Galerie Campagne Première Berlin

Galerie Campagne Première Berlin Impressum: http://www.campagne-premiere.com/index.php5?m=9 Nina Koidl and Henning Weidemann founded the Berlin gallery Campagne Première in 2008 as a site for the production and presentation of conceptually oriented artistic practices.

The gallery represents emerging artists working predominantly with film, video, photography and installation, including Fayçal Baghriche, Marianna Christofides, Christoph Girardet & Matthias Müller, Noa Gur and Marco Poloni, amongst others. Campagne Première engages in the production of thematic solo exhibitions that span multiple media, like Marco Poloni’s “The Majorana Project” and Uriel Orlow’s modular installation “The Short and the Long of It”. In addition to showing new and recent works by artists the gallery represents, Campagne Première has exhibited historical works by established artists. The Gallery has produced and exhibited the film/text loop “Hôtel Berlin” with British artist Victor Burgin and shown rare works by Sol LeWitt. Group exhibitions with conceptual and film artists, like Ryan Gander and William Kentridge, address the conditions of the artwork's production and question modes of representation. Campagne Première complements its exhibition program with lectures (by Victor Burgin, among others), performances (for example by the New York movement artist Yves Musard), and screenings (including works by the pioneering American experimental filmmaker Stan Brakhage). Nina Koidl and Henning Weidemann Berlin, October 2011 Impressum: Campagne Première GmbH Geschäftsführer: Dr. Nina Koidl Chausseestrasse 116 D-10115 Berlin Tel.: +49.30.400 54 300 Fax: +49.30.400 54 301 [email protected] HRB 113934 B Amtsgericht Berlin-Charlottenburg Umsatzsteuer-Identifikationsnummer gemäß §27 a Umsatzsteuergesetz: DE260442943 Haftungshinweis: Trotz sorgfältiger inhaltlicher Kontrolle übernehmen wir keine Haftung für die Inhalte externer Links. Für den Inhalt der verlinkten Seiten sind ausschließlich deren Betreiber verantwortlich. Inhaltlich Verantwortlicher gemäß § 10 Absatz 3 MDStV: Dr. Nina Koidl (siehe o.g. Adresse ). © the artists

Wie gewohnt öffnen

Until 26 oct 2019 you have the chance to see the installation of d. n. rodowick "Interval" at the gallery.Note only on a...
30/07/2019

Until 26 oct 2019 you have the chance to see the installation of d. n. rodowick "Interval" at the gallery.
Note only on appointment!

Galerie Campagne Première Berlin's cover photo
30/07/2019

Galerie Campagne Première Berlin's cover photo

NIKITA KADANNaturgeschichten - Spuren des Politischenwith Joseph Beuys, Marcel Broodthaers, Matthew Buckingham, Mark Dio...
14/09/2017
Naturgeschichten

NIKITA KADAN

Naturgeschichten - Spuren des Politischen
with Joseph Beuys, Marcel Broodthaers, Matthew Buckingham, Mark Dion, Stan Douglas, Andrea Geyer, Ion Grigorescu, Hans Haacke, Candida Höfer, Sanja Iveković, Alfredo Jaar, Sven Johne, Nikita Kadan, Tatiana Lecomte, Christian Kosmas Mayer, Isa Melsheimer, Mario Merz, Christian Philipp Müller, OHO Gruppe, Hélio Oiticica, Anri Sala, a.o.
mumok, Wien
23 September - 14 Januar 2018
https://www.mumok.at/de/events/naturgeschichten

Die Ausstellung Naturgeschichten. Spuren des Politischen befasst sich mit Darstellungen von Natur, die auf gesellschaftliche Prozesse und zeitgeschichtliche Ereignisse Bezug nehmen. In unterschiedlichen Themenfeldern verdeutlicht sie den Wechselbezug von Natur und Geschichte.

