Galerie Max Hetzler is an internationally established gallery for contemporary art with locations in Berlin, Paris and London Galerie Max Hetzler, Berlin
Bleibtreustr. 45, 10623 Berlin
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Summer break: 4 – 31 August 2020
Goethestr. 2/3, 10623 Berlin
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Summer break: 4 – 31 August 2020
Bleibtreustraße 15/16, 10623 Berlin
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Summer break: 4 – 31 August 2020
Galerie Max Hetzler, Paris
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57, rue du Temple
75004 Paris
Summer break: 4 – 31 August 2020
Galerie Max Hetzler, London
https://www.facebook.com/galeriemaxhetzlerlondon/
First Floor, 41 Dover Street
London, W1S 4NS
Summer break: 4 – 31 August 2020
https://instagram.com/galeriemaxhetzler/
Wie gewohnt öffnen
Paris+ opens today. Come visit us at booth A08. We are delighted to present Albert Oehlen, Giulia Andreani, Raymond Hains, Ai Weiwei, Matthew Barney, Glenn Brown, André Butzer, Carroll Dunham, Jeff Elrod, Günther Förg, Charles Gaines, Hans Josephsohn, Navid Nuur, Bridget Riley, Thomas Struth, Tursic & Mille, Edmund de Waal, Grace Weaver and Toby Ziegler.
Giulia Andreani's work is on view at the Centre Pompidou as part of the Marcel Duchamp Prize, alongside the work of Iván Argote, Philippe Decrauzat and Mimosa Échard until January 2, 2023.
Andreani (b. 1985) repurposes personal memorabilia and archival photographs through painting to address forgotten histories, often through a feminist lens. Recalling the collage of Max Ernst and Hannah Höch, the artist uses watercolour and acrylic to reproduce, alter and combine motifs from these photographs generating new layers of meaning.
Themes central to Andreani’s practice include women’s position in society, motherhood, trauma and forgotten figures in political and art history. She creates a dialogue with the past to render visible those made invisible, prescient stories that can guide us into the future.
Our Paris gallery is open today from 2–6pm. Victor Man’s solo exhibition, “From Wounds and Starry Dreams”, is currently on view.
Photos from Galerie Max Hetzler's post
For Frieze week, our London gallery will have extended hours:
Monday – Wednesday, Friday: 10am – 6pm
Thursday, Frieze West End
Night: 10am – 8pm
Saturday: 11am – 6pm
“1986: Georg Herold, Albert Oehlen, David Salle” is on view through November 5.
Image 1: Albert Oehlen, Stier mit Loch, 1986, oil and lacquer on canvas, in two parts, 190.5 x 378.5 x 3.5 cm.; 75 x 149 x 1 3/8 in. (framed)
Image 2: Installation view, 1986, Galerie Max Hetzler, London
Image 3: Georg Herold
Verwandlung von Dachlatten in Gold (Prototyp), 1986, roof battens, emulsion paint, lacquer, overall: 312 x 383 cm.; 122 7/8 x 150 3/4 in.
Anthony Caro’s solo exhibition, “Six Decades”, is on view in our Berlin Potsdamer Str. gallery until October 29.
Over the course of six decades, Sir Anthony Caro (1924–2013) became internationally known as the preeminent British sculptor of his generation. He believed that it was the role of the artist to keep culture moving, resulting in an ever-evolving oeuvre, which saw the artist’s late work as surprising and fresh as his early abstract sculptures.
This exhibition presents 19 sculptures, in tandem with relief paper sculptures and additional figurative works on paper from the 1950s.
Toby Ziegler’s solo exhibition, "Long live ghosts" is on show at our Bleibtreustraße 45 gallery through 29 October.
Ziegler’s hybrid practice involves a wide range of sources, reworked with digital as well as manual tools, combining fast and slow processes into single works, and are prompted by already existent images. The artist creates digital 3D models of objects, figures and landscapes, before rendering them within a geometric grid. Describing this as a schematic way of envisaging a form, this process provides the base for something more intuitive.
“1986: Georg Herold, Albert Oehlen, David Salle” opens in our London gallery this evening, September 27. Please join us from 6-8pm for the opening.
