As the largest network of public theatres in Europe, the ETC has more than 40 European Member Theatres from over 20 countries, reflecting the diversity of Europe’s vibrant cultural sector. Founded in 1988, the ETC promotes European theatre as a vital platform for dialogue, democracy and interaction that responds to, reflects and engages with today’s diverse audiences and changing societies.
(4)
The European Theatre Convention (ETC) is the largest pan-European non profit-making membership organization representing over 40 publicly funded theatres in more than 20 countries.The aim of the ETC is to create, protect and promote the art of theatre throughout Europe and beyond initiating on-going actions and international projects with a focus on: - Support and development of young theatre artists - Promotion and creation of contemporary drama - International artistic theatre collaboration projects - Advocacy and representation of the public theatre sector in dialogue with EU institutions The ETC is also a platform for professional meetings and exchanges, supporting mobility, capacity building and cultural diversity through theatre: - Theatre staff exchanges for all theatre professions to work in another partner theatre - Theatre performances exchanges between partner theatres - Mobility for theatre audiences with free tickets in partner theatres across Europe for subscribers
Mission: The ETC supports and initiates staff exchange; production exchange; audience mobility; the creation of theatre cooperations; the creation of new plays and works as an advocacy at the EU.
Communication Officers ➡️ Develop your knowledge and skills at Communicating the Arts Lausanne. Learn from the freshest insights and international best practices in communication and audience engagement. ETC Members receive a discount to attend!
#CTALAU
Communicating the Arts offers ETC members a preferred rate to attend the conference in Lausanne/Switzerland from 22 to 24 June 2020.
"We need to fight apathy, lethargy, pessimism, greed, and disregard for the world we live in, the planet we live on. Theatre has a role, a noble role, in energising and mobilising humanity to lift itself from its descent into the abyss."
For World Theatre Day 2020, Shahid Nadeem, a prominent playwright from Pakistan, reminds us of the important role theatre plays in society. Read the full message and participate on 27 March 2020!
Message for World Theatre Day 2020 by Shahid Nadeem.
📢 Opportunity for technical teams of the ETC network! 📢
Registration is now open for the next Digital Theatre Workshop: Deep Space Meets Theatre at Marjanishvili Theatre, Tbilisi/Georgia from 22 to 23 April 2020. Join us for an artistic and application-oriented workshop! Travel grants available 👇
The next Digital Theatre workshop dedicated to technical and artistic staff of the ETC network will take place from 21 to 23 April 2020 in Kote Marjanishvili State Drama Theatre, Tbilisi/Georgia.
Network with a global community of leaders and communicators from arts and culture at Communicating the Arts Lausanne, 22 – 24 June. As a conference partner, ETC Members benefit from a reduced rate to attend!
#CTALAU
Communicating the Arts offers ETC members a preferred rate to attend the conference in Lausanne/Switzerland from 22 to 24 June 2020.
![[Young Europe III Premiere] Great success last night with the Craiova premiere of "Democrisis", a gameplay developed in ...](https://img2.glartent.com/070/293/1428137270702936.jpg)
[Young Europe III Premiere] Great success last night with the Craiova premiere of "Democrisis", a gameplay developed in cooperation between Theater Magdeburg 🇩🇪, Staatstheater Braunschweig 🇩🇪 and the Teatrul Naţional Craiova 🇷🇴.
#YoungEuropeIII www.youngeurope3.eu
Meet the 7 talented emerging directors and dramaturgs selected for this year's Artist Residency! During 2020, each will complete a residency as assistant director, second assistant director or dramaturg at ETC Members SNG Nova Gorica, Theater Magdeburg, Théâtres de la Ville de Luxembourg, Schauspielhaus Graz, Teatro Stabile Torino, Teatro Nacional D. Maria II & Teatrul Naţional Craiova.
Discover the 2019/2020 season's ETC scholars! Seven artists from all over the world were chosen to assist with productions in ETC Member Theatres.
❓How can the arts strengthen our capacity for social responsibility, sustainability & socially conscious practice at all levels and across departments? Join the conversation at Communicating the Arts Lausanne, 22–24 June.
In the frame of our Professional Training Programme, ETC partnered up with #CTALAU in order to enable communication officers of the network to join the conference in June, with a 20% discount! Learn more 👇
Communicating the Arts offers ETC members a preferred rate to attend the conference in Lausanne/Switzerland from 22 to 24 June 2020.
