Sound Art project space Errant Bodies opened its project space in 2010 in Prenzlauer Berg, Berlin, and since 2016 it operates under the title Errant Sound.
Since that time is has been dedicated to experimental work in sound, including performance, fieldwork, voice, radio and spatial practices. Through residencies, workshops, events, and exhibitions, Errant Sound emphasizes an engagement with process and dialogue, encouraging a dynamic and diverse approach to the sound arts. As a project space, it also intends to foster social and public activities, c
Since that time is has been dedicated to experimental work in sound, including performance, fieldwork, voice, radio and spatial practices. Through residencies, workshops, events, and exhibitions, Errant Sound emphasizes an engagement with process and dialogue, encouraging a dynamic and diverse approach to the sound arts. As a project space, it also intends to foster social and public activities, c
Wie gewohnt öffnen
"Sounds of Endangered Gardens" at Errant Sound was well-visited! Thanks everyone for coming
Woodruff's "Klänge gefährdeter urbaner Gärten und Klangkompost-Präludien" concluded on an upbeat note yesterday - thanks everyone for coming! See you at Englishes e Multilinguismo! (see post below)
Woodruff's "Klänge gefährdeter urbaner Gärten und Klangkompost-Präludien" concluded on an upbeat note yesterday - thanks everyone for coming! See you at Englishes e Multilinguismo! (see post below)
Woodruff's "Klänge gefährdeter urbaner Gärten und Klangkompost-Präludien" concluded on an upbeat note yesterday - thanks everyone for coming! See you at Englishes e Multilinguismo! (see post below)
Opening today! 2-6pm
Klänge gefährdeter urbaner Gärten und Klangkompost-Präludien
And on October 27th // 30th // November 1st // 3rd each day from 2-6pm
Urban gardens could be transformative urban spaces in the city, but instead are slowly left, neglected and evicted in Berlin - come hear the this endangered sound ...
Urban gardens could be transformative urban spaces in the city, but instead are slowly left, neglected and evicted in Berlin - come hear the this endangered sound ...
I need to borrow or repossess your old Mobile, Cellphone, Handy, whatever you call it for my upcoming Klangkompost exhibition in October ... please get in touch via PM? Will travel:
https://www.facebook.com/audiodeus/
And would be great to have your participation if interested...
I need to borrow or repossess your old Mobile, Cellphone, Handy, whatever you call it for my upcoming Klangkompost exhibition in October ... please get in touch via PM? Will travel:
https://www.facebook.com/audiodeus/
And would be great to have your participation if interested...
Today opens the solo show AUTOPOESIE APPARATUS by Verena Lercher: An AI generates and prints live anti-capitalist advertisement material.
Errant Sound, Opening: 16 September 16:00 - 22:00 h.
Exhibition times:
16 Sept - 01 October
THU–SAT 16-20 p.m
SUN 14–18 p.m
Link to event: https://fb.me/e/H86IeMaH
Today opens the solo show AUTOPOESIE APPARATUS by Verena Lercher: An AI generates and prints live anti-capitalist advertisement material.
Errant Sound, Opening: 16 September 16:00 - 22:00 h.
Exhibition times:
16 Sept - 01 October
THU–SAT 16-20 p.m
SUN 14–18 p.m
Link to event: https://fb.me/e/H86IeMaH
OPENING of AUTOPOESIE APPARATUS
16 September 16:00 - 20:00 h.
In two weeks opens the first solo show by Verena Lercher, in which an AI generates and prints live anti-capitalist advertising texts.
Link to event: https://fb.me/e/H86IeMaH
OPENING of AUTOPOESIE APPARATUS
16 September 16:00 - 20:00 h.
In two weeks opens the first solo show by Verena Lercher, in which an AI generates and prints live anti-capitalist advertising texts.
Link to event: https://fb.me/e/H86IeMaH
A radio interview with Georg Klein about his current solo show Dark Matter at Errant Sound Berlin
https://cashmereradio.com/episode/the-rest-is-music-the-rest-is-music-x-monat-der-zeitgenossischen-musik-2021-2/
The second instance of this fruitful collaboration between The Rest is Music and the Month of Contemporary Music. Interviews with Georg Klein, Gamut Inc., Lux:NM, and Ariel Orah from Soy Division. We’ll be discussion a myriad of topics: Hate spech, internet politics, videogames, church organs, bog...
