VELYCHKO.GALLERY

VELYCHKO.GALLERY The territory of art with meanings.

Operating as a nomadic format based in Cyprus, it also runs an international art residency CARV, fostering critical dialogue and cultural exchange.

Glad to share the news about our artist! The works by .michael shown in the past exhibition “Reflections” at  , brought ...
24/04/2026

Glad to share the news about our artist! The works by .michael shown in the past exhibition “Reflections” at , brought together by the careful vision of curator and director , are now part of the exhibition’s permanent catalogue — a publication that carries this body of work far beyond the gallery and museum walls.

Available in ▪️

VELYCHKO GALLERY has started in 2022, as a reaction to 24/02 and the beginning of the full-scale war in Ukraine, togethe...
24/02/2026

VELYCHKO GALLERY has started in 2022, as a reaction to 24/02 and the beginning of the full-scale war in Ukraine, together with the Residency. It emerged as an urgent private initiative dedicated to supporting and protecting Ukrainian living artists, preserving and promoting their artistic practices, and creating opportunities for their voices to enter and actively shape international cultural discourse. Based in Cyprus, the gallery develops its program through dialogue with the local context, engaging in research and exchange that explores intersections with Cypriot culture, history, and contemporary realities.
During these 4 years our path has been defined by an ongoing search of our own approach — an investigation into how a residency and a gallery can coexist as a single evolving ecosystem rather than as separate institutional formats. We experimented with different curatorial models, production processes, and modes of collaboration, testing how long-term artistic research developed within a residency could transition into public presentation, critical dialogue, and sustainable visibility through gallery practice. 
This process involved rethinking traditional roles: the gallery not only as a commercial platform, but as a space for discourse and experimentation, and the residency not only as retreat, but as a generator of ideas, communities, and exhibition concepts. Each project became a step toward finding a balance between care and professionalism, research and presentation, process and outcome — shaping a hybrid structure responsive to the realities faced by contemporary artists and curators.

Today, as noted by The Art Newspaper, “as the war enters its fifth year,” we’re entering a new phase of development. With the intention of strengthening collaboration with foundations, European Union and international cultural initiatives, we are establishing an NGO structure to support this mission. This step aims to stabilize our operational model and expand opportunities for artists to continue their practice despite ongoing uncertainty.
We continue to move forward in our own way. 

📷 work of

This year has not been easy, but your support and belief gave us strength and helped us keep going. It truly means so mu...
25/12/2025

This year has not been easy, but your support and belief gave us strength and helped us keep going. It truly means so much.

We are deeply grateful to our sponsors, partners, and collectors who put their trust—and their money resources—into our exhibitions and art. Your commitment touches us more than words can say🖤

During this year, we feel your kindness and your hearts with us. We love you, and we wish all our followers warmth, joy, and inspiration.

You inspire us, just as we hope to inspire you—this connection is what keeps us moving forward.

With true gratitude,
VELYCHKO GALLERY & Viktoriia Velychko

Finishing our stories on “Homes That Never Land” for  with the series by .michael created in the distinctly natural Cypr...
05/12/2025

Finishing our stories on “Homes That Never Land” for with the series by .michael created in the distinctly natural Cypriot pigment Nicosia Green — La Terre Verte de Nicosie.
This green earth, sourced from Cyprus, carries a long historical lineage. Since antiquity it has appeared in frescoes, ceramics, and icon-painting under the name terra verte — a pigment shaped by the island itself.
Its colour emerges from the same geological forces that formed Cyprus’s copper-rich landscape born of the same terrain, the same deep history of extraction and transformation. Choosing this pigment becomes a subtle gesture of continuing a dialogue about the traces of colonisation, the shaping of the island, and the shaping of its people in our ongoing conversation about what is inherited and what is carried; about landscapes and metaphorical homes that remember.

📷 credit to

“Reassembled Light of Colonialism” — a monumental installation by Olga Stein  created specially for our new gallery spac...
20/11/2025

“Reassembled Light of Colonialism” — a monumental installation by Olga Stein created specially for our new gallery space in Limassol with its six-meter ceiling, presented within the dialogue exhibition “Homes That Never Land.” Here, home becomes a fragile organism — assembled from fragments of objects, memories, and gestures carried across contexts.

✨Olga continues her reflections on the servicing of spaces, on working with subjects and the subjectivity of home. She explores the impossibility of fully recreating everyday objects that once held memory — objects that gradually vanish, leaving behind only a poetic, elusive reflection.
Like Michalis, Olga brings into the gallery structures that were significant to her in Ukraine, opening a conversation about culture moving through culture, about emigration, the reproduction of colonial legacies and enlightenment.

▪️Together, the artists weave a dialogue about what is inherited and what is carried — about presence, absence, and everything that oscillates in between.

📷 credit to

18/11/2025

We continue sharing our impressions from Limassol Art Walks ▪️
From the very first glances you gave us at the entrance, we knew — we did everything right.
Some of these beautiful moments were captured by our long-time partners .pro 🎥
Enjoy the atmosphere in the video 🩶

We’re grateful to each of you who listened, felt, and shared your thoughts with us. Your feedback means the world.
Special gratitude to our artists:
Michalis Papamichael .michael
Olga Stein
And of course to our partners for this show: 
Serge Polivar 
G Bar Limassol .bar.limassol and 
and 🍺

Limassol Art Walks  was a wonderful event! We were delighted to take part this year with our exhibition “Homes That Neve...
11/11/2025

Limassol Art Walks was a wonderful event! We were delighted to take part this year with our exhibition “Homes That Never Land” and share our vision with such an inspiring audience.

▪️Thank you to everyone who visited VELYCHKO GALLERY — your presence, questions, and conversations made this experience unforgettable. 
We are also truly grateful to our partners Serge Polivar and G Bar Limassol for their support and collaboration — together, we make art happen.

