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Galerie Thomas Schulte

Galerie Thomas Schulte Since it was established in 1991, Galerie Thomas Schulte’s ongoing focus has been placed on nurtur It changed its name in November 2000.

Galerie Thomas Schulte was established in 1991 as Galerie Franck + Schulte. It was the first major newcomer to the reawakening art scene of the reunited German capital and received high critical acclaim from its very start. The program of represented artists centers around conceptual art and focuses on the contemporary scene since 1960. Among the best known positions of the gallery are: Alice Ayco

Galerie Thomas Schulte was established in 1991 as Galerie Franck + Schulte. It was the first major newcomer to the reawakening art scene of the reunited German capital and received high critical acclaim from its very start. The program of represented artists centers around conceptual art and focuses on the contemporary scene since 1960. Among the best known positions of the gallery are: Alice Ayco

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⁣Nanjing Art Fair International 2022⁣, Jiangsu, ChinaBOOTH A-09⁣⁣Last Day⁣⁣If you happen to be in Nanjing, come by our b...
25/12/2022


Nanjing Art Fair International 2022⁣, Jiangsu, China
BOOTH A-09⁣

Last Day⁣

If you happen to be in Nanjing, come by our booth and enjoy our presentation. Today is the last day of our very first participation at Nanjing Art Fair International with Fabian Marcaccio's "Animation Paintants".
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Image: Installation view of the "Animation Paintants" in the Corner Space of Galerie Thomas Schulte, Exhibition "Flex-Paintants", 2022⁣
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Photo by ⁣
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⁣HAPPY HOLIDAYS!⁣⁣We wish you and your family happy holidays - with maximum ease and strength for the year 2023,⁣⁣Thomas...
24/12/2022


HAPPY HOLIDAYS!⁣

We wish you and your family happy holidays - with maximum ease and strength for the year 2023,⁣

Thomas, Elisabeth, Dorottya, Eike, Carlota, Maria, Annika, Luigi, Gonzalo, Juliane, Nick, Roland, Monika, Julia⁣

Galerie Thomas Schulte reopens Monday, Jan. 9. Leunora Salihus and Bethan Huw's exhibitions will then be on view until January 28, before Paco Knöller and José Montealegre open in the evening on Friday, February 3.⁣
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Work:⁣⁣⁣
Kiki Smith⁣
Sun, Moon, Stars and Cloud, 2011⁣
Aluminum with gold, silver and Japanese leaf⁣
256.5 x 216 x 9 cm⁣
Edition of 3 plus 1 artist's proof⁣
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Installation view, exhibition "Red Standing Moon", Galerie Thomas Schulte, 2022, Photo by ⁣⁣⁣⁣
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⁣LEUNORA SALIHU ⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣Until 28 January⁣⁣⁣⁣Winter Break until 8 JanuaryThe artistic language of Leunora ...
23/12/2022


LEUNORA SALIHU ⁣⁣⁣⁣⁣
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Until 28 January⁣⁣
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Winter Break until 8 January

The artistic language of Leunora Salihu is defined by a passionate grappling with materials, which find their way peerlessly into comprehensive new objects. The themes that are most dear to her are bravely and self-confidently brought out in her sculptures, even in these times of digitalisation, virtual reality and NFTs. They illustrate burdens and burden bearing, touch on gravity and lightness, acknowledge space and the space around space, and insist upon the tactile and sensory qualities of material. In their suggestive visual power, these works show themselves to be “carefully calculated flashpoints”, unforgettable situations—experienced, observed and developed out of the contrasts, contradictions and hazards of our modern world. These entities by no means expunge what is known and familiar to us through the voiced silence of their obvious abstraction. Rich in ideas, evocative, powerful and radical, they much rather help keep the known and familiar all the more alive.⁣
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The exhibition is presented alongside Bethan Huws' "Medieval Neon" in the Corner Space of the gallery.⁣⁣
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Work:⁣⁣
Leunora Salihu⁣
to be titled, 2022⁣
Ceramic⁣
34 x 38 x 26 cm⁣
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Photos by ⁣⁣⁣
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22/12/2022


Nanjing Art Fair International 2022⁣, Jiangsu, China
Booth A-09⁣

23 to 25 December

We are looking forward to our first participation at the NAFI, which will begin tomorrow.