Image: Albert Oehlen, Krankenzeichnen, 1986, oil and lacquer on canvas, 329.5 x 200.2 cm.
129 3/4 x 78 7/8 in.
OPENING TOMORROW: “1986: Georg Herold, Albert Oehlen, David Salle” opens tomorrow, Tuesday September 27 from 6-8pm in our London gallery.
Image: Albert Oehlen, Krankenzeichnen, 1986, oil and lacquer on canvas, 329.5 x 200.2 cm.; 129 3/4 × 78 7/8 in.
Edmund de Waal’s works are included in the exhibition ‘The Feuerle Collection Silk Room’, on view at the Feuerle Collection in Berlin from 17 September 2022 until Easter 2023.
Image 1: Installation view, Edmund de Waal, ’The Fuerle Collection Silk Room’, Berlin, 2022. ©TheFeuerleCollection.
Image 2: Edmund de Waal, ‘die vierte Elegie’, 2022, 4 porcelain vessels, 3 gilded porcelain tiles, and 2 marble blocks, in a free-standing alabaster, aluminium and TruVue museum glass vitrine, 45.7 x 58 x 22 cm.; 18 x 22 7/8 x 8 5/8 in. Image: Stephen White & Co.
Image 3: Installation view, Edmund de Waal, ’The Fuerle Collection Silk Room’, Berlin, 2022. ©TheFeuerleCollection.
Image 4: Edmund de Waal, ‘die siebte Elegie’, 2022, 2 porcelain vessels, 2 porcelain dishes and 2 gilded porcelain tiles with black glaze in an aluminium and plexiglass vitrine, 12 x 30.2 x 10.3 cm.; 4 3/4 x 11 7/8 x 4 in. Image: Stephen White & Co.
The Feuerle Collection is a now defunct WWII bunker that juxtaposes art from different periods and cultures. The exhibition displays a selection of recent works by Edmund de Waal with unseen pieces from the collection and draws parallels between the poeticism of his objects and that of ancient Asian art from the 6th and 16th century.
OPENING 27 SEPTEMBER: Galerie Max Hetzler is pleased to announce an exhibition dedicated to the year 1986, featuring important works by Georg Herold, Albert Oehlen and David Salle. Please join us for the opening on Tuesday, 27 September from 6–8pm.
Bound together by threads of time, Herold and Oehlen’s respective practices came out of a divided post-war Germany, whilst Salle’s work captures the colourful consumerist landscape of the booming 1980s in New York City.
Image: Albert Oehlen, ‘Krankenzeichnen’, 1986, oil and lacquer on canvas, 329.5 x 200.5 cm.; 129 3/4 x 78 7/8 in.
Photos from Galerie Max Hetzler's post
Photos from Galerie Max Hetzler's post
Photos from Galerie Max Hetzler's post
Photos from Galerie Max Hetzler's post
Ida Ekblad’s monumental, painted bronze sculpture ‘BOOK OF BOREDOM’ is now on show at Frieze Sculpture in Regent’s Park, London.
Ekblad’s sculptures form a central part of her artistic practice and allow her to integrate various forms of expression from painting to poetry. Emblematic of her radical take on medium specificity, she reinterprets the conventions of classifying artistic media as a rule to be broken. Ekblad hand paints onto her bronze-cast sculptures, creating a multi-perspective synthesis of mind and memory.
Frieze Sculpture is now open and runs until 13 November 2022.
OPENING TODAY: "William N. Copley: Works on Paper” opens today, 16 September in our Bleibtreustraße 15/16 gallery, the artist’s second solo exhibition at Galerie Max Hetzler. Please join us for the opening from 6-8pm.
Not only a painter, but a writer, gallery-owner, collector, publisher and patron to the arts, William N. Copley's animated works abound with playful, baroque patterns and visual puns, combining politics, s*x and satire under the signature CPLY. Copley’s black and white works on paper allows an intimate look into the artist’s thematic and stylistic obsessions and gives a highly personalised insight into his work of four decades.
Image: William N. Copley, ‘Untitled’, 1991, marker and white out on paper, 59.6 x 45.7 cm.; 23 1/2 x 18 in. 67.5 x 53.7 x 3.5 cm.; 26 5/8 x 21 1/8 x 1 3/8 in. (framed).
