Künstlerhaus Bethanien

Künstlerhaus Bethanien In the exhibition space the 2G rules apply. The Künstlerhaus Bethanien is an international artist residency programme and exhibition space that is in an established player within the Berlin and international art scene since 1974.

Künstlerhaus Bethanien is a service enterprise whose goal is to further contemporary art and contemporary artists. It is responsible for the lodging and assistance of international guests; for offering advice in general questions concerning art and its practical issues; for the running of the workshops; for the planning and realization of its residents' events; and the development and organization

Künstlerhaus Bethanien is a service enterprise whose goal is to further contemporary art and contemporary artists. It is responsible for the lodging and assistance of international guests; for offering advice in general questions concerning art and its practical issues; for the running of the workshops; for the planning and realization of its residents' events; and the development and organization

Wie gewohnt öffnen

Let´s start KB-IG TAKEOVER for 24 hoursby #CarolaSpadoni artist in residence at Künstlerhaus BethanienFrom Friday, 19th ...
18/11/2021

Let´s start
KB-IG TAKEOVER for 24 hours
by #CarolaSpadoni artist in residence at Künstlerhaus Bethanien
From Friday, 19th 12pm to Saturday, 20th 12pm
Please, follow us on IG: https://www.instagram.com/kuenstlerhaus.bethanien/
More informations about Carola Spadoni: https://www.bethanien.de/artists/carola-spadoni/...
#CarolaSpadoni #ArtistInResidence #Takeover #TPFVA #KünstlerhausBethanien

Let´s start
KB-IG TAKEOVER for 24 hours
by #CarolaSpadoni artist in residence at Künstlerhaus Bethanien
From Friday, 19th 12pm to Saturday, 20th 12pm
Please, follow us on IG: https://www.instagram.com/kuenstlerhaus.bethanien/
More informations about Carola Spadoni: https://www.bethanien.de/artists/carola-spadoni/...
#CarolaSpadoni #ArtistInResidence #Takeover #TPFVA #KünstlerhausBethanien

KB-IG TAKEOVER for 24 hoursby #CarolaSpadoni artist in residence at Künstlerhaus BethanienFrom Friday, 19th 12pm to Satu...
18/11/2021

KB-IG TAKEOVER for 24 hours
by #CarolaSpadoni artist in residence at Künstlerhaus Bethanien
From Friday, 19th 12pm to Saturday, 20th 12pm
Please, follow us on IG: https://www.instagram.com/kuenstlerhaus.bethanien/
More informations about Carola Spadoni: https://www.bethanien.de/artists/carola-spadoni/?fbclid=IwAR1fGqu9cDbOrPWSewxtpkATZov6PpnvLson3E0Jy1iSlxKS83sypOsVjrw
#CarolaSpadoni #ArtistInResidence #Takeover #TPFVA #KünstlerhausBethanien

KB-IG TAKEOVER for 24 hours
by #CarolaSpadoni artist in residence at Künstlerhaus Bethanien
From Friday, 19th 12pm to Saturday, 20th 12pm
Please, follow us on IG: https://www.instagram.com/kuenstlerhaus.bethanien/
More informations about Carola Spadoni: https://www.bethanien.de/artists/carola-spadoni/?fbclid=IwAR1fGqu9cDbOrPWSewxtpkATZov6PpnvLson3E0Jy1iSlxKS83sypOsVjrw
#CarolaSpadoni #ArtistInResidence #Takeover #TPFVA #KünstlerhausBethanien

Just arrived the catalog DANIEL LIE, Scales of Decay.“In recent months, Daniel Lie has used the studio at Künstlerhaus B...
18/11/2021

Just arrived the catalog DANIEL LIE, Scales of Decay.

“In recent months, Daniel Lie has used the studio at Künstlerhaus Bethanien as a research base for exploring the processes of decaying matter. Scales of Decay is the artist’s first solo exhibition in Berlin, and expands the boundaries between what is judged as living and dead matter."

#DanielLie #ArtistInResidence #KfWStiftung #KünstlerhausBethanien
https://www.bethanien.de/en/exhibitions/daniel-lie/

Just arrived the catalog DANIEL LIE, Scales of Decay.