How will the future theatre develop in the digital age? What kind of theatre will the future hold?
ETC Member representatives Michael Eickhoff (Theater Dortmund / Akademie für Theater und Digitalität and Michel Didym (CDN Nancy Lorraine, la Manufacture) are in Moscow 🇷🇺 to present their respective experiences in the Future Theatre Festival organised by the Moscow Gorky Art Theatre.
ETC Member representatives Michael Eickhoff and Michel Didym have been invited to present their experiences in the “Future Theatre Festival” organized by the Moscow Gorky Art Theatre (Moscow/Russia).
Congratulations to Tiago Rodrigues, Artistic Director of the Teatro Nacional D. Maria II, is the recipient of the 2019 Prémio Pessoa!
Tiago Rodrigues, Artistic Director of the Teatro Nacional D. Maria II, is the recipient of the 2019 Prémio Pessoa.
#Brexit #ThisIsNotGoodbye
It's a sad day for Europe, but ETC knows that the creative relationships between the UK and the continent will continue. Nothing can stop the deep connexions built over the years!
![[Communication Officers Seminar]The next seminar dedicated to the communication teams of the ETC Network will focus on "...](https://img.glartent.com/2/safe_image.php?d=AQAvKuh3C2GfI__1&url=https%3A%2F%2Fwww.europeantheatre.eu%2Fuploads%2Fnews%2F183%2F373%2520web.jpg&_nc_hash=AQB4ShZEfwG7ysk-)
[Communication Officers Seminar]
The next seminar dedicated to the communication teams of the ETC Network will focus on "Green Communication: Best Practice and Challenges". As ETC Member, you can benefit from a travel grant! More info below.
#greencommunication #greentheatre #europeantheatre
The next seminar dedicated to communication officers will take place from 23 to 24 March 2020 in National Theatre Prague, Czech Republic.
![[Green Theatre Seminar]You are working in the artistic and production teams in one of ETC Member Theatres? Join the Gree...](https://img.glartent.com/2/safe_image.php?d=AQBYw7c2P6m8n14C&url=https%3A%2F%2Fwww.europeantheatre.eu%2Fuploads%2Fnews%2F182%2F32199%2520web.jpg&_nc_hash=AQCgTUzXppPRU5bR)
[Green Theatre Seminar]
You are working in the artistic and production teams in one of ETC Member Theatres? Join the Green Theatre Seminar which will take place on 23 and 24 March 2020 in Prague, Czech Republic! Grants available, more info 👇
#greentheatre #europeantheatre
ETC is organising its first Green Theatre Seminar from 23 to 24 March 2020 in National Theatre Prague, Czech Republic. Artistic and production teams from ETC Member Theatres are invited to join this two-day seminar!
ETC Member Badisches Staatstheater Karlsruhe together with the ZKM - Zentrum für Kunst und Medien Karlsruhe invite media artists and theatre producers to attend this symposium in the Opera and Media Arts series!
🔜 25 January 2020 in Karlsruhe, Germany
The STAATSTHEATER together with the ZKM Karlsruhe invites media artists and theatre producers to attend this symposium in the Opera and Media Arts series.
"What we are seeing today is not unlike some historical precedents. Video-mapping projections are based on the same principle as the “ineffabile vision” of the 16th century–those paintings created on the basis of anamorphosis, forcing to the extreme the linear perspective of the Renaissance."
Read the full article on The Theatre Times ⬇️
Architectural mapping, façade projection, 3D projection videomapping, display surfaces, and architectural Vj set are some of the definitions used for a new artistic format and a new technique that consists in projecting video images on buildings, façades, and other structures in public spaces (but...
"When you arrive somewhere, the most important is to listen first to the stories that are ther, before coming with big concepts, big ideas of what you’d like to produce."
🎧 Listen to the panel talk contribution of Bassam Ghazi, drama teacher, theatre director and artistic director of the Import Export Kollektiv at Schauspiel Köln.
Listen to Bassam Ghazi's participation in the panel talk "Whose Stories Are We Telling?", recorded during the ETC International Theatre Conference in Amsterdam (Netherlands), 29/11/19. Bassam Ghazi m
"There has been an overwhelming sense here among theatre artists that it’s impossible to do theatre right now."