In Fabian Marcaccio's installation, which had been on view in the Corner Space of Galerie Thomas Schulte until December 3, the artist had shown 22 animated short films. The presentation will now be on view at NAFI, the Nanjing Art Fair International. A set of the exhibited Animation Paintants is also available for purchase at Galerie Thomas Schulte's online shop. Visit the link in our bio.

We thank the gallery Hua International for the support during the fair.
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Image: Film still from fabian Marcaccio's Animation Paintant "The Surcos", 2022⁣
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Photo by ⁣
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⁣⁣MICHAEL MÜLLER⁣The Given Day. ⁣⁣Castor & Polydeuces⁣⁣⁣⁣⁣⁣⁣Städel Museum, Frankfurt a.M., Germany⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣Until 19 F...
21/12/2022

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MICHAEL MÜLLER⁣
The Given Day. ⁣⁣
Castor & Polydeuces⁣⁣
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Städel Museum, Frankfurt a.M., Germany⁣⁣⁣
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Until 19 February 2023⁣⁣⁣⁣

By means of painting, but while also going beyond its boundaries, in the Städel Museum Michael Müller presents a multi-faceted artistic reflection on the meaning of time, mortality, and love that endures outside time. In a new video, he provides insights into the ideas and creation of the works in his exhibition "The Given Day. Castor & Polydeuces", his own artistic practice and his thoughts on selected works from the Städel Collection. You can watch the video by clicking the link in our bio.⁣
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Image:⁣⁣⁣⁣
Installation view „Michael Müller: The Given Day. ⁣Castor & Polydeuces⁣“⁣
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Photo: Städel Museum – Norbert Miguletz⁣⁣⁣⁣
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⁣LEUNORA SALIHU ⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣Until 28 January⁣⁣Enigmatic arrangements, displaying the rapprochement of nature an...
15/12/2022


LEUNORA SALIHU ⁣⁣⁣⁣
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Until 28 January⁣

Enigmatic arrangements, displaying the rapprochement of nature and technology through the cooperation of their organic and putatively functional elements. Wood and clay—which bring together the nature-technology pairing that is so central to her art—are unsurprisingly her two most-used working materials. Wood as an industrially processed product and clay as one of the oldest natural working materials in the world. If one takes the titles literally, then it would seem that these most recent works deal with energetic phenomena such as light, sound, heat and water, which transmit themselves in wave form and materialise in open-ended systems and sequences. some works like in "Welle", (2020), clay forms glazed on one side in a matte black attempt to insinuate themselves into a pre-existing rational system. The qualities at work here can be seen in the processing and handling of the clay. The self-confident perfection of the piece is both enlivened by and latently suffused with the obdurate nature of clay once it has been dried and fired, as well as by its ability to remember and reproduce “every touch”. In "Turm" (2020), which from a distance resembles a powerful sound system, the role of communicating perfection is performed by sophisticated glazing. The rectangular tower rises up in blocky modules and appears, at least from the sides made from fibreboard panels, to be straightforward and functional. The two other sides, however, are covered with rows and columns of black-green glazed ceramic objects resembling convex suction cups, which reflect the light that falls on them.⁣

The exhibition is presented alongside Bethan Huws' "Medieval Neon" in the Corner Space of the gallery.⁣
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Works from left to right:⁣⁣

Leunora Salihu⁣
Turm, 2022⁣
Ceramic, patin, glaze, MDF⁣
200 x 52 x 52 cm⁣

Leunora Salihu⁣
Trichter, 2022⁣
Ceramic, enamel⁣
27 x 13 x 4.5 cm⁣

Leunora Salihu⁣
Ebbe und Flut, 2021⁣
Ceramic, enamel⁣
40 x 220 x 45 cm⁣
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Photo by ⁣⁣
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⁣LEUNORA SALIHU⁣⁣BETHAN HUWS⁣⁣⁣Medieval Neon⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣Opening ⁣⁣Tonight⁣6 to 9 PM⁣⁣⁣⁣⁣⁣⁣Join us for the opening ...
09/12/2022


LEUNORA SALIHU⁣

BETHAN HUWS⁣⁣⁣
Medieval Neon⁣⁣
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Opening ⁣⁣Tonight⁣
6 to 9 PM⁣⁣⁣⁣
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Join us for the opening tonight!