OPENING TODAY: “Long live ghosts” opens today, 16 September, at our Bleibtreustraße 45 gallery and is Toby Ziegler’s seventh solo exhibition with Galerie Max Hetzler. Please join us for the opening from 6-8pm.
The works in the exhibition are the result of a preparatory process of computer imaging, followed by gestural mark making. For this body of paintings, Ziegler has combined two visual languages which become indistinguishable in their polyphony; a computerised landscape, layered with gestural, painted strokes.
Image: Toby Ziegler, ‘Expansion vessel’, 2021, oil, inkjet and gesso on canvas, 140 x 193 cm.; 55 1/4 x 76 x in.
OPENING TODAY: Werner Büttner opens today, 16 September, at our Goethestraße 2/3 gallery. Please join us for the opening from 6-8pm.
The exhibition presents works by Büttner from the 1980s which reflect traditional genres and themes of art such as landscapes, still lifes or self-portraits. In keeping with the artist’s deliberate negation, Büttner’s works are captivating in their calculated shabbiness: the picture surfaces remain matte, the palette is predominantly limited to greys and earthy browns, and the recognisable pictorial motifs are executed in spontaneous and intrepid brushstrokes. Reviving and revitalising the painterly form anew, Büttner elevates in his works a thematic examination of the repressed and neglected spaces in everyday life.
Image: Werner Büttner, 'Selbst bei Ich könnt' im Bett verfaulen’, 1986, oil on canvas, in artist's frame. 245 x 195 x 5 cm.; 96 1/2 x 76 3/4 x 2 in.
OPENING TOMORROW: William N. Copley’s second solo exhibition with Galerie Max Hetzler opens tomorrow, 16 September, at our Bleibtreustraße 15/16 gallery. Join us for the opening from 6-8pm.
The exhibition shows examples of Copley’s works on paper. Humour, or more precisely Copley’s love of ridicule as a means of disruption, forms an important element in the artist’s work. He used it to take on big themes, using a very playful, understated expression. This might be most clearly seen in his works on paper, which rely on line, pattern and repetition.
Image: William N. Copley, ‘Untitled', 1991, marker on paper 45.9 x 59.9 cm.; 18 1/8 x 23 5/8 in. 53.5 x 67.5 x 3.5 cm.; 21 x 26 5/8 x 1 3/8 in. (framed).
OPENING TOMORROW: Toby Ziegler’s seventh solo exhibition, “Long live ghosts”, opens tomorrow, 16 September, at our Bleibtreustraße 45 gallery. Please join us for the opening from 6-8pm.
Across his practice, Ziegler has long been interested in the relation between an object, its image and the space in which it exists. The circulation of images – and in particular the reproduction of artworks, as well as the loss of information that can occur during their successive transmissions and transformations – is a subject that lies at the heart of his work.
Image: Toby Ziegler, Set dressing, 2022, oil paint and inkjet on canvas, 180 x 255 cm.; 70 7/8 x 100 3/8 in.
OPENING TOMORROW: A solo exhibition of works by Werner Büttner opens tomorrow, 16 September, at our Goethestraße 2/3 gallery. Please join us for the opening from 6-8pm.
Beginning in the late 1970s, Büttner became known for his distinctive painterly approach and in his work, irony and satire abound. Originally conceived as the antithesis of conventional notions of 'high' art, Büttner’s paintings reject attributes of transcendence, elegance, refinement and taste to make subversive and humorous commentaries on society and the 'condition humaine'.
Image: Werner Büttner, ‘Selbst mit Vögelchen’, 1986, oil on canvas, in artist's frame, 244.5 x 194 x 4.7 cm.; 96 1/4 x 76 3/8 x 1 7/8 in.
OPENING TODAY: Our first solo exhibition with Anthony Caro, spanning six decades of his career form, opens this evening, September 15, in our Berlin, Potsdamer Straße 77-87 gallery. Please join us from 6-8pm for the opening.
Image: Anthony Caro, London, 1966, steel, painted red, 105.5 x 376 x 206 cm.; 41 1/2 x 148 x 81 1/8 in
OPENING TOMORROW: “Anthony Caro: Six Decades”, our first solo exhibition with Anthony Caro opens tomorrow, September 15, in our Berlin, Potsdamer Straße 77–87 gallery. Please join us for the opening from 6-8pm.