A conversation with Chilean playwright Guillermo Calderón to read on HowlRound Theatre Commons ⤵️
A Conversation with Chilean Playwright Guillermo Calderón |By Guillermo Calderón, David Dower. ArtsEmerson Artistic Director David Dower speaks with Chilean playwright Guillermo Calderón about the ongoing protests in Chile.
"Even though I enjoy writing comedies, I'm never approached to write comedies. I'm always approached to write heavy sad stories, that go with my heavy sad Slav soul I guess."
🎧 Listen to Tena Štivičić's talk on "Whose Stories Are We Telling":
Listen to Tena Štivičić's participation in the panel talk "Whose Stories Are We Telling", recorded during the ETC International Theatre Conference in Amsterdam (Netherlands), 29/11/19. Tena Štivičić
The European Theatre Convention wishes you happy holidays and all the best for the new year! Thank you for a great 2019!
And we look forward to seeing you again in 2020. 🚀
www.europeantheatre.eu
The final report is now available in 24 languages! ETC was very proud to represent the performing arts during the European Year of Cultural Heritage with the project On Stage 2018, in collaboration with Pearle Live Performance Europe & Opera Europa.
#EYCH #CulturalHeritage
Have you checked out the European Year of Cultural Heritage final report yet?
Focusing on the 4⃣pillars of the year: Engagement, Sustainability, Protection and Innovation, it highlights the positive impact and how heritage can be a powerful resource for Europe.
More ➞ https://ec.europa.eu/culture/news/commission-takes-stock-successful-european-year-cultural-heritage-2018_en
#EuropeForCulture
"The theatre of the future needs confident, open(-hearted) and educated audiences who not only watch what we do but also join in, learn and grow with us. None of this will happen without an effort."
According to Karla Mäder (Schauspielhaus Graz), generating new audiences is not only a task: it is a challenge.
Read the article on www.europeantheatre.eu ⤵️
The theatre of the future needs confident, open(-hearted) and educated audiences who not only watch what we do but also join in, learn and grow with us. None of this will happen without an effort.
🎙 "In South Africa, when we talk about accessibility, we talk about languages. We have 13 official languages. That is why our Festival is completely non-verbal."
Listen to Emma Durden (Twist Theatre Development Projects/South Africa) who gave this talk during the last ETC International Theatre Conference in Amsterdam, November 2019.
#europeantheatre
Listen to Emma Durden's participation in the panel talk "Whose Stories Are We Telling?", recorded during the ETC International Theatre Conference in Amsterdam (Netherlands), 29/11/19. Dr Emma Durden
"If parent support only applies after employment begins, then employment will default to those privileged enough to show up for interviews and auditions."
To read on HowlRound Theatre Commons:
|By Rachel Spencer Hewitt. Rachel Spencer Hewitt, founder of the Parent Artist Advocacy League (PAAL), talks about putting PAAL’s handbook of best practices for parent support into action in collaboration with New York City’s the Playwrights Realm.
!["Our public service duties could not be limited to people who were already an audience. [...] So we started to communica...](https://img2.glartent.com/074/090/1361090900740907.jpg)
"Our public service duties could not be limited to people who were already an audience. [...] So we started to communicate towards people who maybe didn't even know that there was a national theatre in our country."
Listen to Tiago Rodrigues' talk ( Teatro Nacional D. Maria II, Lisbon) from the ETC International Theatre Conference last month.
#europeantheatre
Listen to Tiago Rodrigues' participation in the panel talk "Whose Stories Are We Telling", recorded during the ETC International Theatre Conference in Amsterdam (Netherlands), 29/11/19. Tiago Rodrigu
Continuing the season dedicated to youth theatre, the next Young Europe premiere will take place tonight at Weöres Sándor Színház.
In "Fury Island", the circumstances and motives of the story reveal themselves in the overlapping of the narratives of the sixteen-year-old high school girl Stuci, her nineteen-year-old friend Zsomer, and the monologues of her mother Erika, a fifty-four-year-old librarian.
Weöres Sándor Szinház (Szombathely/Hungary) collaborated with the theatres De Toneelmakerij in Amsterdam (Netherlands) and Deutsches Theater in Berlin (Germany) to find out what was occupying the minds of the young generation today. What emerged was a clear theme of democracy – its meaning and ...