“In recent months, Daniel Lie has used the studio at Künstlerhaus Bethanien as a research base for exploring the processes of decaying matter. Scales of Decay is the artist’s first solo exhibition in Berlin, and expands the boundaries between what is judged as living and dead matter."

#DanielLie #ArtistInResidence #KfWStiftung #KünstlerhausBethanien
https://www.bethanien.de/en/exhibitions/daniel-lie/

KB-IG TAKEOVER for 24 hoursby #CarolaSpadoni artist in residence at Künstlerhaus BethanienFrom Friday, 19th 12pm to Satu...
17/11/2021

KB-IG TAKEOVER for 24 hours
by #CarolaSpadoni artist in residence at Künstlerhaus Bethanien
From Friday, 19th 12pm to Saturday, 20th 12pm
More informations about Carola Spadoni: https://www.bethanien.de/artists/carola-spadoni/?fbclid=IwAR27ehJ9Cdlsp3hnovHKr3a4_q1RB29VBAbgzOCGe7hgUBq5sK6-MEzwd6s
#KünstlerhausBethanien #Takeover #TPFVA

KB-IG TAKEOVER for 24 hours
by #CarolaSpadoni artist in residence at Künstlerhaus Bethanien
From Friday, 19th 12pm to Saturday, 20th 12pm
More informations about Carola Spadoni: https://www.bethanien.de/artists/carola-spadoni/?fbclid=IwAR27ehJ9Cdlsp3hnovHKr3a4_q1RB29VBAbgzOCGe7hgUBq5sK6-MEzwd6s
#KünstlerhausBethanien #Takeover #TPFVA

Christopher Cozier BEYOND, THE SEA SINGS now at the Time Art CenterChristopher Cozier is an artist and writer living and...
16/11/2021

Christopher Cozier BEYOND, THE SEA SINGS now at the Time Art Center

Christopher Cozier is an artist and writer living and working in Trinidad. A 2013 Prince Claus Award Laureate, he has participated in a number of exhibitions focused upon contemporary art in the Caribbean and internationally. Cozier is a SITE Sante Fe - Satellite Curatorial Advisor for 2014. He has been an editorial advisor to BOMB magazine for their Americas Issues (Winter, 2003, 2004 & 2005) and was part of the editorial collective of Small Axe, A Caribbean Journal of Criticism (1998 - 2010). Additionally, Cozier was a co-curator of the exhibitions Paramaribo Span in 2010 and “Wrestling with the Image” in 2011. Since 2006, he has been one of the founders and administrators of Alice Yard, an experimental space and project in Port of Spain. Cozier’s residencies include Dartmouth College and The Substation in Johannesburg. His work has been exhibited in the 1994 and 2000 Havana Biennials; Trienial Poli/Grafica de San Juan: America Latina y el Caribe (2009); Afro Modern: Journeys through the Black Atlantic, TATE Liverpool (2010), The Global Africa Project, Museum of Art and Design, New York (2010-11) and Being and Island (Inseldasein), DAAD, Berlin (2013) and Künstlerhaus Bethanien (2018).

https://www.bethanien.de/en/artists/christopher-cozier/

Ting Chaong-Wen Repeat itself 12.11.-05.12.2021Chaong-Wen Ting is a grantee of the Ministery of Culture, 外交部 Ministry of...
15/11/2021

Ting Chaong-Wen Repeat itself
12.11.-05.12.2021
Chaong-Wen Ting is a grantee of the Ministery of Culture,
外交部 Ministry of Foreign Affairs, ROC(Taiwan)
and the Taipei Representative Office in Germany - S & T Division -

Chen Yi (Chih-Chien Chen) Lichen_12.11. - 05.12.2021 Chen Yi (Chih-Chien Chen) is a grantee of the Ministery of Culture,...
15/11/2021

Chen Yi (Chih-Chien Chen)
Lichen_
12.11. - 05.12.2021
Chen Yi (Chih-Chien Chen) is a grantee of the Ministery of Culture, 外交部 Ministry of Foreign Affairs, ROC(Taiwan)and the Taipei Representative Office in Germany - S & T Division -

Van Gogh TV's »Piazza Virtuale«The Invention of Social Media at documenta IX in 1992Piazza virtuale by the group of arti...
15/11/2021

Van Gogh TV's »Piazza Virtuale«

The Invention of Social Media at documenta IX in 1992
Piazza virtuale by the group of artists known as Van Gogh TV was not only the biggest art project ever to appear on television, but from a contemporary point of view the project was also a forerunner of today's social media. The ground-breaking event that took place during the 100 days of documenta IX in 1992 was an early experiment with entirely user-created content.

