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Galerie Thomas Schulte

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Galerie Thomas Schulte

Berlin-based gallery founded in 1991

Locations:
Charlottenstraße 24, Berlin, Germany
Potsdamerstraße 81B, Berlin, Germany It changed its name in November 2000.

Galerie Thomas Schulte was established in 1991 as Galerie Franck + Schulte. It was the first major newcomer to the reawakening art scene of the reunited German capital and received high critical acclaim from its very start. The program of represented artists centers around conceptual art and focuses on the contemporary scene since 1960. Among the best known positions of the gallery are: Alice Ayco

ck, Richard Deacon, Alfredo Jaar, Jonathan Lasker, Iñigo Manglano-Ovalle, Robert Mapplethorpe, Fabian Marcaccio, Gordon Matta-Clark, Allan McCollum, Katharina Sieverding, Juan Uslé, Stephen Willats, and Robert Wilson. Younger positions include Idris Khan, Bernhard Martin, Michael Müller, Peter Rogiers, Iris Schomaker and Leunora Salihu. Aside from its current program, the gallery has over the years dedicated one or more solo exhibition to numerous artists including the positions of Bas Jan Ader, Dieter Appelt, Richard Artschwager, Alighiero e Boetti, Chuck Close, Helmut Federle, Michael Heizer, Johannes Kahrs, Joseph Kosuth, Jannis Kounellis, Sol LeWitt, Mark Lombardi, Roxy Paine, Pipilotti Rist, Robert Smithson, and Pat Steir. Since its foundation Galerie Thomas Schulte has regularly participated in major international art fairs including Art Basel, Art Basel Miami Beach, ARCOmadrid and Armory Show New York.

05/09/2026

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BERLIN ART WEEK 2026⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣
Openings during Gallery Night⁣⁣⁣⁣
10 September 2026, 6–10 pm⁣⁣⁣⁣⁣⁣⁣
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DAVID L. JOHNSON⁣⁣⁣⁣⁣⁣⁣
Nachtruhe⁣⁣⁣⁣⁣⁣⁣
Potsdamer Strasse⁣⁣⁣⁣⁣⁣⁣
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Galerie Thomas Schulte presents "Nachtruhe", a solo exhibition by David L. Johnson bringing together sound works, sculpture, and photography produced in and around public and private parks in Philadelphia, New York, and Berlin.⁣⁣⁣⁣
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KATHARINA SIEVERDING⁣⁣⁣⁣⁣⁣⁣
Life–Death⁣⁣⁣⁣⁣⁣⁣
Charlottenstrasse⁣⁣⁣⁣⁣⁣⁣
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For Berlin Art Week 2026, Galerie Thomas Schulte presents the exhibition “Life–Death” by Katharina Sieverding. At the heart of the exhibition is the 1969 film of the same name, complemented by large-format film stills. Created in what was then West Berlin, the work reflects an early period in the artist’s practice and a historical moment of concentrated political, social, and aesthetic upheaval.⁣
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KERSTIN BRÄTSCH⁣⁣⁣⁣⁣⁣⁣
Die Sein: Para Psychics Expanded (Excerpt)⁣⁣⁣⁣⁣⁣⁣
Charlottenstrasse⁣⁣⁣⁣⁣⁣⁣
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For this year’s edition of Berlin Art Week, Galerie Thomas Schulte presents “Die Sein: Para Psychics Expanded (Excerpt),” Kerstin Brätsch’s first solo exhibition with the gallery. The Corner Space and adjacent window front are transformed through an expansion from painting, as though from living matter, into a cosmos, or organism, of its own. The site-specific installation gives shape to an immersive environment; a shared yet fluctuating encounter, both rooted in the body and moving beyond material conditions.⁣⁣⁣⁣⁣⁣⁣
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Images:⁣⁣⁣⁣⁣⁣
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David L. Johnson, "Fitzpatrick", 2026. Removed Mosquito device, metal cage, bird’s nest, sound, 45:53 min., 21.6 × 20.3 × 26.7 cm.⁣⁣⁣⁣⁣⁣
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Katharina Sieverding, "Life-Death VI", 1969/1995. Color photography, acrylic, stainless steel frame., Each 100 × 100 cm.⁣⁣⁣⁣⁣⁣
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Kerstin Brätsch, "Honeycomb Fossil Psychic for Christa", 2026. UV print on honeycomb cardboard., 160 × 8 cm.⁣⁣⁣⁣⁣⁣
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03/09/2026