📷 New photos of the last ETC International Theatre Conference are now online! Discover them below 🤓⤵️
©Bart Grietens
ETC International Theatre Conference in Amsterdam©Bart Grietens
(Re)Discover Raquel André's presentation of "Collection of People" during our conference in Dresden, May 2019 ⤵️
[🎥 ETC Panel "European Formats of #ParticipatoryTheatre"]
Raquel André, Artist at Teatro Nacional D. Maria II (Lisbon, Portugal) presented her "Collection of People", a work with 4 Collections: Lovers, Collectors, Artists and Spectators. Raquel André started her artistic path as far as she remembers. One day she took a box full of handwritten letters, a correspondence from a family in the 70’s, 80’s and 90’s, and from then she made her first performance in 2009. Since then she started having an interest in collecting, especially in the idea of how to collect in the performing arts, about which she wrote a master thesis at University Federal of Rio de Janeiro (2016). She started the Collection of People in 2014.
This presentation was part of the panel "European Formats of Participatory Theatre" during the ETC International Theatre Conference in Dresden (Germany) on 24 May 2019.
The European Theatre Convention (ETC) is the largest network for public theatres in Europe. An artistic platform for creation, innovation and collaboration. Learn more about ETC: www.europeantheatre.eu
Joining on 1st January 2020, the Theatre and Music Centre Kardjali will be our first member from Bulgaria 🇧🇬! Discover this theatre based in Kardzhali ⤵️
cc Roumi Nikolay
Three separate structures are at work here, as three separate theatres, each with its own genre, specific character and independent artistic development.
Meskhishvili Theatre / მესხიშვილის თეატრი will also join ETC with a membership starting in January 2020. Situated in Kutaisi, Georgia 🇬🇪, it is one of the oldest theatres of the country and therefore, of Europe! მოგესალმებით, welcome!
Kutaisi Lado Meskhishvili Professional State Drama Theatre is one of the oldest theatres in Georgia and therefore, in Europe. Its history begins in 1861.
"Vítejte" to our new ETC Member Činohra Národního divadla from Prague, Czech Republic 🇨🇿! The National Theatre Drama is a true institution for works of the classical Czech and international repertoire. Learn more ⤵️
cc Daniel Špinar, Marta Ljubkova
The National Theatre Drama performs on three stages, with the largest of them being one of the symbols of Czech culture. We strive to include in our programmes works of the classical Czech and international repertoire.
via On the Move: The Co-Production Platform East Asia – Germany is a laboratory where performing arts practitioners from East Asia and Germany are meeting for 5 days to share about their artistic practices and to work on ideas for co-productions.
Ideally, potential cooperation partners will subsequently develop their draft into an application for the International Co-Production Fund of the Goethe-Institut (ICF) and other funding bodies, in order to realize their project. The lab is conceived for co-production projects with participants from Mainland China, Hong Kong, Taiwan, Japan, Korea and Germany.
Deadline: 7 January 2020.
The Co-Production Platform East Asia – Germany is a laboratory where performing arts practitioners from East Asia and Germany are meeting for 5 days to share about their artistic practices and to work on ideas for co-productions. Ideally, potential cooperation partners will subsequently develop their draft into an application for the International Co-Production Fund of the Goethe-Institut (ICF) and other funding bodies, in order to realize their project. The lab is conceived for co-production projects with participants from Mainland China, Hong Kong, Taiwan, Japan, Korea and Germany.
Deadline: 7 January 2020.
Goethe-Institut China 歌德學院（台北）德國文化中心 Goethe-Institut Taipei Goethe-Institut Korea Goethe-Institut Tokyo West Kowloon Cultural District 西九文化區
fyi: ASEF Culture360 Touring Artists European Theatre Lab European Theatre Convention IETM international network for contemporary performing arts Kulturförderpunkt Berlin
Berlin
10117
European Theatre Network
Lassen Sie sich von uns eine E-Mail senden und seien Sie der erste der Neuigkeiten und Aktionen von European Theatre Convention erfährt. Ihre E-Mail-Adresse wird nicht für andere Zwecke verwendet und Sie können sich jederzeit abmelden.
Nachricht an European Theatre Convention senden:
The European Theatre Convention wishes you happy holidays and all the best for the new year! Thank you for a great 2019! And we look forward to seeing you again in 2020. 🚀 www.europeantheatre.eu
Day 3 of the ETC International Theatre Conference: How would you describe “European theatre”? Any other ideas to add? #europeantheatre
ETC International Theatre Conference is open!