Curator tour on November 28th at 4pm

Gefördert durch:
#KulturGemeinschaften Kulturstiftung der Länder #NeuStartKultur
Die Beauftragte der Bundesregierung für Kultur und Medien
In Kooperation mit der:
Heinrich-Böll-Stiftung Künstlerhaus Bethanien
https://www.bethanien.de/en/exhibitions/van-gogh-tv/

Zoom-Livestream from Friday 12th to Sunday 14th from 4pm to 6pm - Join Zoom Meetinghttps://us02web.zoom.us/j/84735292480...
12/11/2021

Zoom-Livestream from Friday 12th to Sunday 14th
from 4pm to 6pm - Join Zoom Meeting
https://us02web.zoom.us/j/84735292480...
Meeting ID: 847 3529 2480
Passcode: 253166
Gefördert durch:
#KulturGemeinschaften Kulturstiftung der Länder #NeuStartKultur
Die Beauftragte der Bundesregierung für Kultur und Medien
In Kooperation mit der:
Heinrich-Böll-Stiftung Künstlerhaus Bethanien
https://www.bethanien.de/en/exhibitions/van-gogh-tv/

Zoom-Livestream from Friday 12th to Sunday 14th
from 4pm to 6pm - Join Zoom Meeting
https://us02web.zoom.us/j/84735292480...
Meeting ID: 847 3529 2480
Passcode: 253166
Gefördert durch:
#KulturGemeinschaften Kulturstiftung der Länder #NeuStartKultur
Die Beauftragte der Bundesregierung für Kultur und Medien
In Kooperation mit der:
Heinrich-Böll-Stiftung Künstlerhaus Bethanien
https://www.bethanien.de/en/exhibitions/van-gogh-tv/

VAN GOGH TV: Piazza Virtuale“Piazza virtuale” by the artists’ group Van Gogh TV was not only the biggest art project eve...
12/11/2021

VAN GOGH TV: Piazza Virtuale

“Piazza virtuale” by the artists’ group Van Gogh TV was not only the biggest art project ever to have been on TV – from a contemporary perspective, the project was also a precursor to present-day social media. The ground-breaking television event, which took place during documenta IX in 1992, was a TV experiment in which users could create media content themselves.
Van Gogh TV not only developed its own highly innovative technology for the project, but also conceived design and broadcasting concepts for interactive television, in which the consumers were to become producers of content. Many of these ideas are put into practice on the Internet today.

For the first time now, Künstlerhaus Bethanien is presenting the material remaining from that large-scale art project in an exhibition. Original works, video recordings, sketches, plans, photos, and other historical material will be on view, alongside technical relics of “Piazza virtuale”. The presentation will be accompanied by a series of works by other artists that contextualize what is being shown.

In keeping with the theme of the exhibition, “Van Gogh TV: Piazza virtuale” combines objects in physical space with the project’s presentation on the Internet: on the one hand, there is the virtual exhibition piazza-virtuale.common.garden; on the other, a website that documents the research project in detail (http://vangoghtv.hs-mainz.de/).
The artists of Van Gogh TV will attend the opening weekend (Nov. 12-14) and will stream talks, performances, lectures and chance encounters via the websites of Künstlerhaus Bethanien and the Heinrich Böll Foundation, which is supporting the programme.