The artists will also be present.
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Works:⁣⁣⁣⁣⁣⁣ ⁣⁣⁣⁣⁣
Bethan Huws⁣⁣
Monster, 2021⁣⁣
Neon mounted on Plexiglas and aluminium, transformers.⁣⁣
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Installation view exhibition “Wars, Societies and Neon” Grossmünster Zürich, Photography Charles Duprat, Paris⁣⁣
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Copyrights 2022 Bethan Huws and VG-Bildkunst, Bonn⁣⁣⁣

Leunora Salihu
Turm, 2022
Ceramic , enamel , wood
200 x 52 x 52 cm

Photo by Mathias Schormann
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⁣LEUNORA SALIHU ⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣Opening ⁣⁣⁣Friday 9 December ⁣⁣⁣6 to 9 PM⁣⁣⁣⁣⁣⁣⁣In this year's last exhibition at Gal...
07/12/2022


LEUNORA SALIHU ⁣⁣⁣
⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣
Opening ⁣⁣⁣
Friday 9 December ⁣⁣⁣
6 to 9 PM⁣⁣⁣⁣
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In this year's last exhibition at Galerie Thomas Schulte, Leunora Salihu presents a selection of sculptural works and drawings, in which she renegotiates her themes of space, gravity, and abstraction. Leunora Salihu's artistic language is characterized by a passionate engagement with materials that form and find uniquely new entities. This is Salihu's fourth solo exhibition at Galerie Thomas Schulte.⁣⁣
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Work (Detail):⁣
Leunora Salihu⁣
O. T., 2021⁣
Ink on paper⁣
29.7 x 42 cm⁣
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⁣⁣BETHAN HUWS⁣⁣Medieval Neon⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣Opening ⁣⁣Friday 9 December ⁣⁣6 to 9 PM⁣⁣⁣⁣⁣In "Medieval Neon", Galerie Thom...
06/12/2022

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BETHAN HUWS⁣⁣
Medieval Neon⁣
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Opening ⁣⁣
Friday 9 December ⁣⁣
6 to 9 PM⁣⁣⁣
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In "Medieval Neon", Galerie Thomas Schulte presents two expansive light installations by Bethan Huws in the gallery’s Corner Space and adjacent front room. The works, shown for the first time in Germany, feature animal figures adapted from Romanesque bas-reliefs and formed in thin neon tubes, mounted on transparent panels: one, depicting a group of four monkeys, is suspended from the ceiling, while the other comprises three isolated figures—a hare, a lion, and a monster devouring a human—arranged together on a rack. The simply outlined yet intricate images preserve the aesthetic of their source material, while extending its symbolism and expressivity, transformed and transmitted through the medium of neon.⁣
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Image:⁣⁣⁣⁣⁣⁣ ⁣⁣⁣⁣
Bethan Huws⁣
Monkeys, 2021⁣
Neon mounted on Plexiglas and aluminium, transformers.⁣

Installation view exhibition “Wars, Societies and Neon” Grossmünster Zürich, Photography Charles Duprat, Paris⁣

Copyrights 2022 Bethan Huws and BildKunst, Bonn⁣⁣
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⁣⁣Art Basel Miami Beach⁣⁣⁣⁣⁣⁣⁣⁣Booth C17⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣LAST DAY⁣⁣⁣⁣⁣⁣⁣⁣Alfredo Jaar (born 1956 in Santiago de Chile) is...
03/12/2022


⁣Art Basel Miami Beach⁣⁣⁣⁣⁣⁣⁣⁣
Booth C17⁣⁣⁣⁣⁣⁣⁣⁣
⁣⁣⁣⁣⁣⁣⁣⁣
LAST DAY
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Alfredo Jaar (born 1956 in Santiago de Chile) is an artist as well as an architect and filmmaker. Challenging commonly held preconceptions of the relationship between art and politics, Jaar fuses the aesthetic and the ethical in order to focus on the world’s injustice: poverty, exploitation, genocide. Jaar’s projects are often presented as complex yet calculatedly minimalist installations comprised of found objects, posters, projected images, reflective surfaces, and photo-text pieces. As public interventions and performances, many of his projects also involve audience participation. Jaar’s projects are aimed at illustrating the corresponding effects that international economic and political realities have on the lives of individuals.⁣