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GORDON MATTA-CLARK⁣⁣⁣⁣⁣⁣⁣⁣
On Site⁣⁣⁣⁣⁣⁣⁣
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berlin modern, Berlin⁣⁣⁣⁣⁣⁣⁣
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10–13 September 2026⁣⁣⁣⁣⁣⁣⁣
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On the occasion of Berlin Art Week, a temporary exhibition will be on view for the first time on the construction site of berlin modern from 10 to 13 September 2026: Neue Nationalgalerie presents five selected works by Gordon Matta-Clark, one of the most influential artists of the 1970s. They will be shown in one of the central exhibition spaces of the new Museum of 20th-Century Art, berlin modern, which is currently being built in Berlin.⁣⁣⁣⁣⁣⁣⁣
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The exhibition features central pieces from the most vital period of his oeuvre in the 1970s, including "Clockshower" (1973), "Splitting" (1974), "Conical Intersect"(1975), "City Slivers" (1976), and "Office Baroque" (1977) — realized in New York, Paris, and Antwerp, among others. Most prominently presented is "Conical Intersect", a site-specific work with the Centre Pompidou still under construction in the background. The work was part of the Paris Biennale in 1975.⁣⁣⁣⁣⁣⁣⁣
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Presented in this homage-like exhibition, his work creates a striking encounter with the artist's unique and radical approach that inspires generations of artists until today.⁣⁣⁣⁣⁣⁣⁣
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The exhibition is curated by Klaus Biesenbach, Director of Neue Nationalgalerie, with Ricarda Bergmann.⁣⁣⁣⁣⁣⁣⁣
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Image:⁣⁣⁣⁣⁣⁣
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Gordon Matta-Clark, "Conical Intersect", 1975. Courtesy of the Estate of Gordon Matta-Clark. / VG Bild-Kunst, Bonn 2026⁣⁣⁣⁣⁣⁣
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28/08/2026

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ROBERT WILSON⁣⁣⁣⁣⁣⁣
Robert Wilson and the CIVIL warS | Conversation & Film⁣⁣⁣⁣⁣
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Akademie der Künste, Hanseatenweg, Berlin⁣⁣⁣⁣⁣
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Friday, 4 September 2026, 7 pm⁣⁣⁣⁣⁣
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Howard Brookner’s meticulously restored documentary “Robert Wilson and the CIVIL warS” follows Robert Wilson’s visionary, unfinished opera project “the CIVIL warS: a tree is best measured when it is down,” originally conceived for a complete premiere as part of the 1984 Olympic Arts Festival in Los Angeles.⁣⁣⁣⁣⁣
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The film offers a unique insight into the making of one of the most ambitious and unconventional stage productions of the twentieth century, as well as the international community of artists involved in bringing the project to life.⁣⁣⁣⁣⁣
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Before the screening, Christof Belka, Nele Hertling, Christopher Nell, and Ann-Christin Rommen will discuss Robert Wilson and the development of “the CIVIL warS,” moderated by Rüdiger Schaper.⁣⁣⁣⁣⁣
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Images:⁣⁣⁣⁣
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Film stills from “Robert Wilson and the CIVIL warS.”⁣⁣⁣⁣
© 1986 CitiFilmworks, Aspekt Telefilm, Unisphere Pictures International. © 2025 Pinball London Ltd.⁣⁣⁣⁣
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24/08/2026