Works by Mieko Shiomi, Miranda July, Fred Forest, Yann van der Cruyssen and Annie Abrahams/Daniel Pinheiro will also be shown in order to contextualize the work of Van Gogh TV.
Karel Dudesek / Benjamin Heidersberger / Mike Hentz /
Salvatore Vanasco und Team / and team
Curator: Tilman Baumgärtel

Curator tour on November 28h at 4pm

Zoom-Livestram from Friday 12th to Sunday 14th Zoom Link from 4pm to 6pm

Join Zoom Meeting
https://us02web.zoom.us/j/84735292480?pwd=dTVOWFMreEk2QUNtUU1wYS9LcStSdz09
Meeting ID: 847 3529 2480
Passcode: 253166

https://www.bethanien.de/en/exhibitions/van-gogh-tv/

VAN GOGH TV: Piazza Virtuale

“Piazza virtuale” by the artists’ group Van Gogh TV was not only the biggest art project ever to have been on TV – from a contemporary perspective, the project was also a precursor to present-day social media. The ground-breaking television event, which took place during documenta IX in 1992, was a TV experiment in which users could create media content themselves.
Van Gogh TV not only developed its own highly innovative technology for the project, but also conceived design and broadcasting concepts for interactive television, in which the consumers were to become producers of content. Many of these ideas are put into practice on the Internet today.

For the first time now, Künstlerhaus Bethanien is presenting the material remaining from that large-scale art project in an exhibition. Original works, video recordings, sketches, plans, photos, and other historical material will be on view, alongside technical relics of “Piazza virtuale”. The presentation will be accompanied by a series of works by other artists that contextualize what is being shown.

In keeping with the theme of the exhibition, “Van Gogh TV: Piazza virtuale” combines objects in physical space with the project’s presentation on the Internet: on the one hand, there is the virtual exhibition piazza-virtuale.common.garden; on the other, a website that documents the research project in detail (http://vangoghtv.hs-mainz.de/).
The artists of Van Gogh TV will attend the opening weekend (Nov. 12-14) and will stream talks, performances, lectures and chance encounters via the websites of Künstlerhaus Bethanien and the Heinrich Böll Foundation, which is supporting the programme.

Works by Mieko Shiomi, Miranda July, Fred Forest, Yann van der Cruyssen and Annie Abrahams/Daniel Pinheiro will also be shown in order to contextualize the work of Van Gogh TV.
Karel Dudesek / Benjamin Heidersberger / Mike Hentz /
Salvatore Vanasco und Team / and team
Curator: Tilman Baumgärtel

Curator tour on November 28h at 4pm

Zoom-Livestram from Friday 12th to Sunday 14th Zoom Link from 4pm to 6pm

Join Zoom Meeting
https://us02web.zoom.us/j/84735292480?pwd=dTVOWFMreEk2QUNtUU1wYS9LcStSdz09
Meeting ID: 847 3529 2480
Passcode: 253166

https://www.bethanien.de/en/exhibitions/van-gogh-tv/

TOMORROW SOFT OPENING November 12th from  2 - 7pmCHAONG-WEN TINGRepeat itselfChaong-Wen Ting’s works often deal with fra...
11/11/2021

TOMORROW SOFT OPENING November 12th from 2 - 7pm
CHAONG-WEN TING
Repeat itself

Chaong-Wen Ting’s works often deal with fragments from a bygone era. By applying an archaeological approach, he travels into the past along the boundary of fact and fiction, creating novel links with an innate logic. In “Repeat itself!” he transposes a sculpture into a multi-layered installation and works with a video piece as well.

https://www.bethanien.de/en/exhibitions/31373/

TOMORROW SOFT OPENING November 12th from 2 - 7pm
CHAONG-WEN TING
Repeat itself

Chaong-Wen Ting’s works often deal with fragments from a bygone era. By applying an archaeological approach, he travels into the past along the boundary of fact and fiction, creating novel links with an innate logic. In “Repeat itself!” he transposes a sculpture into a multi-layered installation and works with a video piece as well.

https://www.bethanien.de/en/exhibitions/31373/

TOMORROW SOFT OPENING November 12th from  2 - 7pmCHEN YI (CHIH-CHIEN CHEN)Lichen_Chen Yi (born Chen Chih-Chien, 1979 in ...
11/11/2021
KB | Chen Yi (Chih-Chien Chen)

TOMORROW SOFT OPENING November 12th from 2 - 7pm
CHEN YI (CHIH-CHIEN CHEN)
Lichen_