Alfredo Jaar’s work has been shown extensively around the world.To date, more than fifty monographic publications have been published on his projects. Jaar became a Guggenheim Fellow in 1985 and a MacArthur Fellow in 2000. In 2020, he was awarded the Hasselblad Award.⁣ His work Hé Ram is currently on show at the ehibition "The Sum of All Parts" at MoMA and belongs to the permanent collection of the museum. ⁣
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If you would like to know more and see our complete preview, visit the link in our bio.⁣⁣⁣⁣
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Work:⁣
Alfredo Jaar⁣
Hé Ram, 1991⁣
Silkscreen on mirror⁣
244 x 244 cm ⁣
Edition of 3 plus 2 artist’s proofs (#1/3)⁣
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⁣⁣FABIAN MARCACCIO⁣⁣⁣Flex-Paintants⁣⁣⁣⁣⁣⁣LAST DAY⁣⁣⁣⁣Galerie Thomas Schulte presents Fabian Marcaccio’s "Flex-Paintants"...
03/12/2022

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FABIAN MARCACCIO⁣⁣⁣
Flex-Paintants⁣⁣⁣
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LAST DAY⁣
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Galerie Thomas Schulte presents Fabian Marcaccio’s "Flex-Paintants"—the artist’s fifth solo exhibition with the gallery—featuring new sculptural Flex-Paintants in the gallery’s main space and digital "Animation Paintants" in the Corner Space.⁣⁣⁣
⁣⁣Today is your last chance to visit the show, so come by.⁣
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Installation view at Galerie Thomas Schulte⁣
Photo by ⁣
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-postrepresentation

⁣Art Basel Miami Beach⁣Booth C17⁣⁣1 to 3 December⁣⁣In parallel with Fabian Marcaccio’s current exhibition “Flex-Paintant...
02/12/2022


Art Basel Miami Beach⁣
Booth C17⁣

1 to 3 December⁣

In parallel with Fabian Marcaccio’s current exhibition “Flex-Paintants” at Galerie Thomas Schulte in Berlin, we are also bringing some recent works by the artists to you in Miami.⁣

Fabian Marcaccio’s work investigates whether the traditional medium of painting can survive in the digital age. He has used printmaking and transfer techniques to make paintings and became well-known in the 1990s for his sculptural manipulations of the two-dimensional surface of the canvas. More recently, he has infused his painting process with digital and industrial techniques. The results are environmental works, animations, and “Paintants” that combine digitally manipulated imagery, sculptural forms and three dimensionally painted surfaces.⁣

The exhibition “Flex-Paintants” can be seen until 3 December at our gallery in Berlin.⁣
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If you would like to know more and see our complete Art Basel Miami Beach preview, visit the link in our bio. ⁣
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Work:⁣
Fabian Marcaccio⁣
Perpetual Amendment, 2022⁣
Silicone and oil on 3D printed polyurethane, metal wire reinforcements⁣
79 x 63.5 x 10 cm⁣
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Photo:
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Art Basel Miami Beach⁣Booth C17⁣⁣1 to 3 December⁣⁣The public days have now begun and we are really excited to see you in...
01/12/2022

Art Basel Miami Beach⁣
Booth C17⁣

1 to 3 December⁣

The public days have now begun and we are really excited to see you in Miami. Visit the link in our bio to view the preview of our presentation. ⁣

Featured artists: ⁣

Marina Adams⁣
Richard Deacon⁣
Alfredo Jaar⁣
Juan Uslé⁣
Rebecca Horn⁣
Jonas Weichsel⁣
Jonathan Lasker⁣
Robert Mapplethorpe⁣
Alice Aycock⁣
Michael Müller⁣
Angela de la Cruz⁣
David Hartt⁣
Fabian Marcaccio⁣
Iris Schomaker⁣
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Works from left to right: ⁣

First Slide:

Juan Uslé⁣
Cenizas y horizonte, 2022⁣
Vinyl dispersion and dry pigment on canvas⁣
198 x 112 cm⁣

Richard Deacon⁣
Cut & Fold #1, 2022⁣
Stainless steel⁣
203 x 165 x 114 cm⁣

Robert Mapplethorpe⁣
Antinous, 1987⁣
Dye transfer⁣
Paper size: 61 x 50.8 cm ⁣

David Hartt
The Garden (Passiflora foetida / Rome, Italy / May 17, 2022), 2022
Tapestry
304.8 x 203.2 cm
Edition of 3 plus 1 artist's proof (#2/3)

Alice Aycock
The Riddle of the Flying Saucer #1, 2015-2017
Aluminum
61 x 58 x 56 cm
Edition of 3 (#2/3)

