhibition space turns into a forbidden cabinet of nightmares and taboos which seduce the curious viewer with their alluring poetics​​​​​​​​ ​​​​​​​​ HR Giger & Hans Bellmer​​​​​​​​ January 22 – March 20, 2022​​​​​​​​ ​​​​​​​​ Curated by Laura López Paniagua @ourfriendsfromfrolix8​​​​​​​​ ​​​​​​​​ The artworks of HR Giger have been selected by curator Agnes Gryczkowska @agnesgryczkowska for the exhibition HR Giger & Mire Lee that was on view at the Schinkel Pavillon from Sept 18, 2021 to Jan 14, 2022.​​​​​​​​ ​​​​​​​​ Funded by Hauptstadtkulturfonds #hauptstadtkulturfonds​​​​​​​​ Special thanks to Collection Witzig - Danciu and Collection and Kunstraum, Collection Mario Müller.​​​​​​​​ ​​​​​​​​ Image: HR Giger & Hans Bellmer, exhibition view, Schinkel Pavillon, Berlin, 2022; Courtesy of the artists and Schinkel Pavillon. Photo: Frank Sperling​​​​​​​​​​​​​​​​ ​​​​​​​​ #gigerbellmer #hrgiger #hansbellmer #lauralopezpaniagua #schinkelpavillon #schinkelklause
DISAPPEARING BERLIN, 2021/08/15, Mäusebunker; with a performance by Julianknxx @julianknxx ⠀⠀⠀⠀⠀⠀⠀⠀⠀ Written and performed by Julianknxx @julianknxx Musical direction by Aron Kyne @aronkyne Drums by Toby Couling @tobycouling Accompanied by Berlin’s Most Finest, curated by Andy Roda @andyroda with Brenda Marie Turner, Daniel Keeling, Dorrey Lyles, Marlin Monroe Williford, Monica Lewis, Raymond Thompson, Shon Abrams, Tayo Awosusi-Onutor Costumes by Harris Elliott Studio @harriselliottstudio ⠀⠀⠀⠀⠀⠀⠀⠀⠀ The event was supported by Arno Brandlhuber @bplus.xyz and Johann König @johann.koenig ⠀⠀⠀⠀⠀⠀⠀⠀⠀ DISAPPEARING BERLIN 2021 ⠀⠀⠀⠀⠀⠀⠀⠀⠀ Artistic Direction by Marie-Therese Bruglacher @m_a_r_e_s_e Project Management by Anja Lindner @anja_li_de Produktion Assistance by Patrick Kohn @ts_taurus ⠀⠀⠀⠀⠀⠀⠀⠀⠀ Images: Video Stills from drone footage by Joseph Kadow @josephkadow ⠀⠀⠀⠀⠀⠀⠀⠀⠀ DISAPPEARING BERLIN is a performance and music series, organized and produced by Schinkel Pavillon e.V. and is funded by @kulturstiftungdesbundes ⠀⠀⠀⠀⠀⠀⠀⠀⠀ #disappearingberlin #schinkelpavillon #julianknxx #mäusebunker #marietheresebruglacher #performanceart
The figure of the doll in Hans Bellmer’s œvre marks, at once, a schism in between the artist and his father and the artist and 'the system of the father'. Out of protest Bellmer abandoned his established career as a commercial artist in 1933. At the same time he engaged in increasingly obsessive relationships with the dolls he had begun to produce. "The source of my images is scandalous" said Bellmer, "because for me the world is a scandal."​​​​​​​​ ​​​​​​​​ HR Giger & Hans Bellmer​​​​​​​​ January 22 – March 20, 2022.​​​​​​​​ Curated by Laura López Paniagua @ourfriendsfromfrolix8​​​​​​​​ ​​​​​​​​ The artworks of HR Giger have been selected by curator Agnes Gryczkowska @agnesgryczkowska for the exhibition HR Giger & Mire Lee that was on view at the Schinkel Pavillon from Sept 18, 2021 to Jan 14, 2022.​​​​​​​​ ​​​​​​​​ Funded by Hauptstadtkulturfonds #hauptstadtkulturfonds​​​​​​​​ Special thanks to Collection Witzig - Danciu and Collection and Kunstraum, Collection Mario Müller.​​​​​​​​ ​​​​​​​​ Image: Hans Bellmer, La poupée, 1932 bis 1945; Courtesy of Paris, Musée national d'art moderne, Centre Pompidou.​​​​​​​​ ​​​​​​​​ #gigerbellmer #hrgiger #hansbellmer #lauralopezpaniagua #schinkelpavillon #schinkelklause
The exhibition brings together iconic sculptures, early paintings, and drawings of the legendary Swiss artist and creator of the Alien creature (from the namesake film) HR Giger (1940–2014), alongside a collection of graphic works and photographs of the subversive German Surrealist Hans Bellmer (1902–1975).​​​​​​​​ ​​​​​​​​ HR Giger & Hans Bellmer​​​​​​​​ January 22 – March 20, 2022.​​​​​​​​ Curated by Laura López Paniagua @ourfriendsfromfrolix8​​​​​​​​ ​​​​​​​​ The artworks of HR Giger have been selected by curator Agnes Gryczkowska @agnesgryczkowska for the exhibition HR Giger & Mire Lee that was on view at the Schinkel Pavillon from Sept 18, 2021 to Jan 14, 2022.​​​​​​​​ ​​​​​​​​ Funded by Hauptstadtkulturfonds #hauptstadtkulturfonds​​​​​​​​ Special thanks to Collection Witzig - Danciu and Collection and Kunstraum, Collection Mario Müller.​​​​​​​​ ​​​​​​​​ Image: HR Giger & Hans Bellmer, exhibition view, Schinkel Pavillon, Berlin, 2022; Courtesy of the artists and Schinkel Pavillon. Photo: Frank Sperling​​​​​​​​ ​​​​​​​​ #gigerbellmer #hrgiger #hansbellmer #lauralopezpaniagua #schinkelpavillon #schinkelklause