"What does it mean to be European today? What does it mean to make theatre in Europe today? Which productions are the relevant ones today?" Discover the European Theatre Convention, Europe's largest network for public theatres. → www.europeantheatre.eu Proudly supported by the Creative Europe programme of the European Union 🇪🇺
[🎥 ETC Panel "European Formats of #ParticipatoryTheatre"] Edit Romankovics (Freelancer Actor, Teacher and Director) & Zsanett Horváth (Actor) from Self-Theatre/SajatSzínház.org (Budapest, Hungary) presented their participatory performance "Long Live Regina". Edit Romankovics works as an freelancer expert with a specialisation in theatre and education. She has been taking part in TIE (theatre in education) performances, community and participatory theatre projects as well in the last 25 years in Hungary. In these projects, she has been been working as an actor, a teacher, a writer or a director. She also gives workshops and courses on this topic. This presentation was part of the panel "European Formats of Participatory Theatre" during the ETC International Theatre Conference in Dresden (Germany) on 24 May 2019. The European Theatre Convention (ETC) is the largest network for public theatres in Europe. An artistic platform for creation, innovation and collaboration. Learn more about ETC: www.europeantheatre.eu
[🎥 ETC Panel "European Formats of #ParticipatoryTheatre"] Miriam Tscholl works as a director and curator. She has been the director of the Bürgerbühne at the Staatsschauspiel Dresden since 2009 and continues to direct productions at other German city and state theatres as well. She initiated the first Bürgerbühne Festival 2014 as well as formats such as Bürgerdinner and Montagscafé. She regularly contributes articles to theatre journals. Miriam Tscholl was the artistic director and curator of Our Stage – 4th European Bürgerbühne Festival (18 – 25 May 2019). This presentation was part of the panel "European Formats of Participatory Theatre" during the ETC International Theatre Conference in Dresden (Germany) on 24 May 2019. The @European Theatre Convention (ETC) is the largest network for public theatres in Europe. An artistic platform for creation, innovation and collaboration. Learn more about ETC: www.europeantheatre.eu -- Music: ©AShamaluevMusic
[🎥 ETC Panel "European Formats of #ParticipatoryTheatre"] Anestis Azas, Director & Artistic Director of the Experimental Stage, at Εθνικό Θέατρο / National Theatre of Greece (Athens/Greece), lives and works as a theatre director between Athens and Berlin. His work includes classical texts, contemporary playwrights and since 2011 mainly documentary theatre projects, with the participation of actors and non-professional actors on stage, that have been presented in various international festivals (among others Heidelberger Stückemarkt, Berliner Herbstsalon, Theaterspektakel Zürich, Wiesbaden Biennale, Chantiers d'Europe Paris). Since October 2015, together with Prodromos Tsinikoris, he is the artistic director of the Experimental Stage of the National Theatre in Athens. This presentation was part of the panel "European Formats of Participatory Theatre" during the ETC International Theatre Conference in Dresden (Germany) on 24 May 2019. The European Theatre Convention (ETC) is the largest network for public theatres in Europe. An artistic platform for creation, innovation and collaboration. Learn more about ETC: www.europeantheatre.eu -- Music: ©AShamaluevMusic
[🎥 ETC Panel "European Formats of #ParticipatoryTheatre"] Raquel André, Artist at Teatro Nacional D. Maria II (Lisbon, Portugal) presented her "Collection of People", a work with 4 Collections: Lovers, Collectors, Artists and Spectators. Raquel André started her artistic path as far as she remembers. One day she took a box full of handwritten letters, a correspondence from a family in the 70’s, 80’s and 90’s, and from then she made her first performance in 2009. Since then she started having an interest in collecting, especially in the idea of how to collect in the performing arts, about which she wrote a master thesis at University Federal of Rio de Janeiro (2016). She started the Collection of People in 2014. This presentation was part of the panel "European Formats of Participatory Theatre" during the ETC International Theatre Conference in Dresden (Germany) on 24 May 2019. The European Theatre Convention (ETC) is the largest network for public theatres in Europe. An artistic platform for creation, innovation and collaboration. Learn more about ETC: www.europeantheatre.eu