Image: Anthony Caro, Larry's Land, 1970, steel, painted green, 170 x 600 x 305 cm.; 66 7/8 x 236 1/4 x 120 1/8 in.
OPENING FRIDAY: Galerie Max Hetzler is pleased to present William N. Copley’s second exhibition at Galerie Max Hetzler, opening 16 September in our Berlin Bleibtreustraße 15/16 gallery.
Celebrated for his unique contribution to post-war art, William N. Copley’s practice bridges the gap between European Surrealism and American Pop Art. Largely self taught, the artist used flat colours, stark outlines and heavily simplified forms to create works rich in symbolism, allure and allegory. Themes of love and eroticism abound, with his open depiction of desire and s*xuality in a repressed age, making the images psychologically and socially liberating.
Image: William N. Copley, Untitled, 1991, marker and white out on paper, 59.7 x 45.7 cm.; 23 1/2 x 18 in. © William N. Copley Estate / Artists Rights Society (ARS), New York
Last day to see our André Butzer solo booth , booth 400.
Image: André Butzer, Untitled, 2022, acrylic on canvas, 207.4 x 198.9 cm.; 81 5/8 x 78 1/4 in.
OPENING TOMORROW: The Armory Show, New York opens tomorrow, 8 September. Come visit us at booth 400 where we will be showing works by André Butzer.
André Butzer, ‘Untitled’, 2022, acrylic on canvas, 198.2 x 311.7 cm.; 78 x 122 3/4 in.
"Victor Man: From Wounds and Starry Dreams” is currently on view in our Paris gallery through 22 October.
Image 1: Victor Man, 'Eyelids, Towards Evening’, 2022, oil on canvas, 55 x 46 cm.; 25 1/8 x 18 7/8 in. © Victor Man. Photo courtesy def image.
Image 2: Victor Man, ‘Girl with Laughing Cat’, 2021, oil on canvas, 53 x 45 cm.; 19 3/4 x 17 3/4 in. © Victor Man. Photo courtesy Stefan Korte.
Image 3: Victor Man, ‘Untitled’, 2022, oil on canvas, 63 x 46 cm.; 24 3/4 x 18 1/8 in. © Victor Man. Photo courtesy def image.
Frieze Seoul closes today, September 5. We have been thrilled to partake in the first Frieze Seoul showing works by Hans Josephsohn and Albert Oehlen at booth A1.
Image: Hans Josephsohn, ‘Untitled’, 2000. brass, 169.5 x 85 x 67 cm.; 66 3/4 x 33 1/2 x 26 3/8 in. c. Kesselhaus Josephsohn, St Gallen
We are pleased to announce Celeste Dupuy-Spencer's new publication produced on the occasion of the artist's solo exhibition 'But the Clouds Never Hung So Low Before' at Galerie Max Hetzler, Berlin, November 2020 – January 2021. The textincludes a conversation between Celeste Dupuy-Spencer and Louise Bonnet.
www.maxhetzler-publications.com/publications/celeste-dupuy-spencer-clouds-never-hung-so-low-1
Galerie Max Hetzler Berlin | Paris | London / Holzwarth Publications 2022 With a conversation between Celeste Dupuy-Spencer and Louise Bonnet
This is the last week to see Rineke Dijkstra’s video work ‘Ruth Drawing Picasso’ at the in Duisburg which closes on Sunday 28 August.
Rineke Dijkstra has become famous for her haunting photographic portraits of young adolescents. Her images appear honest and undisguised. She searches for glimmers of individuality by concentrating on poses, expressions and subtle gestures. This video work presents an iconic motif of absorption and concentration in the series ‘Sculpture 21’.
Images: Installation view: Rineke Dijkstra, Ruth Drawing Picasso, 2009, Lehmbruck Museum, Duisburg, 2022, photo: Frank Vinken
Navid Nuur’s artwork ‘One Line Poem’, (2022) is included as part of the Kunstenfestival Aardenburg. Nuur addresses liminal states and in-between spaces in his artworks. In this installation, he approaches the concepts of borders and boundaries from a different angle. Here, a postcard is inscribed with a philosophical sentence akin to a piece of one-line poetry.