Marina Adams⁣
Pe**te 4, 2022⁣
Acrylic on linen⁣
173 x 147 cm⁣

Second Slide (in addition):

Alfredo Jaar⁣
Hé Ram, 1991⁣
Silkscreen on mirror⁣
244 x 244 cm⁣
Edition of 3 plus 2 artist’s proofs (#1/3)⁣

Jonas Weichsel⁣
Interstellar Painting 19, 2022⁣
Acrylic on canvas⁣
110 x 58 x 2.5 cm⁣
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Photo: ⁣
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⁣⁣⁣⁣⁣⁣⁣⁣Art Basel Miami Beach⁣⁣⁣⁣⁣⁣⁣Booth C17⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣1 to 3 December⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣At this year’s Art Basel Miami B...
30/11/2022

⁣⁣⁣⁣⁣⁣⁣
⁣Art Basel Miami Beach⁣⁣⁣⁣⁣⁣⁣
Booth C17⁣⁣⁣⁣⁣⁣⁣
⁣⁣⁣⁣⁣⁣⁣
1 to 3 December⁣⁣⁣⁣⁣⁣⁣
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At this year’s Art Basel Miami Beach, Galerie Thomas Schulte presents a recent abstract painting from Müller’s painting series “Before and Behind the Glass.”⁣

Michael Müller (born 1970, Ingelheim am Rhein, Germany) is a conceptual artist whose manifold, proliferating oeuvre resists any straightforward or one-way interpretation. Müller continuously broadens the methods of his artistic expression, combining works on paper with painting, text-based work, sculpture, found objects, music, and performance, and has even developed a cosmetic line and fashion collection. He received great critical and curatorial attention for his “Eighteen Exhibitions” cycle, which resulted in solo exhibitions at two of Germany’s most progressive art institutions, KW Institute of Contemporary Art, Berlin, and Staatliche Kunsthalle Baden-Baden. The exhibition “Michael Müller - Difficult Pictures” at the Wemhöner Collection, Hasenheide 13, Berlin, 2021 focused for the first time exclusively on the painterly work of the artist. His painting is celebrated in his solo exhibition of monumental scale works “The Given Day. Castor Polydeuces”, currently on show at the Städel Museum, Frankfurt a.M., Germany.⁣
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If you would like to know more and see our complete preview, visit the link in our bio.⁣⁣⁣
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Work (Detail and installation view): ⁣⁣⁣
Michael Müller⁣
Coney Island Beach, 40°34'20.9"N 73°58'53.4"W, 2022⁣
Acrylic, gesso and lacquer on printed Belgian linen and glass⁣
Framed dimensions:⁣
200 x 164 x 7 cm⁣
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⁣⁣⁣⁣⁣⁣⁣Art Basel Miami Beach⁣⁣⁣⁣⁣⁣Booth C17⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣1 to 3 December⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣The private days of the fair begin tod...
29/11/2022

⁣⁣⁣⁣⁣⁣
⁣Art Basel Miami Beach⁣⁣⁣⁣⁣⁣
Booth C17⁣⁣⁣⁣⁣⁣
⁣⁣⁣⁣⁣⁣
1 to 3 December⁣⁣⁣⁣⁣⁣
⁣⁣⁣⁣⁣⁣
The private days of the fair begin today! At our booth, we are proud to present one of Rebecca Horn's works, "Grillon" (1995) at this year's Art Basel Miami Beach. A rarely seen poem accompanies the work: ⁣


The Funeral of the Instruments⁣

The cricket answers the call⁣
of the languishing instruments, ⁣
it extracts itself from its hole in the ground⁣
climbs to the very top of the tree⁣
and begins frantically⁣
to beat its rear legs, ⁣
resuming the work of the instruments⁣
caught in the throes of death⁣

Exhausted by this song of love⁣
the cricket drops to the ground⁣
releases its eggs and dies.⁣

A little machine imitates⁣
the cricket’s song and sets up the echo ⁣
of its slumber.⁣

Rebecca Horn, El Calvario, 1995⁣
From the book „Glance of Infinity“ 1997, p. 292⁣
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If you would like to know more and see our complete preview, visit the link in our bio.⁣⁣
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Work: ⁣⁣
Rebecca Horn⁣
Grillon III, 1995⁣
Comb, metal construction, brass, motor⁣
176.5 x 32 x 18 cm⁣
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Photo by Julia Giebeler
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⁣⁣⁣⁣⁣⁣Art Basel Miami Beach⁣⁣⁣⁣⁣Booth C17⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣1 to 3 December⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣Juan Uslé (born 1954 in Santander, Spain) ha...
28/11/2022