🛠️For this exhibition, we actually built a new home inside the new space — bringing in light, doing repairs, and installing everything from scratch. But your reaction made it all worth it: the way your eyes lit up, your curiosity, your openness to absorb the ideas of our artists.

From today, we’ll start sharing their works here.
Meet .michael first piece — an exact depiction of the furniture from his childhood home, created from eucalyptus paper with native Cypriot pigments. Rooted deeply in the local context, this work explores how architecture and materials can carry identity — moving between intimacy and distance, resonance and rupture.
📷 credit to

VELYCHKO GALLERY presents a special project for Limassol Art Walks 31/10-2/11«Homes That Never Land»Opening at 17:00 on ...
27/10/2025

VELYCHKO GALLERY presents a special project for Limassol Art Walks 31/10-2/11
«Homes That Never Land»
Opening at 17:00 on 31 October ▪️
📍Kitiou Kiprianou 2, Limassol (corner of G Bar)

Dear friends! In several days we’ll have a new opening and we invite you again into our new dialogue exhibition “Homes That Never Land” that explores home as a space in constant motion.
It reflects on belonging, memory, and coexistence under the conditions of displacement. Here, home is a fragile organism—assembled from fragments of objects, memories, and gestures carried across contexts.
▪️The exhibition unfolds between two artistic voices: one rooted in the very fabric of the local—working with architecture and pigments belonging to a place—while the other carries the object and practices that anchor her identity, moving between intimacy and distance, resonance and rupture. Together, they weave a conversation of what is inherited and what is carried, of presence and absence.

Artists: Michalis Papamichael .michael and Olga Stein

Under support of Serge Polivar and G Bar Limassol
bar.limassol

We will enjoy the evening with Octopus beer🍻


31 Oct - 2 Nov 2025
▪️Friday 31 Oct • 17:00-22:00
▪️Saturday 01 Nov • 11:00-20:00
▪️Sunday 02 Nov • 11:00-20:00

Welcome! The link on the map is here: https://maps.app.goo.gl/oc6JEdL8cTJbQFnb6?g_st=ipc📍

KSENIA BILYKChristians Rumors Club, 2025POLYESTER RESINKsenia Bilyk’s work unfolds where contemporary reel culture meets...
24/10/2025

KSENIA BILYK
Christians Rumors Club, 2025
POLYESTER RESIN

Ksenia Bilyk’s work unfolds where contemporary reel culture meets the gaze of antiquity – through endless retellings, gossip, small talk. Her installation evokes the sensation of peering into a museum vitrine,
which embodies both national pride and diplomatic gravitas. Yet her objects resist the aura of archeological treasure. About the size of a pebble, they might be used practically to weigh down the edge of a beach blanket against the wind, or slip into your pocket as a keepsake of a fleeting day. Suspended between the small and the weighty, they reveal how memory attaches itself to matter: how the smallest thing can become priceless, how a stone can weigh like an inheritance, how an object can both anchor us in the present and transport elsewhere.
Small stories, gossip, and contemporary myths of Cyprus are engraved across the objects, tracing how memory clings to matter, anchoring us in the present while carrying us elsewhere.

Curated by

OLHA MARUSYNBather, 2025OIL ON CANVASWave, 2025GALVANIZED STEEL, GELATINShells, 2025ACRYLIC ON PAPERIn Olha Marusyn’s wo...
18/10/2025

OLHA MARUSYN
Bather, 2025
OIL ON CANVAS
Wave, 2025
GALVANIZED STEEL, GELATIN
Shells, 2025
ACRYLIC ON PAPER

In Olha Marusyn’s work everything turns around the principle of the clam: the figure of a bather enclosed by the metal walls of a changing cabin, with the sea shimmering in the distance. The tin object continues her sculptural explorations, hammered into an expressive relief of dents and punctures. The piece is inherently performative – its pounding, clanging, and rattling echo the sea or another element striving to engulf the body. In her paintings, meanwhile, one depicts an amorphous, non-normative body, caught in a spiral of repetition; others take the form of shells. All interconnected, they carry encounters that momentarily mirror our own.

The painting “Bather” presents an amorphous figure enclosed by the metal walls of a changing cabin, establishing a sense of containment and stillness. This is echoed in the sculptural object “Wave” – a thin steel sheet set in gelatin – with its hammered surface marked by dents and punctures, catching the shimmer of the sea. Together with the paper pieces “Shells”, the work suggests an encroaching force, reflecting the delicate balance between fragility and resilience.

Curated by ▪️

TAMARA TURLIUNNature Reserve, 2025CONCRETE MIXTURE, CLAY FROM THE ORIL RIVER, LED LIGHT, PHOTO, DIGITAL PRINTPaths, 2025...
14/10/2025

TAMARA TURLIUN
Nature Reserve, 2025
CONCRETE MIXTURE, CLAY FROM THE ORIL RIVER, LED LIGHT, PHOTO, DIGITAL PRINT
Paths, 2025
VINYL (ORACAL)

Memories themselves grow heavier in Tamara Turliun’s work. The luminous clusters of objects recall family vacations, sealed within lightboxes. These images sink and resurface, slipping beyond the horizon – a line that both separates and binds sky and water, or a dried-out steppe – while simultaneously becoming monuments to a place and a moment in time. They become acts of contemplation and attempts to remember even the smallest details of the artist’s home region, Dnipropetrovsk, in eastern Ukraine. They preserve fragments of joy, encapsulating the paradox of memory: intimate and fleeting, yet solid enough to resist erasure.
And Tamara’s work “Paths” leads you elsewhere – assuming a quiet passage beyond the visible.

By ▫️

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