Peter FriedlFilm"Report" at:BIENALSURArte para pensar la nueva razón del mundo (with: Zoe Leonard, Allan Sekula , Maria ...
14/09/2017
MUNTREF

Peter Friedl
Film
"Report" at:
BIENALSUR
Arte para pensar la nueva razón del mundo (with: Zoe Leonard, Allan Sekula , Maria Ruido, Pedro G. Romero, Joaquim Jordá , Antije Ehmann , Harun Farocki , Hito Steyerl, a.o.)
Museo de la Universidad Nacional de Tres de Febrero – Centro de Arte Contemporáneo, Buenos Aires
14 September - 4 Februar 2018
http://untref.edu.ar/muntref/noticias/muntref-ya-esta-bienalsur/

La apertura de las exposiciones, intervenciones y performances del llamado KM 0 de la Bienal Internacional de Arte Contemporáneo de América del Sur (BIENALSUR) ubicado en el Hotel de Inmigrantes de Buenos Aires fue una verdadera fiesta de la que participaron artistas y curadores de los cinco contine...

Matthias Müller Film „Phantom“ at:BIENALSURDiscontinuidades. Ensayo sobre la diversidad (from the collection of Isabelle...
14/09/2017
Discontinuidades. Ensayo sobre la diversidad

Matthias Müller
Film
„Phantom“ at:
BIENALSUR
Discontinuidades. Ensayo sobre la diversidad (from the collection of Isabelle y Jean-Conrad Lemaitre)
Museo de Arte Hispanoamericano, Buenos Aires
12 September - 12 November 2017
http://www.buenosaires.gob.ar/noticias/bienal-sur-en-el-mifb-discontinuidades-ensayo-sobre-la-diversidad

Del 12 de septiembre al 12 de noviembre el Museo de Arte Hispanoamericano Isaac Fernández Blanco será sede de la exhibición "Discontinuidades. Ensayo sobre la diversidad", un conjunto de piezas de la vasta colección de video-arte de Isabelle y Jean-Conrad Lemaitre (Francia) puesta en diálogo con las...

If you are in Paris don´t miss the exhibition withNIKITA KADANURBS SACRAwith Pawel Althamer, Anna Baumgart, Enrico Flori...
14/09/2017

If you are in Paris don´t miss the exhibition with
NIKITA KADAN

URBS SACRA
with Pawel Althamer, Anna Baumgart, Enrico Floriddia, Eric Giraudet de Boudemange, Laura Gozlan, Zhanna Kadyrova, Marwan Moujaes, Artur Zmijewski.
Mainsdóeuvre, Paris
7 September - 15 October 2017
http://www.mainsdoeuvres.org/Urbs-sacra.html?lang=fr

Galerie Campagne Première Berlin's cover photo
22/06/2017

Galerie Campagne Première Berlin's cover photo

If you always wanted to buy art, but hated the feeling that your money ends in the hands of the artist or worser the gal...
01/05/2017

If you always wanted to buy art, but hated the feeling that your money ends in the hands of the artist or worser the gallery, THAN you have know the chance to get this work by NIKITA KADAN at the CHARITY AUCTION:
Nikita Kadan
Untitled
2014
Watercolor on paper
56.5 x 39.5 cm, framed

and the same evening at wesdenhaag.nl:You are hereManuel Boden, Bruce Conner, FORT, Douglas Gordon, Graham Gussin, Peter...
07/03/2017
West Den Haag

and the same evening at wesdenhaag.nl:

You are here
Manuel Boden, Bruce Conner, FORT, Douglas Gordon, Graham Gussin, Peter Piller, Susan Philipsz, Volker Schreiner, John Smith, Christoph Girardet and Matthias Müller
Exhibition: 11.03.2017 — 14.05.2017
Opening: Friday 10.03.2017, 7 p.m.
Location: West, Groenewegje, 2515 LR Den Haag Open: Thursday till Saturday from 12 till 6 p.m.
Corresponding with Christoph Girardet's & Matthias Müller's own solo show in Huis Huguetan, ‘Somebody, Nobody, Anyone’, the artists curated a group show for West that juxtaposes works connected with their own body of work either through their choice of medium, subject, form, or tone. As in many of the works of Girardet & Müller, there is an emphasis on the question of the self in regard to categories such as location and dislocation, the personal and the collective, and to the crucial impact of media on how we see ourselves. The artists' practice of collecting, re-contextualizing and transforming appropriated material is being mirrored in the contemporary works of Peter Piller, Volker Schreiner, Manuel Boden, and FORT, and in the groundbreaking historical work of Bruce Conner. Their interest in seriality is being shared by Graham Gussin and many other artists of this show. Self-reflection and explorations of questions of identity, decisive impulses for many of Girardet's and Müller's works, are being continued and modified in ‘You Are Here’ in the works of John Smith, Susan Philipsz, and Douglas Gordon.
Last year, the New York MoMA dedicated the first complete retrospective of his 50-year career to Bruce Conner (1933–2008, US) celebrating him as ‘one of the foremost American artists of the postwar era.’ A pioneer of found footage filmmaking, Conner contributed various seminal works to this artistic field. ‘Take the 5:10 to Dreamland’ is mostly composed of clips from Conner's collection of educational films of the 1940s and '50s and accompanied by a composition of Patrick Gleeson; its ‘images, their mysterious relationships, the rhythm, and the connections impress themselves upon the unconscious. The film ends, like a poem ends, almost like a puff, like nothing. And you sit there, in silence, letting it all sink deeper, and then you stand up and you know that it was very, very good.’ (Jonas Mekas)
Just as Conner in many of his works juxtaposed representations of military aggression and sexualized images of women, Peter Piller (1968, DE) does in the two-part images of his photo series ‘Bereitschaftsgrad’. In this cycle of works the artist reproduces and transforms pages of the magazine ‘Armeerundschau’ published for the East German armed forces from 1956 to 1990. Posing women and pieces of military hardware both find themselves exposed to a male, machinic gaze.
John Smith (1952, UK) is internationally acclaimed for his sophisticated, humorous and laconic short films and videos that often explore themes that play upon the film spectator's conditioned assumptions of the medium. His video ‘unusual Red cardigan’ recounts Smith’s discovery of an old VHS showreel of his 16mm films on sale on eBay, and how his curiosity about the identity of its seller lead to his purchasing some of the other items she had up for auction on the site. ‘As though mindful of the quantum physics dictum that the viewer of an experiment must factor his observation into his results, he exposes his role as his own protagonist even as his self-deprecating persona makes it clear that the purpose is to reveal the richness of reality and not the richness of his perception of it.’ (Mark Prince)
West Lange Voorhout 34 + Groenewegje 136, Den Haag NL, +31(0)70.3925359, www.westdenhaag.nl
In 1993, Scottish artist Douglas Gordon (1966, UK) started an ongoing series of photographs showing him as a hitchhiker holding a sign addressed to oncoming drivers, but instead of a destination the sign says ‘Psycho’. The same year, Gordon released his breakthrough work ‘24 Hour Psycho’, in which he slowed down the famous Hitchcock film to last 24 hours.
Susan Philipsz (1965, UK), another Scottish winner of the esteemed Turner Prize, is best known for her sound installations. In her photo work ‘Vernebelt’, the artist’s breath, condensed on a glass panel, obscures her own self portrait. The basic act of breathing as the epitome of being alive turns transparency into opacity here, exposure into concealment.
In Manuel Boden's (1983, DE) ‘file’, we see accused persons photographed in courtrooms during their trials hiding their faces behind loose-leaf binders and files. Collected on the internet and arranged as a frieze in three parts, the seventeenfold repetition of this gesture turns it into an emblem of self protection in this era of post-privacy, omnipresent voyeurism and surveillance.
The motifs of the 100 postcards of Matthias Müller's (1961, DE) ‘You Are Here’ originate from the online streams of private chat rooms. In each of these orphaned rooms a geographical map can be seen – which causes a peculiar dynamic of distance and proximity. ‘Imagine someone who hangs up a world map, the local subway plan, or a historical atlas in his private space or office: Does he mean to affirm his position or wish himself away to a different place? And how does this desire relate to the concrete locality of the room and its delocation circulation of images on the Internet?’ (Volker Pantenburg)
In Christoph Girardet's (1966, DE) ‘Seascapes’, twenty images of seemingly unidentifiable, empty maritime horizons of unknown location are assigned data coordinates that provide a clue to the images’ cinematic origins. These speculative location determination marks fictionalised historical events, as well as the fictitious ones featured in the respective film plots.
‘You can make any Hollywood movie interesting, if you cut the movie several times...’ Volker Schreiner's (1957, DE) ‘Hollywood Movie’ assembles a cast of Hollywood actors such as Katharine Hepburn, Elizabeth Taylor, and Michael Caine to speak Nam June Paik's 1963 text ‘film scenario’, a proposal for alternative modes of watching movies.
Graham Gussin's (1960, UK) ‘Film Poster’ is a list of 288 possible films, each seeming more, or less, viable as an option for making moving images. It is poised between being a manifesto, an instruction, a form of concrete poetry, and a simple list of things to do.
FORT is an artist couple consisting of Alberta Niemann (1982, DE) and Jenny Kropp (1978, DE) who have been collaborating since 2008. Their sculpture ‘Twosome’ is a found object: two unearthed washing line T-post poles of identical shape are connected through eight lines. The work is as much a nostalgic reference to the artists' childhood – when it was still common to dry the laundry outdoors – as it resembles a human couple.
If you have any questions, please contact MJ Sondeijker: [email protected] / +31(0)70.3925359 -
Huis Huguetan is owned by the Rijksvastgoedbedrijf and is temporarily managed by ANNA Vastgoed & Cultuur. West’s programme has been made possible thanks to the municipality of The Hague and Ministry of Education, Culture and Science of the Netherlands.
West Lange Voorhout 34 + Groenewegje 136, Den Haag NL, +31(0)70.3925359, www.westdenhaag.nl