AARC #3: HATERS
Georg Klein
Dark Matter
Interaktive audiovisuelle Installation
Cuts & Creeds
Audiovisuelle Installation in 2 Teilen
Vernissage: Samstag, 21.8. 2021 16-22 Uhr
Ausstellung: 22.8. - 12.9. 2021 Mi - Fr 16-20 Uhr, Sa+So 14-20 Uhr
Artist Talk: Sonntag, 12.9. 19Uhr: Prof. Holger Schulze + Georg Klein
Errant Sound
sound art project space berlin
Rungestr. 20, 10179 Berlin
U+S Jannowitzbrücke
Zutritt ab 16 Jahren. Bitte beachten Sie die aktuellen Coronaregeln. Anmeldung nicht erforderlich.
3 Kopfhörerplätze. Bequeme Wartemöglichkeiten indoor + outdoor vorhanden.
Dark Matter ist als Einzelerfahrung angelegt: der/die Besucher*in betritt den zunächst dunklen, isolierten Raum mit einem Funkkopfhörer, der über einen Sensor mit einem Orientierungssystem verbunden ist. In der Dunkelheit tauchen entsprechend klangliche und visuelle Elemente auf, die in eine immersive Auseinandersetzung mit 'Hate Speech' in rechtsradikaler Musik, Symbolik und Strategien führt, deren Spur von einer Neonazi-Bauwagendisko (2002) bis zum Attentat von Halle (2019) geht.
Die zweiteilige Installation Cuts & Creeds, entstanden 2010 nach einem Aufenthalt des Künstlers im Iran, führt dagegen in eine vergleichende Auseinandersetzung mit dem Thema Selbstmordattentäter - zwischen Orient und Okzident - auf drei unterschiedlichen Ebenen: Klang, Bild, Text. In beiden Arbeiten spielt dabei die "Gamification of Terror" eine wichtige Rolle, die sich die letzten Jahre in verstörendem Ausmaß herausgebildet hat.
Achtung: Beide Installationen sind geprägt von einer dokumentarischen Perspektive und enthalten Material mit (rechts-)extremen Texten, Symbolen und Bildmaterial inkl. darin aufgezeichneter Handlungen, die nicht der Einstellung des Künstlers entsprechen und sensible Besucher*innen belasten können. Zutritt ab 16 Jahren.
errantsound.net/2021/08/10/aarc3-haters/
Gefördert von NEUSTART KULTUR
Im Rahmen von INM - Monat der zeitgen. Musik 2021
https://www.field-notes.berlin/de/festivals/59347/monat-der-zeitgenssischen-musik/59349/festival
AARC #3: HATERS
Georg Klein
Dark Matter
Interaktive audiovisuelle Installation
Cuts & Creeds
Audiovisuelle Installation in 2 Teilen
Vernissage: Samstag, 21.8. 2021 16-22 Uhr
Ausstellung: 22.8. - 12.9. 2021 Mi - Fr 16-20 Uhr, Sa+So 14-20 Uhr
Artist Talk: Sonntag, 12.9. 19Uhr: Prof. Holger Schulze + Georg Klein
Errant Sound
sound art project space berlin
Rungestr. 20, 10179 Berlin
U+S Jannowitzbrücke
Zutritt ab 16 Jahren. Bitte beachten Sie die aktuellen Coronaregeln. Anmeldung nicht erforderlich.
3 Kopfhörerplätze. Bequeme Wartemöglichkeiten indoor + outdoor vorhanden.
Dark Matter ist als Einzelerfahrung angelegt: der/die Besucher*in betritt den zunächst dunklen, isolierten Raum mit einem Funkkopfhörer, der über einen Sensor mit einem Orientierungssystem verbunden ist. In der Dunkelheit tauchen entsprechend klangliche und visuelle Elemente auf, die in eine immersive Auseinandersetzung mit 'Hate Speech' in rechtsradikaler Musik, Symbolik und Strategien führt, deren Spur von einer Neonazi-Bauwagendisko (2002) bis zum Attentat von Halle (2019) geht.