Chen Yi (born Chen Chih-Chien, 1979 in Yunlin, Taiwan), studied at Taipeh National University of Arts. In 2010 he founded the artists’ collective LuxuryLogico. Chen’s exhibitions include ALC Videoart Festival 2021 (MACA Museum for Contemporary Art of Alicante, Spain 2021), Where Have All the Flowers Gone – These Flowers(MoCA Taipei 2019), Thailand Biennial (2018), Asia Triennial Manchester (2014), Asian Art Biennial (2013), Taiwan Biennial (2012). The artist’s website: yi-studio.net

https://www.bethanien.de/en/exhibitions/chen-yi-chih-chien-chen/

In his exhibition, Chen Yi refers to the Gaia hypothesis, which was developed by microbiologist Lynn Margulis and geochemist James Lovelock in the 1970s. Their hypothesis states that the Earth and its biosphere can be seen as a living entity; one that, when viewed from space, appears as a single ani...

DANIEL LIE SCALES OF DECAY FINALEDaniel Lie in conversation with Nuno De Brito Rocha (curator, Berlinische Galerie)Künst...
11/11/2021

DANIEL LIE SCALES OF DECAY FINALE

Daniel Lie in conversation with Nuno De Brito Rocha (curator, Berlinische Galerie)Künstlerhaus Bethanien, Juli 2021.
Artist in Residence with KfW Stiftung in cooperation with Künstlerhaus Bethanien.

Year: 2021

https://www.youtube.com/watch?v=Pc53p5spATk

DANIEL LIE SCALES OF DECAY FINALE

Daniel Lie in conversation with Nuno De Brito Rocha (curator, Berlinische Galerie)Künstlerhaus Bethanien, Juli 2021.
Artist in Residence with KfW Stiftung in cooperation with Künstlerhaus Bethanien.

Year: 2021

https://www.youtube.com/watch?v=Pc53p5spATk

EXHIBITION 12.11. – 05.12.2021  Tue - Sun: 2 - 7pm "Piazza Virtuale" by the artists’ group VAN GOGH TV was not only the ...
08/11/2021

EXHIBITION 12.11. – 05.12.2021 Tue - Sun: 2 - 7pm

"Piazza Virtuale" by the artists’ group VAN GOGH TV was not only the biggest art project ever to have been on TV – from a contemporary perspective, the project was also a precursor to present-day social media. The ground-breaking television event, which took place during documenta IX in 1992, was a TV experiment in which users could create media content themselves.

More Informations: https://www.bethanien.de/en/exhibitions/van-gogh-tv/
Admission free

Foto: Mike Hentz, Archipel Van Gogh TV, 2021, Computergrafik / Fototapete, 3 m x 10 m, Courtesy the artist, Foto: Yvonne de Andrés / Künstlerhaus Bethanien Archiv

EXHIBITION 12.11. – 05.12.2021 Tue - Sun: 2 - 7pm

"Piazza Virtuale" by the artists’ group VAN GOGH TV was not only the biggest art project ever to have been on TV – from a contemporary perspective, the project was also a precursor to present-day social media. The ground-breaking television event, which took place during documenta IX in 1992, was a TV experiment in which users could create media content themselves.

More Informations: https://www.bethanien.de/en/exhibitions/van-gogh-tv/
Admission free

Foto: Mike Hentz, Archipel Van Gogh TV, 2021, Computergrafik / Fototapete, 3 m x 10 m, Courtesy the artist, Foto: Yvonne de Andrés / Künstlerhaus Bethanien Archiv

STELLENAUSSCHREIBUNG Technischer*r Mitarbeiter*in Das Künstlerhaus Bethanien ist ein internationales Kulturzentrum in Be...
05/11/2021

STELLENAUSSCHREIBUNG
Technischer*r Mitarbeiter*in

Das Künstlerhaus Bethanien ist ein internationales Kulturzentrum in Berlin-Kreuzberg. Als Atelierhaus und Arbeitsstätte für professionelle Künstler*innen, vielschichtig strukturierte Projektwerkstatt und Veranstaltungsort hat es sich die Förderung der internationalen zeitgenössischen bildenden Kunst zum Ziel gesetzt.