07/03/2017

Join Christoph Girardet & Matthias Müller for

Opening
Friday 10.03.2017, 7 p.m.
Location
West in Huis Huguetan, Lange Voorhout 34, 2514 EE Den Haag
Open
Wednesday till Sunday from 12 till 6 p.m.
The work of the German artists Christoph Girardet & Matthias Müller focuses on re-contextualizing found footage. They often use various fragments of older films of different genres (feature films, commercials, corporate films etc.) taken out of their original context, creating new connections and generating new meaning in doing so, enhanced by the addition of sound.
While, in a number of works, the artists show the repetitive element of film by putting innumerable similar scenes from various films after one another, they also have produced a large amount of works revolving around one single emblematic motif. On one hand this invites the viewer to critically reflect on standards of cinematic representation. On the other hand, Girardet and Müller liberate their footage from its original source and serving function in offering it a new life. All the time the videos show incisive observations of both specific and generic phenomena in film which of course simultaneously reflect certain stereotypes and notions valid in the world where they originated. The way they are edited regularly make for certain ironic overtones and also abstract recognizable situations towards a more alienating reality.

Christoph Girardet’s & Matthias Müller’s solo show in Huis Huguetan combines collective and individual works of the artists. One of the centrepieces is their film ,personne’, shown in an exhibition here for the first time. In various scenes the same man is being shown: alone, lost in thoughts, suffering from an identity crisis, encountering himself at another age, transforming into others at times. Images of dysfunctional devices – a crashed car, empty sheets of paper, broken glasses and of doors seemingly leading nowhere – seem to symbolize the passing of things, the emptiness of existence. What we see is the impact of a society pervaded with images of fear on an individual – that turns into somebody, nobody, anyone.

Christoph Girardet (1966) and Matthias Müller (1961) had solo shows at institutions such as Kunstverein Hannover; Walker Art Center, Minneapolis; Bozar – Palais des Beaux-Arts, Brussels; Solar – Galeria de Arte Cinemática, Vila do Conde; and Fotomuseum Winterthur. Their joint projects were also part of various group shows at institutions such as Deichtorhallen Hamburg; EYE, Amsterdam; and Palais de Tokyo, Paris – among others. Besides, the artists’ individual works were shown at esteemed institutions such as Hirshhorn Museum and Sculpture Garden, Washington D.C.; and Tate Modern, London. Their films are regularly screened at international film festivals, including Cannes, Venice, Berlin, Rotterdam, Toronto, New York, and Oberhausen, where they have gained many awards.

Join us for the opening of:"More to Come" at Scope Hannover with Marco Polonion October, 20.2016http://www.scope-hannove...
15/10/2016

Join us for the opening of:
"More to Come" at Scope Hannover with Marco Poloni
on October, 20.2016
http://www.scope-hannover.de

Galerie Campagne Première Berlin's cover photo
05/10/2016

Galerie Campagne Première Berlin's cover photo

Upcoming soon in Budapest:Christoph Girardet: RepetitionOpening on 30 September 2016 at 18hhttp://www.trpz.hu
21/09/2016
Trapéz

Upcoming soon in Budapest:
Christoph Girardet: Repetition
Opening on 30 September 2016 at 18h

http://www.trpz.hu

Trapéz is a gallery for contemporary art with a very special international program in a broad spectrum of media.

Galerie Campagne Première Berlin's cover photo
25/08/2016

Galerie Campagne Première Berlin's cover photo

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