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ANGELA DE LA CRUZ⁣⁣⁣⁣⁣
BARRICADE / DRESDEN⁣⁣⁣⁣
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Kunstverein Dresden, Germany⁣⁣⁣⁣
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28 August to 10 October 2026⁣⁣⁣⁣
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Galerie Thomas Schulte is pleased to announce Angela de la Cruz’s first solo exhibition in eastern Germany, “BARRICADE / DRESDEN,” opening at Kunstverein Dresden on 28 August 2026.⁣⁣⁣⁣
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In the exhibition, Angela de la Cruz presents works that combine painting, sculpture, and installation. Her distorted canvases and everyday objects explore themes of fragility, transformation, and resistance. Her works are inspired by her own life experiences and are thus marked by an incomparable intensity.⁣
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Curated by Bettina M. Busse, “BARRICADE / DRESDEN” forms part of Kunstverein Dresden’s annual theme “The Body” and invites reflection on the relationship between body, space, and social reality.⁣⁣⁣⁣
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Images:⁣⁣⁣
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Angela de la Cruz, Barricade (Chairs), 2023. ⁣
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Angela de la Cruz, Barricade (Tables), 2023. ⁣⁣⁣
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Angela de la Cruz, Barricade (Sofa), 2023. ⁣
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All Images: Courtesy the artist and Galerie Thomas Schulte, Berlin. Photo: ⁣
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22/08/2026

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LENA HENKE⁣⁣⁣⁣⁣
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Hotel Saltus, South Tyrol, Italy⁣⁣⁣⁣
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On view until the end of 2026⁣⁣⁣⁣
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Hotel Saltus presents an exhibition by Lena Henke, developed following her time as Artist in Residence in the surrounding landscape of South Tyrol.⁣⁣⁣⁣
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Known for her immersive sculptural installations, Henke explores the connection between space, material, and human experience. The presentation brings together works shaped by her engagement with the site, its environment, and its spatial atmosphere.⁣⁣⁣⁣
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Across installation views and details, the exhibition unfolds in close dialogue with the architecture and landscape of Hotel Saltus.⁣⁣⁣⁣
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Images:⁣⁣⁣
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Installation views and work details, Lena Henke at Hotel Saltus, South Tyrol.⁣⁣⁣
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Photos by ⁣⁣⁣
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.felicitas ⁣

15/08/2026

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FINAL DAYS⁣
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RICHARD DEACON⁣⁣⁣⁣⁣
Just Looking⁣⁣⁣⁣⁣
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Charlottenstrasse⁣⁣⁣⁣⁣
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ALLAN MCCOLLUM⁣⁣⁣⁣⁣⁣
A Moment in Time: Drawings, 1991-1992⁣⁣⁣⁣⁣⁣
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⁣⁣⁣Potsdamer Strasse⁣⁣⁣⁣⁣⁣
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Don't miss the chance to visit our exhibitions today, on their last day. ⁣
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Works:⁣⁣⁣
Richard Deacon⁣
def, 2018⁣
Painted and lacquered steel⁣
118 x 148 x 30.5 cm⁣
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Richard Deacon⁣
ghi, 2018⁣
Painted and lacquered steel⁣
138 x 102 x 25 cm⁣
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Richard Deacon⁣
abc, 2018⁣
Painted and lacquered steel⁣
150 x 104 x 29 cm⁣
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Allan McCollum⁣
Collection of Sixty Drawings, 1988/91⁣
Graphite pencil on museum board, each unique, blonde frames⁣
Dimensions variable⁣
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12/08/2026

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FINAL DAYS⁣
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RICHARD DEACON⁣⁣⁣⁣
Just Looking⁣⁣⁣⁣
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Until 15 August⁣⁣⁣⁣
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Charlottenstrasse⁣⁣⁣⁣
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A nebulous lack of resolution characterizes a group of prints on sublimated polyester, each titled "Desert" (2026) and composited from four parts. The prints are enlargements of drawings Deacon originally produced on his phone – a practice he has taken up with regularity over the last few years, expanding the surface and material potential of his drawings, which have formed an integral part of his work since the early stages of his career. The layering and intersection of translucent digital strokes on a screen simulates texture and depth where there otherwise is none. Here, the drawings undergo a transfer from the sleek digital surface to the tactility of the textile, which possesses a texture and sheen of its own. Like traces in dust, the ghostly images carry a physical presence, while retaining an immaterial essence. Hazy white structures formed of interwoven or spiralling lines give the impression of extreme weather conditions, like a whirlwind, or gently wavering reflections on rippling water. Desert #4 may even suggest a highly zoomed-in depiction of a surface structure: its hatched lines or interwoven threads and the negative spaces that they open up.⁣
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Works:⁣⁣
Richard Deacon⁣
Desert #3, 2026 (detail and complete work)⁣
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Desert #2, 2026⁣
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Desert #1, 2026⁣
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Desert #4, 2026⁣
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All:⁣
Unique digital print on sublimated polyester, glued to a backing canvas⁣
Image size: 100 x 145 cm⁣
Framed dimensions: 113 x 157.5 x 5 cm⁣
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10/08/2026