Wir suchen zur Verstärkung unseres Teams zum 01. Januar 2022 eine*n Technische*n Mitarbeiter*in (m/w/d)

Bitte senden Sie uns Ihre aussagekräftige Bewerbung per e-mail an [email protected] Einsendeschluss: 28.11.2021
Weitere Informationen finden Sie hier:
https://www.bethanien.de/bewerbung/

An Evening with Emilija SkarnulyteOCTOBER 25, 7:00 p.m. - NOVEMBER 8, 12:00 p.m. EST ONLINEEmilija Škarnulytė combines e...
25/10/2021

An Evening with Emilija Skarnulyte
OCTOBER 25, 7:00 p.m. - NOVEMBER 8, 12:00 p.m. EST ONLINE

Emilija Škarnulytė combines elements of sculpture, architecture, film, media installation, and science to examine “places where contemporary political issues are staged between human and non-human worlds.” Škarnulytė‘s research-based, peripatetic process develops in junctures where natural and built environments meet-whether in the form of Cold War mythologies in her native Lithuania, deep sea mining and nuclear waste burial sites, or research facilities like CERN (European Organization for Nuclear Research), where gigantic technologies study subatomic particles. This screening brings together short films from the last decade and current works originating from gallery and screening projects. The program foregrounds Škarnulytė’s ecologically centered practice through a range of figures who inhabit or frame her work: utopian architect Aleksandra Kasuba, the mermaid moving through a NATO submarine base in the Arctic Circle, the grandmother who lost her sight after Chernobyl, and a musician from the Sun Ra Arkestra journeying in the Negev Desert.

More info:
What’s on // MoMA
https://www.moma.org/calendar/events/7339?fbclid=IwAR14x48bG7uJqBOwTANnbihL7TTNFWGgF3GH_I9mgOX7Jr9RQQCD1qjOEFQ&utm_source=Emilija+Skarnulyte+Studio&utm_campaign=8a95b8c6cd-EMAIL_CAMPAIGN_2021_10_20_05_52&utm_medium=email&utm_term=0_8f55fe0113-8a95b8c6cd-410887153
#KünstlerhausBethanien #MoMA #EmilijaŠkarnulytė

An Evening with Emilija Skarnulyte
OCTOBER 25, 7:00 p.m. - NOVEMBER 8, 12:00 p.m. EST ONLINE

Emilija Škarnulytė combines elements of sculpture, architecture, film, media installation, and science to examine “places where contemporary political issues are staged between human and non-human worlds.” Škarnulytė‘s research-based, peripatetic process develops in junctures where natural and built environments meet-whether in the form of Cold War mythologies in her native Lithuania, deep sea mining and nuclear waste burial sites, or research facilities like CERN (European Organization for Nuclear Research), where gigantic technologies study subatomic particles. This screening brings together short films from the last decade and current works originating from gallery and screening projects. The program foregrounds Škarnulytė’s ecologically centered practice through a range of figures who inhabit or frame her work: utopian architect Aleksandra Kasuba, the mermaid moving through a NATO submarine base in the Arctic Circle, the grandmother who lost her sight after Chernobyl, and a musician from the Sun Ra Arkestra journeying in the Negev Desert.

More info:
What’s on // MoMA
https://www.moma.org/calendar/events/7339?fbclid=IwAR14x48bG7uJqBOwTANnbihL7TTNFWGgF3GH_I9mgOX7Jr9RQQCD1qjOEFQ&utm_source=Emilija+Skarnulyte+Studio&utm_campaign=8a95b8c6cd-EMAIL_CAMPAIGN_2021_10_20_05_52&utm_medium=email&utm_term=0_8f55fe0113-8a95b8c6cd-410887153
#KünstlerhausBethanien #MoMA #EmilijaŠkarnulytė

Adresse

Exhibition Space: Kottbusser Str. 10 / Offices And Studios: Kohlfurter Str. 41-43
Berlin
10999

U1/U8 Kottbusser Tor / U8 Schönleinstr.

Allgemeine Information

To protect the visitors and employees of Künstlerhaus Bethanien, comprehensive hygiene precautions have been taken and access to the exhibitions has been limited. We ask all visitors to keep a minimum distance of 1.5 meters, to wear their own mouth and nose protection and to pay attention to the signs on site. For further information on hygiene and conduct requirements, please visit https://www.berlin.de/corona/en/.