Die zweiteilige Installation Cuts & Creeds, entstanden 2010 nach einem Aufenthalt des Künstlers im Iran, führt dagegen in eine vergleichende Auseinandersetzung mit dem Thema Selbstmordattentäter - zwischen Orient und Okzident - auf drei unterschiedlichen Ebenen: Klang, Bild, Text. In beiden Arbeiten spielt dabei die "Gamification of Terror" eine wichtige Rolle, die sich die letzten Jahre in verstörendem Ausmaß herausgebildet hat.
Achtung: Beide Installationen sind geprägt von einer dokumentarischen Perspektive und enthalten Material mit (rechts-)extremen Texten, Symbolen und Bildmaterial inkl. darin aufgezeichneter Handlungen, die nicht der Einstellung des Künstlers entsprechen und sensible Besucher*innen belasten können. Zutritt ab 16 Jahren.
errantsound.net/2021/08/10/aarc3-haters/
Gefördert von NEUSTART KULTUR
Im Rahmen von INM - Monat der zeitgen. Musik 2021
https://www.field-notes.berlin/de/festivals/59347/monat-der-zeitgenssischen-musik/59349/festival
Happy to open the doors at Errant Sound in Berlin today, warming the space with an afternoon of conversations with visitors, listening together, and relishing the ambience / and glad to contribute to the decentered, cooperative initiative! Feel free to visit us over the coming weeks, Thursday - Sunday, between 2 - 7pm.
Tomorrow at Errant Sound The Listening Biennial opens its doors from 2pm to 7pm.
Pass by and say hi.
The Listening Biennial draws attention to listening as a relational capacity, a philosophical and political proposition, a creative practice, and research framework. From radical empathy to weak ontology, poetic refusal to diasporic resistance, eavesdropping to intimate envelopment, listening wields a creative and critical force that may contribute to maintaining the diversity of our social and creaturely adventure.
July 15–August 1, 2021
listeningbiennial.net
Facebook:
https://www.facebook.com/The-Listening-Biennial-105523901587368
Tomorrow at Errant Sound The Listening Biennial opens its doors from 2pm to 7pm.
Pass by and say hi.
The Listening Biennial draws attention to listening as a relational capacity, a philosophical and political proposition, a creative practice, and research framework. From radical empathy to weak ontology, poetic refusal to diasporic resistance, eavesdropping to intimate envelopment, listening wields a creative and critical force that may contribute to maintaining the diversity of our social and creaturely adventure.
July 15–August 1, 2021
listeningbiennial.net
Facebook:
https://www.facebook.com/The-Listening-Biennial-105523901587368
Zwischenbericht der AG Alte Münze zur Entwicklung der Alten Münze - Koalition der Freien Szene Berlin
Liebe Kolleg*innen und Freund*innen der Koalition der Freien Szene, Anfang des Jahres haben wir die Missstände im Entwicklungsprozess um die Alte Münze in einer Pressemitteilung benannt und unsere bereits bekannten Forderungen diesbezüglich wiederholt. Leider hat ...
Bob Rutman performing two years ago with Hilla Steinert at Errant Sound: "Gähnen und Stöhnen" participative piece with audience. That was so great! RIP Bob! We loved your interventions with voice and steel cello! Open Studio Days 2019, at Atelierhaus rs20 Foto: Max Joy
Bob Rutman performing two years ago with Hilla Steinert at Errant Sound: "Gähnen und Stöhnen" participative piece with audience. That was so great! RIP Bob! We loved your interventions with voice and steel cello! Open Studio Days 2019, at Atelierhaus rs20 Foto: Max Joy
We'd like to thank all of you who attended READY MAKING #3 Sonic Affordances in person at Errant Sound or Flutgraben e.V. and via live stream! We had wonderfully intense days with fantastic sound performances/ concerts and a brilliant lecture, and we were enriched and inspired by our very interesting discussions! We are very grateful to have been able to realize and share this event with you, thanks to our amazing assistants and helping hands as well as to our funders Initiative Neue Musik Berlin and Pro Helvetia. We'll be back on July 2nd with READY MAKING #4 Microphoning/ Microscoping - hope to see you there!
