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Red Shahan has covered a hell of a lot of ground in the three years since the release of his debut, Men and Coyotes. The red-headed troubadour with the lonesome howl and penchant for somber portraits of busted boom towns and gritty, white-knuckled anthems has built a loyal audience the old-fashioned way: organically, from the ground up. His new albu
m Culberson County (Thirty Tigers) is proudly rooted heart, mind, and soul in the West Texas earth from which he sprang. And yes, he’s still got a thing for coyotes, hearing in their wild cries not just the music of wide open spaces, but a defiant note of stubborn resiliency that speaks to his own instincts as a hardscrabble independent artist compelled to write about the all-too-often unsung — and unseen.