⁣⁣⁣⁣⁣
⁣Art Basel Miami Beach⁣⁣⁣⁣⁣
Booth C17⁣⁣⁣⁣⁣
⁣⁣⁣⁣⁣
1 to 3 December⁣⁣⁣⁣⁣
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Juan Uslé (born 1954 in Santander, Spain) has developed a rich painterly oeuvre that operates in the space between pure abstraction and emotionally intense subjective expression. Since the early 1980s, he has sought to create paintings informed—on a meta-narrative level—by his personal experience, while also reflecting the fundamental rules of his pictorial vocabulary. To date, his most comprehensive series of paintings called “Soñé que revelabas” (I dreamed that you revealed) distils the poetic-emotional conceptualism that permeates Uslé’s visual universe down to its essence; the structural conditions of painting and the pictorial process. Each brushstroke is both the indexical image of the painterly gesture and the direct physical representation of the artist’s relationship to his work.⁣
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Work: ⁣
Juan Uslé⁣
Cenizas y horizonte, 2022⁣
Vinyl dispersion and dry pigment on canvas⁣
198 x 112 cm ⁣
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⁣⁣⁣⁣⁣Art Basel Miami Beach⁣⁣⁣⁣Booth C17⁣⁣⁣⁣⁣⁣⁣⁣1 to 3 December⁣⁣⁣⁣⁣⁣⁣⁣It is with great pleasure that Galerie Thomas Schu...
27/11/2022

⁣⁣⁣⁣
⁣Art Basel Miami Beach⁣⁣⁣⁣
Booth C17⁣⁣⁣⁣
⁣⁣⁣⁣
1 to 3 December⁣⁣⁣⁣
⁣⁣⁣⁣
It is with great pleasure that Galerie Thomas Schulte is showing one of Marina Adams’ works for the first time at this year’s Art Basel Miami Beach.⁣

Marina Adams is a painter based in New York City, Bridgehampton, Long Island and Parma, Italy. She earned degrees from Tyler School of Art, Temple University, Philadelphia, PA and Columbia University, New York, NY. She is a 2016 recipient of the John Simon Guggenheim Memorial Fellowship, and received the 2018 Award of Merit Medal for Painting from the American Academy of Arts and Letters.⁣
Marina Adams’ predominantly large works explore colour, form and movement. Inspired by textile design, architecture and postmodern poetry, her abstract paintings feature vibrantly-coloured shapes. These forms and color play generate constrasts and a striking dynamism throughout her work.⁣
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Marina Adams⁣
Pe**te 4, 2022⁣
acrylic on linen⁣
173 x 147 cm⁣
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**te

⁣MICHAEL MÜLLER⁣The Salvation of Evil⁣Possible and Impossible Images⁣⁣⁣⁣⁣⁣⁣⁣⁣Museum im Kulturspeicher Würzburg, Germany⁣...
25/11/2022


MICHAEL MÜLLER⁣
The Salvation of Evil⁣
Possible and Impossible Images⁣
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Museum im Kulturspeicher Würzburg, Germany⁣
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26 November 2022 to 19 March 2023⁣

Opening Friday 25 November from 7 pm
With talks by Christian Schuchardt, Luisa Heese, Dr. Henrike Holsing
⁣⁣⁣⁣⁣
⁣In the year of its 20th anniversary, the Museum im Kulturspeicher has invited Michael Müller to work with the Würzburg Städtische Sammlung.

What was intended as an intervention in the collection spaces grew into an opulent project that has now come to a conclusion with the realisation of two exhibitions.

Both exhibitions deal in different ways with the theme of evil in art and society, in history and the present.
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Image: ⁣
Michael Mueller
Portrait
© Robert Schittko, Courtesy Studio Michael Müller⁣

Work:
Michael Müller,
The Exhibitionist as Self-Description, 2022
© Studio Michael Müller
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Hallo, wie habt ihr denn am Gallery Weekend offen? Nur samstags oder auch sonntags?
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Kollege, können Sie nicht Ihre Posts in altgriechisch machen? Ihr Engisch ist so schwer verständlich!
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