28/08/2026
When I listen to this 26-minute and 17-second monolithic piece of art, I think about the difference between minimalism and noise music, minimalism and post-minimalism. Is the difference between minimalism and post-minimalism, for example, smaller than between industrial music and post-industrial? This composition consists of the same integrated (?) elements looping from beginning to end, which then gradually change their configuration over this long period of time. Or is it just a delusion? Maybe it's exactly the same sound that actually distorts the listener's consciousness? Who knows? In any case, this elliptical repetition contains some kind of crazy - if only it had a face! - energy and a distorted character that gradually grows a new character. Also in this pattern - no matter how short it is - the energy is distributed differently, which is why you can hear a sonic aggression reminiscent of a cat's meow, which immediately subsides to let out new sounds -- to make it all repeat itself for a fraction of a second! The description transcribed here is already insane, testifying to the madness of the original source. To the extent that it is a madness -- in which order repeats itself until it already begins to cancel it in surreality; a madness whose geometry is drawn with a compass and a ruler. In other words, the microdynamics of the volume, the resonant frequencies of the filter and the delays of the two stereo channels are manipulated. The project is led by Czech experimental musician Michael Borůvka, who produces music under a wide variety of pseudonyms.
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