Nuur’s concept also engages with visitors who do not physically attend the Kunstenfestival Aardenburg. Visitors to the Kunstenfestival Aardenburg website can submit their address electronically and will recieve the artwork by post, an element to the installation which expresses how memories or experiences can be invoked through the trace of a physical object.
Images: Installation Views: Kunstenfestival Aardenburg, c. Wietse Jongsa
William N. Copley is celebrated today for his unique contribution to post-war painting, providing a singular connection between European Surrealism and American Pop Art. With subjects ranging from everyday objects such as umbrellas, flags and cars, to universal morality tales, exploring themes of love, adultery and death, Copley gave form to his fantasies and fetishes through strong black outlines and a self-taught, figurative style. Pictured here is Copley’s major retrospective in 2016.
William N. Copley’s solo exhibition opens in our Berlin Bleibtreustraße 15/16 gallery on September 16th.
Images: Installation Views: William N. Copley, Fondazione Prada, Milan. Courtesy Fondazione Prada. Photos: Robert Marossi.
Our galleries are closed for the summer break. We look forward to seeing you in a few weeks.
PARIS
Victor Man opening September 3
BERLIN
Anthony Caro opening September 15
William N. Copley opening September 16
Werner Büttner opening September 16
Toby Ziegler opening September 16
LONDON
George Herold, Albert Oehlen, David Salle opening September 27
Image: Günther Förg, Villa Malaparte, Capri, 1990, colour photograph, in artist's frame, 270 x 180 cm.; 106 1/4 x 70 7/8 in.
LAST DAY to see our exhibitions in Berlin before the summer break.
Tursic & Mille, Bleibtreustraße 15/16 and 45
Günther Förg, Potsdamer Staße 77-87
Robert Holyhead, Goethestraße 2/3
.holyhead
Robert Holyhead’s exhibition is on view in our Berlin, Goethestraße 2/3 gallery through this Saturday, August 6.
.holyhead
Last few days to see Tursic & Mille’s solo exhibition in our Berlin Bleibtreustraße 45 and 15/16 galleries.
Image 1: Pharmacy, 2022, oil on wood, painted bronze, 36 × 26 × 6 cm.; 14 1/8 x 10 1/4 x 2 3/8 in.
Image 2: Sleeping red, 2021, oil on wood, 122.5 x 97.5 x 5.5 cm.; 48 1/4 x 38 3/8 × 2 1/8 in.
Image 3: Eat, 2022, oil on wood, painted bronze, 35 x 28.5 x 6.5 cm.: 13 3/4 x 11 1/4 x 2 1/2 in.
Image 4: The Red One, 2022, oil on wood, 38 x 29.5 x 6 cm.; 15 x 11 5/8 x 2 3/8 in.
Last week to see Günther Förg’s solo exhibition on view in our Berlin, Potsdamer Str. 77-87 gallery through Saturday, August 6.
The exhibition brings together Förg’s paintings, photographs, bronze sculptures and wall paintings from the 1970s to early 2000s.
Last day to see Charles Gaines’s solo exhibition, “Gridwork: Palm Canyon Watercolors”, in our Paris gallery.
Two days left to see André Butzer’s solo exhibition, “Wanderer”, on view in our London gallery through Saturday, July 30th.
INGE MAHN
Galerie Max Hetzler, Berlin (Bleibtreustraße 45)
March – April 2021
Photo: def image
GLENN BROWN
And thus we existed
Galerie Max Hetzler, Berlin (Bleibtreustraße 45)
31 October 2020 – 23 January 2021
Photo: def image
BRIDGET RILEY
Galerie Max Hetzler, Berlin
5 September – 24 October 2020
Photo: def image
Work © Bridget Riley. All rights reserved.
Summer Show
Galerie Max Hetzler, Bleibtreustraße 45, Berlin
12 June – 1 August 2020
Photo: def image
Bleibtreustraße 45
Berlin
10623
| Dienstag | 11:00 - 18:00 |
| Mittwoch | 11:00 - 18:00 |
| Donnerstag | 11:00 - 18:00 |
| Freitag | 11:00 - 18:00 |
| Samstag | 11:00 - 18:00 |
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