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FINAL WEEK
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ALLAN MCCOLLUM⁣⁣⁣⁣⁣
A Moment in Time: Drawings, 1991-1992⁣⁣⁣⁣⁣
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Until 15 August⁣⁣⁣⁣⁣
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Potsdamer Strasse⁣⁣⁣⁣⁣
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From the 1970s onward, McCollum’s practice has focused on processes of cultural reception, developing bodies of work that examine the relationship between serially produced objects and the formation of meaning and value. These works often take the form of "Collections"—of photographs, sculptural objects, or, as in this case, of drawings—comprising anywhere from a few individual elements to thousands of them. Uniform and appearing almost industrial at first glance, the elements are distinguished by form variations that render each of them unique. The "Collections" thus operate at the threshold between singular and multiple, individual and collective, legible and illegible, reflecting the paradox of human existence: the desire to belong to a larger group while also remaining one-of-a-kind.⁣⁣
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Preceded by the acclaimed "Surrogate Paintings" (1978) and "Plaster Surrogates" (1982), McCollum began his series of "Drawings" in 1988, the only body of work he has produced using a traditional artistic medium: pencil on paper. Conceived during a pivotal moment in his practice, the "Drawings" developed in dialogue with "Over Ten Thousand Individual Works" (1987) and laid important groundwork for later projects such as "The Shapes Project" (2005) or "Each and Every One of You" (2004).⁣⁣
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Images: ⁣
Deatail and Installation views, Allan Mccollum, "A Moment in Time: Drawings, 1991-1992⁣⁣⁣⁣⁣" at Galerie Thomas Schulte, photo by .de⁣⁣
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07/08/2026

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DAVID HARTT⁣
Peripheries⁣
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The Metropolitan Museum of Art, New York, USA, Gallery 735⁣
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25 September 2026 to 7 Februar 2027⁣
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Galerie Thomas Schulte is pleased to share that David Hartt's new site-specific commission "Peripheries" will soon be on view at The Metropolitan Museum of Art, New York. Conceived for the Museum’s circular gallery housing John Vanderlyn’s "Panoramic View of the Palace and Gardens of Versailles" (1818–19), the installation activates the historic panorama through a contemporary architectural intervention.⁣⁣⁣
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For "Peripheries", Hartt brings past and present into dialogue through two Direct View LED screens that echo imagery from Vanderlyn’s painting while introducing new perspectives drawn from direct documentation of Versailles, the cinematic language of French New Wave cinema, and photographs of the palace grounds by Eugène Atget. Filmed from Versailles to the Boulevard Périphérique and across central Paris, the work reflects on the continual reinvention of the French capital. Accompanied by an original score by composer and musician Jeff Parker, the installation redirects attention from the city’s established centers toward its margins—or “peripheries”—where alternative histories and perspectives so often reside. Through this layered engagement with history, representation, and cultural memory, Hartt reimagines The Met’s gallery space as a living environment for reflection.⁣⁣
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06/08/2026

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FRANKA HÖRNSCHEMEYER⁣⁣⁣⁣
KUNSTFONDS_Werkverzeichnung⁣⁣⁣
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We are delighted to share that Franka Hörnschemeyer has been awarded funding of up to €30,000 from Stiftung Kunstfonds through its KUNSTFONDS_Werkverzeichnung programme.⁣⁣⁣
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The grant will support the systematic documentation and cataloguing of the artist’s oeuvre, contributing to the long-term preservation and accessibility of her work.⁣⁣⁣
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Our warmest congratulations to Franka Hörnschemeyer on this significant recognition.⁣⁣⁣
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Image: ⁣
Franka Hörnschemeyer by Albrecht Fuchs⁣
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Adresse

Charlottenstraße 24
Berlin
10117

Öffnungszeiten

Dienstag	12:00 - 18:00
Mittwoch	12:00 - 18:00
Donnerstag	12:00 - 18:00
Freitag	12:00 - 18:00
Samstag	12:00 - 18:00

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+493020608990

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http://www.galeriethomasschulte.com/

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