Öffnungszeiten

Dienstag 14:00 - 19:00
Mittwoch 14:00 - 19:00
Donnerstag 14:00 - 19:00
Freitag 14:00 - 19:00
Samstag 14:00 - 19:00
Sonntag 14:00 - 19:00

Telefon

030/ 6169030

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Lassen Sie sich von uns eine E-Mail senden und seien Sie der erste der Neuigkeiten und Aktionen von Künstlerhaus Bethanien erfährt. Ihre E-Mail-Adresse wird nicht für andere Zwecke verwendet und Sie können sich jederzeit abmelden.

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Künstlerhaus Bethanien

--- siehe unten für die deutsche Fassung ---

The Künstlerhaus Bethanien, one of the first residency programmes worldwide of this kind, can look back on a long and successful history of promoting emerging artists on an international level. It is an established player within the Berlin and international art scene since 1974.

The artistic orientation of our programme includes all kinds of artistic media and practises. The Künstlerhaus offers a worldwide unique combination of studio and exhibition spaces as well as state-of-the-art workshops for wood, metal, spray-paint, video-editing. Further support is offered in publishing catalogues and artist-books. Additionally – aside from technical, curatorial and PR support for solo exhibitions and public Open Studio events –, an individual programme of studio visits, in-house events and professional coaching is arranged.

The Künstlerhaus is located in a landmarked building complex, situated in the very heart of Berlin in the trendy neighbourhood of Kreuzberg.

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Bemerkungen

Reynols Sonic Marathon: 12 Hours! [Midway Contemporary Art]
Hallo, 
ich bin Fotografin (selbständig). Ich will meine Leistungen als Fotografin anbieten. Ich habe für, AdK Berlin Teddy Awards, Swedish film Institute, Hamburg Boat Show (organisiert bei Messe Friedrischshafen), ein paar teams auf Berlinale 2019, 2020 (auch in Wettbewerb), verschiedenen Messen, Tagungen , Konferenzen gearbeitet. 
 Ich lade sehr herzlich auf meine Seite ein: 
https://www.instagram.com/beata_siewicz_photo https://www.berufsfotografen.com/beata-siewicz-photo-13053-berlin/7089 https://www.bety-photo.com/clients/

