BRUTALISM

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Studio 2022
30/11/2022

Studio 2022

Itinerant – details from early stages of development.—
21/11/2019

Itinerant – details from early stages of development.

My Unwelcome Gaze exhibition at KC Grad's City Gallery closes on Sunday. I'll be giving an informal guided tour on Satur...
14/11/2019

My Unwelcome Gaze exhibition at KC Grad's City Gallery closes on Sunday. I'll be giving an informal guided tour on Saturday at 5pm. Drop by if you want to meet and have a chat about omnipresent surveillance and art.

I’ll be giving a guided tour of the Unwelcome Gaze exhibition tomorrow (Saturday, Nov 9) at 5pm. See you there.—
08/11/2019

I’ll be giving a guided tour of the Unwelcome Gaze exhibition tomorrow (Saturday, Nov 9) at 5pm. See you there.

Unwelcome Gaze will be on display as a solo show in Gradska galerija, KC Grad for two weeks (November 4-17). If you’re i...
01/11/2019

Unwelcome Gaze will be on display as a solo show in Gradska galerija, KC Grad for two weeks (November 4-17). If you’re in Belgrade, join us for pixels and wine on Monday, November 4th from 8pm onwards. Thank you.

↪️🔀⤴️🔁🔀↩️—
18/09/2019

↪️🔀⤴️🔁🔀↩️

▲ FRANCIS ▲ New print available. Shown here: detail / full size.-
19/02/2019

▲ FRANCIS ▲ New print available. Shown here: detail / full size.
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16/02/2019

Working on visual complexity and balancing color values in Itinerant.-                                                  ...
11/02/2019

Working on visual complexity and balancing color values in Itinerant.
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Unwelcome Gaze prints are now available on the store.-Unwelcome Gaze is a triptych visualizing the publicly reachable we...
04/02/2019

Unwelcome Gaze prints are now available on the store.
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Unwelcome Gaze is a triptych visualizing the publicly reachable web server infrastructure of Facebook (shown here), Amazon, and Google and the routing graph(s) leading to them. Over many weeks of meticulous network reconnaissance, the routing information has been gathered and persisted locally. From it, a routing graph was reconstructed for each of the three networks. Each graph was then visualized as a generative three-dimensional sculpture, constantly shifting its appearance – just like the data it portrays.
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Belgrade

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