✨ ETC family is growing! Two new members have been unanimously voted during the General Assembly last week: please warmly welcome Teatrul Alexandru Davila (Pitesti, Romania 🇷🇴) and Teatro Nacional D. Maria II (Lisbon, Portugal 🇵🇹)! Photos: ©Peter Chvostek
"My rather odd friend Walter" is already back home and playing tonight at Deutsches Theater Berlin. This was last week at Молодий театр! ⬇️ With thanks to the German Federal Foreign Office (Auswärtiges Amt) for its support of the project. #CivilSocietyCooperation #TheatreIsDialogue © Oleksii Tov
What a day! We're in Linz for Ars Electronica Festival where we presented the results of the European Theatre Lab this morning. Following: Stage Your City for the first time in Austria (2pm & 6pm). And, to top it off, our new publication is out! Read it, save it, share it: www.europeantheatrelab.eu/blog/ Théâtre de Liège, Croatian National Theatre in Zagreb, Teatrul Naţional Craiova, CDN Nancy Lorraine, la Manufacture, Marjanishvili Theatre, Badisches Staatstheater Karlsruhe, Det Norske Teatret
![[ON STAGE 2018] "The Trojan Women"](https://img.glartent.com/1/v/t15.5256-10/p168x128/28774739_870268973156438_2735069894608420864_n.jpg?_nc_cat=103&_nc_ohc=ER70iHvlaAgAX_jM8k_&_nc_ht=scontent.xx&_nc_tp=6&oh=9d5c789bd20109e9b437fc3645a0ad6e&oe=5EC0DC31)
"Culture is not there to differentiate, to say 'we' and 'they'. That's not the beauty of it. The beauty of it is that it always merges and mixes." Jaša Koceli and Farah Chamma discuss "The Trojan Women", currently featured on #OnStage2018, its relationship with our cultural heritage and how much current the play still is today. www.onstage2018.eu Presented by SNG Nova Gorica Directed byJaša Koceli #EYCH2018
The next ETC International Theatre Conference will take place in Oslo from 7 to 10 June 2018! Hosted by and at Det Norske Teatret, the conference will also present new digital technologies resulting from the two years project “European Theatre Lab: Drama goes digital”. More info: http://www.etc-cte.org/base.php?code=1168 Note: Only members of the ETC network and selected guests can register for the ETC International Theatre Conference.
![[ON STAGE 2018] "If We Thought Out Loud"](https://scontent.fymy1-2.fna.fbcdn.net/v/t15.5256-10/p168x128/27852611_844588655724470_2596192432034938880_n.jpg?_nc_cat=103&_nc_sid=08861d&_nc_ohc=h46bDGj7Co0AX8OzBdY&_nc_ht=scontent.fymy1-2.fna&_nc_tp=6&oh=4de05d4c456d6850f67c1e023440b22e&oe=5EB48E01)
[#OnStage2018] www.onstage2018.eu "If We Thought Out Loud" is the drama of our times and of the world of those who are thus confronted with violence and death determines them to become, if just for a moment, honest, to say what they really think, to think out loud life itself. A contemporary drama directed by Radu Afrim to see on April 15th, Teatrul Naţional Craiova
New article on the Art of Ageing blog with an extract of the performance "Căpşunile şi orfanii/ Erdbeerwaisen / Strawberry Orphans" http://artofageing.blogspot.de/2014/12/eins-zwei-drei-children-parents.html
ETC fosters an inclusive notion of theatre that brings Europe’s social, linguistic and cultural heritage to audiences and communities in Europe and beyond. Powerful and professional ETC governance ensures that the network will thrive and grow, taking into consideration the latest trends and developments.
The ETC’s current four-year ENGAGE programme offers our members many opportunities and project possibilities. This comprehensive, groundbreaking programme is supported by the Creative Europe programme of the European Union.
Learn more: www.europeantheatre.eu
Wider die Müdigkeit (Against the fatigue)
Schumannstraße 8European Roma Institute for Arts and Culture
Reinhardtstrasse 41-43
Mobiles „Rumpelstilzchen-Theater“
Schlossstraße Charlottenburg
Escape Berlin - Live Escape Theater
Storkower Str. 140
Junges Schlosspark Theater - YAS
Schloßstraße 48
European Route of Historic Theatres - ERHT
Kuno-Fischer Straße 8