Ready Making #3 Artist Talk / Discussion
Ready Making #3 Holger Schulze
Ready Making #3 Fernanda Farah
Ready Making #3 Gwendoline Robin
READY MAKING #3
The 4 live streams of tonight's program can be found on the Errant Sound page under "live" as well as via the link below from 18:30 onwards. Make sure to refresh your page when the new live stream starts.
https://www.facebook.com/errantsound/live_videos/
Program:
18:30 Gwendoline Robin: »Soud les lunes de Jupiter«
19:15 Fernanda Farah: »Knucklebones«
20:00 Holger Schulze: »What Do Sounds Need, What Do We Grant Them - Or Not? A Few Considerations On The Affordances Of The Sonic.« Lecture
20:45 Discussion / artist talk moderated by Janine Eisenächer
On the image: Gwendoline Robin
Photograph by Julia Cremers
READY MAKING #3
The 4 live streams of tonight's program can be found on the Errant Sound page under "live" as well as via the link below from 18:30 onwards. Make sure to refresh your page when the new live stream starts.
https://www.facebook.com/errantsound/live_videos/
Program:
18:30 Gwendoline Robin: »Soud les lunes de Jupiter«
19:15 Fernanda Farah: »Knucklebones«
20:00 Holger Schulze: »What Do Sounds Need, What Do We Grant Them - Or Not? A Few Considerations On The Affordances Of The Sonic.« Lecture
20:45 Discussion / artist talk moderated by Janine Eisenächer
On the image: Gwendoline Robin
Photograph by Julia Cremers
Ready Making #3 Discussion
Ready Making #3 Gisela Hochuli
Ready Making #3 Christian Kesten
READY MAKING #3
The 4 live streams of tonight's program can be found on the Errant Sound page under "live" as well as via the link below. Make sure to refresh your page when the new live stream starts.
https://www.facebook.com/errantsound/live_videos/
Program:
18:30 Christian Kesten: »Ding ding«
19:15 Valerian Maly & Klara Schilliger: »Distance for two Courtyards separated by a Firewall«
20:00 Gisela Hochuli: »Ohne Titel I«
20:45 Discussion / artist talk moderated by Janine Eisenächer
Photograph by Julia Cremers
READY MAKING #3
The 4 live streams of tonight's program can be found on the Errant Sound page under "live" as well as via the link below. Make sure to refresh your page when the new live stream starts.
https://www.facebook.com/errantsound/live_videos/
Program:
18:30 Christian Kesten: »Ding ding«
19:15 Valerian Maly & Klara Schilliger: »Distance for two Courtyards separated by a Firewall«
20:00 Gisela Hochuli: »Ohne Titel I«
20:45 Discussion / artist talk moderated by Janine Eisenächer
Photograph by Julia Cremers
Ready Making #3 Sneak Peek
Ready Making #3 Sneak Peek
Sharing a reminder that our call for applications for The Listening Academy is closing Saturday. More information can be found here / Thank You!!
Join us tonight for the first (digital) conversation, part of the seminar series about 'play'.
The seminar series 'On Softmountains' will take place between 19 and 22 April, and is organised as part of a research project by Julia Cremers, Lena Kocutar and Daniel Viladrich Herrmannsdoerfer.
Find more information via the link below.
Send an email to [email protected] if you are interested in joining the conversation.
https://errantsound.net
Join us tonight for the first (digital) conversation, part of the seminar series about 'play'.
The seminar series 'On Softmountains' will take place between 19 and 22 April, and is organised as part of a research project by Julia Cremers, Lena Kocutar and Daniel Viladrich Herrmannsdoerfer.
Find more information via the link below.
Send an email to [email protected] if you are interested in joining the conversation.
https://errantsound.net
Dystopie Istanbul 2021, hier und jetzt, 9. März bis 15. Juni in Akbank Sanat https://www.dystopie-festival.net/2021/
Mit:
Alper Maral, Alp Tuğan, Antye Greie, Başar Ünder, Brandon LaBelle, Chelsea Leventhal, FM Einheit & Siegfried Zielinski, Georg Werner, Hans Peter Kuhn, Laura Mello, Metacreation Lab, Phil Edelstein, RAW, Seth Cluett, Zafer Aracagök
Today, in our world that has fallen into a deep silence, we all experience together, under the shadow of the pandemic, how dystopia feels. Are we really already in a dystopia? After all, won’t it only be when the lives of the old, weak, and ill are no longer deemed worth the trouble of such diffic...