 Beata Siewicz [email protected] [email protected]
2020 no Event? sleeping facebook Seite!😭
Notes on the public discussion “Between Afrofuturism and Milky Way Traffic Regulations” held in Künstlerhaus Bethanien on September 2, 2019 As some of you might know, Künstlerhaus Bethanien (from now on will be referred as KB) held yesterday a public discussion to address the criticisms raised against their current exhibition "Milchstraßenverkehrsordnung (Space is the Place)”. As their first reaction to the criticisms was non-transparently changing their original press release, this initiative of them seemed like a more transparent act, so I went there. My hope for an equal and understanding discussion was enhanced when I saw the print-outs of the strong statement made by the intersectional feminist group Soup du Jour (from now on will be referred as SdJ) on the info desk at the entrance but my hope had been brutally smashed once the gentlemen of the night took over the stage. The night started with two individual input from two artists (I am sorry I cannot remember their name, nor find it in the event page) but as I understood later on from the speech of Mr. Tannert, the curator of the exhibition, they volunteered to speak on the stage by taking personal contact with Mr. Tannert. Firs speaker had a very didactic discourse and chose to sit in a way to look at Mr. Tannert’s table instead of turning his face to the audience. I would expect a panelist who volunteer to talk on such a topic to face the audience but his later words would prove that probably Mr. Tannert was the only person in the room he was taking serious. He started his speech blaming SdJ of using the term “violence” wrongly by quoting a shallow definitions of physical violence. It seemed like this person had quite some problem understanding what “systemic or structural violence” means. He indirectly implied the intervention of SdJ fascistic and paid tribute to one of the most common male discourses my lovely female comrades would know very well, “THE BIG PICTURE”. With this, he wanted to say “ah you ladies and minorities, stop your fight about feminism or representation, we have other issues to tackle…” When I later took the mic and mentioned my disappointment of both male speakers’ agitating command of looking at the BIG PICTURE (what I have heard 101010 times in the left circles I was hanging out before), he looked at me with empty eyes and gave no answer. He didn’t address any of the clear questions aroused in the Facebook Post Statement of SdJ published on July 29, 2019 and he seemed to have null understanding of what the criticism is actually about or what the word “representation” means. Long story short, the first speaker contributed no productive input. The second speaker managed only one thing: Characterising the HATE of an antifeminist who somehow managed to find a place for himself in the art world. I strongly suggest him to contact Lars von Trier or some other do**he bag and continue his career being a public women hater cause he is verrrryy good at that. The aggressive tone of this speaker was making it very difficult for me follow the words blurring in his speech which was more like an antifeminist stream of consciousness. His anger was so intense, his whole upper body was moving on the elegant chair and I was afraid for a while that the chair would break. His negative energy was overshadowing my very entspannt mood. I was hoping so much the 3 weeks I spent in the Mediterranean nature would be my energy bank for some time in Berlin but it got all sucked up by this person, but no worries, I have Yoga and Feminism to charge my brain and soul with positivism. This person said he personally knows and works with some of the members of SdJ. And later in his speech, he said these people don’t have enough knowledge or background in art. Most of the members of SdJ are anonymous so I require this person to give names who he was referring to and how on earth he sees himself competent to score someone’s knowledge of art! This person said, if SdJ was so disturbed by the artists (18 white men, 3 white women, 1 artist of colour) represented in the related exhibition, SdJ should have suggested other artists. I said, SdJ is not the curator of the exhibition, Mr. Tannert is! This person said, the members of SdJ and similar collectives want to gain reputation through their campaigns like “Whitey on the Moon”. Once again, most of the members of SdJ want to stay anonymous. This person said, “you know, you got the last two Berlin Biannele and the Documenta, why can you not be happy with that? Why do you attack a small exhibition like this one”. I said “our principles are not according to the scale” This person didn’t understand it. Oh, of course this man also required all feminists to look at the BIG PICTURE! This person later came to me in person outside of the room the public discussion was taking place and asked my name, I didn’t tell him my name. In the second part of the meeting, Mr. Tannert answered the questions of Mr. Adebisi. I couldn’t hear any honest self-criticism from Mr. Tannert. The only thing I understood from himself is that he quite likes Sun Ra, probably that’s the only thing we have in common. Mr. Tannert organised a public discussion with a promise to address the concerns about his exhibition but he didn’t! So, I rephrase the questions asked in the statement of SdJ once again: Why in particular are you crediting Elon Musk in a afrofuturism exhibition, Mr. Tannert? If you are a real fan of Sun Ra, don’t you feel ashamed in trying to harmonise the heritage of Sun Ra with a white male megalomaniac’s dystopian dream of colonising the space???? Why there is not one BPOC artist in an exhibition called “afrofuturism”? Why there was only men talking on the stage? Was it too difficult to collaborate with a FLTI speaker? Why did you call SdJ “Coup du Jour”? I got the impression from your speech that you choose your words quite carefully and take your time and speak quite slowly. So, it makes me question if it was slip of the tongue or the expression of your real thoughts? At least, you were being honest for once, so I guess, thank you for that ! Why did you describe Mr. Adebisi’s moderation a “performance”????? As a high intellectual man, I am sure you understand what this means. By describing his talk and moderation a performance, you patronise his stance and create an unequal platform and imply at the end of the day, your speech is the real one, right? There were two nice moments from last night. When one of the BPOC audiences took the mic and shared his experiences in Germany like being asked all the time "where he actually comes from" and when I could talk, meet and hug 4 beautiful women after the the talk and have a quality talk in 10 minutes unlike the three hours torture show organised by KB! There are def. much more problems to highlight from last night but I didn’t attend the talk as a journalist and got quite weary of the second speaker’s hate so this is all I could write. If you want to criticise, suggest edits or fill up gaps, please feel free to do so! Love, Merve
Art lovers or simply curious, next October a great chance to meet directly artists and discover their works without intermediary. It's Accessible Art Fair. More than 60 artists from all over the world will be gathered together for three days: from Vietnam to USA, from Israel to Bosnia and of course many Belgian artists. Don't miss it!
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