This exhibition is a surreal sexual fantasy, a voyage that sheds light on the barely acknowledged historical bond between Hans Bellmer and HR Giger. ​​​​​​​​ ​​​​​​​​ HR Giger & Hans Bellmer​​​​​​​​ January 22 – March 20, 2022.​​​​​​​​ Curated by Laura López Paniagua @ourfriendsfromfrolix8​​​​​​​​ ​​​​​​​​ The artworks of HR Giger have been selected by curator Agnes Gryczkowska @agnesgryczkowska for the exhibition HR Giger & Mire Lee that was on view at the Schinkel Pavillon from Sept 18, 2021 to Jan 14, 2022.​​​​​​​​ ​​​​​​​​ Funded by Hauptstadtkulturfonds #hauptstadtkulturfonds​​​​​​​​ Special thanks to Collection Witzig - Danciu and Collection and Kunstraum, Collection Mario Müller.​​​​​​​​ ​​​​​​​​ Image: HR Giger, Mutanten, 1975. Courtesy HR Giger Museum, Gruyères.​​​​​​​​ ​​​​​​​​ #gigerbellmer #hrgiger #hansbellmer #lauralopezpaniagua #schinkelpavillon #schinkelklause
Vol. 4 of Human Fly takes us back to a vibrant evening in October 2021 at Café Keese – one of Berlin’s last traditional dance halls. Pianist and composer Hania Rani and cellist and composer Dobrawa Czocher, both at home in the context of classical music, presented their new album Inner Symphonies (Deutsche Grammophon). Hania Rani and Dobrawa Czocher have a long-standing personal relationship that first resulted in a musical collaboration in 2015. In their new album they combine their classical musical approaches with an ever-curious interest in other forms of music and art, without restricting themselves to genres. The theme of connectedness, both personal and musical, runs like a red thread through their compositions. Cast: Hania Rani (piano) @haniarani Dobrawa Czocher (cello) @dobrawaczocher, Kornelia Gradzka (strings) @korneliagradzka, Pawel Czarny (strings), Agata Dankowska (sound tech), Deutsche Grammophon (label) @dgclassics DISAPPEARING BERLIN 2021 Artistic Direction: Marie-Therese Bruglacher @m_a_r_e_s_e Project Management: Anja Lindner @anja_li_de Produktion Assistant: Patrick Kohn @ts_taurus With Human Fly, artists Joseph Kadow and Malina Heinemann create an artistic translation of the DISAPPEARING BERLIN 2021 program. Using the immediate aesthetics of phone cameras they capture the emerging synergies between artistic performances, space and architecture as well as the experiences of the audience.
Hans Bellmer (1902-1975) was one of the most uncompromising artists of the twentieth century. An associate of the Dadaists and Surrealists, throughout his work he pursued a profoundly personal, eroticized vision that defies any simplistic categorization. ⠀⠀⠀⠀⠀⠀⠀⠀⠀ HR Giger & Hans Bellmer January 22 – March 20, 2022. Curated by Laura López Paniagua @ourfriendsfromfrolix8 ⠀⠀⠀⠀⠀⠀⠀⠀⠀ The artworks of HR Giger have been selected by curator Agnes Gryczkowska @agnesgryczkowska for the exhibition HR Giger & Mire Lee that was on view at the Schinkel Pavillon from Sept 18, 2021 to Jan 14, 2022. ⠀⠀⠀⠀⠀⠀⠀⠀⠀ Funded by Hauptstadtkulturfonds #hauptstadtkulturfonds Special thanks to Collection Witzig - Danciu and Collection and Kunstraum, Collection Mario Müller. ⠀⠀⠀⠀⠀⠀⠀⠀⠀ Image: Hans Bellmer, 1936. Photo: Karin Székessy. ⠀⠀⠀⠀⠀⠀⠀⠀⠀ #gigerbellmer #hrgiger #hansbellmer #lauralopezpaniagua #schinkelpavillon #schinkelklause
Hans Bellmer understood the body as an erotic landscape probing the limits of sexuality, identity, and social order. His monstrously erotic Doll (Die Puppe, 1934), a fragmentary and lustful sculpture, was his response to the N**i ideal, a neoclassical “Aryan” body. The erotically charged sculpture Machine-Gunneress in a State of Grace (1937) is composed of parts of Bellmer's Doll.⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀ HR Giger & Hans Bellmer⠀⠀⠀⠀⠀⠀⠀⠀⠀ January 22 – March 20, 2022.⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀ Curated by Laura López Paniagua @ourfriendsfromfrolix8⠀⠀⠀⠀⠀⠀⠀⠀⠀ HR Giger conceived by @agnesgryczkowska⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀ Funded by Hauptstadtkulturfonds #hauptstadtkulturfonds⠀⠀⠀⠀⠀⠀⠀⠀⠀ Special thanks to Collection Witzig - Danciu and Collection and Kunstraum, Collection Mario Müller.⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀ Image: Hans Bellmer, The Machine-Gunneress in a State of Grace, 1937. Copyright: 2022 Artists Rights Society (ARS), New York / ADAGP, Paris⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀ #gigerbellmer #hrgiger #hansbellmer #lauralopezpaniagua #schinkelpavillon #schinkelklause