Thinking about the initiative AARC – Artists Against Racism Collaborative – with Apartment Project Berlin from which two exhibitions emerged in Summer 2020. We hope to continue the work this year! Today we want to share with you this video in rememberance of the racist murders in Hanau https://youtu.be/tUXLhVjs2VY
Video by Çiğdem Üçüncü & Steffi Weismannin rememberance of: Ferhat Unvar, Mercedes Kierpacz, Sedat Gürbüz, Gökhan Gültekin, Kaloyan Velkov, Hamza Kurtović, V...
Tonight at 8pm on Berlin school of sound Radio 88,4 In Berlin and 90,7 Potdam And streaming FR-BB from collaboradio:
--Journal Brasilis---
Radio Show produced by Laura Mello and Vanessa De Michelis
"In December and January 2020/21, Laura and Vanessa travelled 13,000 km back to Brazil after years as expats in Austria, Germany and the UK. How have their sonic perceptions changed and have been influenced by migration experiences?..."
http://lauramello.klingt.org/journal-brasilis-radio-show/
Journal Brasilis – Radio Show ©LauraMello Journal BrasilisRadio Show produced by Laura Mello and Vanessa De MichelisTomorrow 02.02.21 20:00 (Berlin) 16:00 (Brasília)for Berlin School of Sound / Errant Sound Radioonline on COLA BORA DIOhttps://www.colaboradio.org/ Journal BrasilisSonic Recordings...
Tonight Errant Shutdown Sound Night series
20:00 on the Errant Sound Youtube channel at: https://youtu.be/UMEaec_gXQs
The next episode in the Errant Shutdown Sound Night series is on the 30.01.2021 at 20:00 Berlin time, with dislocated sounds from 3 duos comprised of Errant Sound members Golo Föllmer and Kirsten Reese, Max Joy and Georg Werner, Roberta Busechian and Andrei Cucu. Link found below.
Live Improvisation sets from Errant Sound with: Golo Föllmer & Kirsten Reese - 20:00Max Joy & Georg Werner - 20:45Roberta Busechian & Andrei Cucu - 21:30
Rungestr. 20
Berlin
10179
U8
Lassen Sie sich von uns eine E-Mail senden und seien Sie der erste der Neuigkeiten und Aktionen von Errant Sound erfährt. Ihre E-Mail-Adresse wird nicht für andere Zwecke verwendet und Sie können sich jederzeit abmelden.
Nachricht an Errant Sound senden:
Next Saturday December 7, 7pm Clarissa Thieme Artist Talk / Touching the void: with Jan Verwoert (art critic & cultural theorist) Don’t you see them? Exhibition: November 28 – December 12, 2019 Opening Times: Thurs–Sat, 3–7pm and by appointment Errant Sound e.V. , Rungestr. 20, D-10179 Berlin Can’t you see them? presents the ongoing serial work CYST by Berlin-based artist Clarissa Thieme that highlight her intense engagement with the Library Hamdija Kreševljaković Video Arhiv in Sarajevo. Errant Sound will feature her newly produced works and the installation Can’t you see them? – Repeat. in site specific set up. The serial CYST investigates the implications of subjective testimony in the context of collective traumatic events and their reconstruction through technical & juridical means. It attempts to trace the fissures that open up between the languages of individual memory and their translation into those of procedures of historical objectification. At the core of the CYST serials there is a single 45′ video clip that Thieme found in the Library Hamdija Kreševljaković Video Arhiv which was shot by Nedim Alikadic in Sarajevo at the beginning of the siege in 1992. Using motion tracking, the artist performs a metadata analysis of the shaky handheld camera which is facing an unforeseeable threat, and calculates the camera’s position and movement. She then feeds this data into a light projecting motion control system: the light moves, changes direction, and trembles. A resonance corpus is created – a sounding body full of fear and anxiety appears behind the moving images. In referring to the historical destabilizing effect of the work Jan Verwoert asks ”Time and space are the very stuff that the writing of history – and reporting of events – whips into coherent shape. What if this was but a poor construct, and life’s changes left time knotted and space dented in peculiar ways? Then the search for lost time and deep listening to the reverberation of tangl
Tomorrow opening!! Clarissa Thieme Don‘t you see them? 28. Nov. 2019, 7pm
Tonight 8 pm sound performance by Erik Smith “Titanic”. Join us! Doors open from 7pm.
Berliner Runde - Herzblut Freie Szene
Rungestr 20
Galerie Für Moderne Fotografie
Schröderstrasse 13/II