La Dj CR

La Dj CR La Dj | Costa Rica DJ & Vocalist โ€ข Sonic Storyteller of Therapeutic Slow Tech, Organic House, Downtempo, Midtempo & Chillrave Mixtapes ๐Ÿ‰๐ŸŒŽ๐Ÿ’ซ๐Ÿ”ฅ๐ŸŽถ๐Ÿ”ฎ๐Ÿช„

A self-disclosureโœจ What you hear is just as spontaneous for you as it was for me in the moment I played it. I donโ€™t plan...
06/06/2026

A self-disclosureโœจ What you hear is just as spontaneous for you as it was for me in the moment I played it. I donโ€™t plan ahead, pick tracks in advance, or decide which comes first, second, and so forth. I donโ€™t set cue points, use filters, or do fancy tricks. Honestly, I donโ€™t know how to use many of the effects or what some buttons on the DJ controller do. But I do know how to use the EQ, volume, and sometimes the pitch slider to get the sound I want. I know how to avoid redlining and rarely do.

Thatโ€™s why I almost always get nervous before playing anywhere. Even though Iโ€™m not playing my own tracks (not yet, but soon!) every set is improvised and in the moment- almost like playing live. I do understand music and how to create a story. But thatโ€™s also why I sometimes f**k up. Lol! Honestly, theyโ€™re more like โ€œhappy accidentsโ€. Iโ€™m actually pretty good at turning what could potentially sound like a mistake into something that ends up working well!

In the early 2000s, I learned to mix with vinyl. No BPM counter, computer, software, or extra k***s. I have a stimulation/overload mental thing, so too many colors, lights, buttons, and k***s tend to overwhelm me. At least when it comes to a DJ console, and especially if I had to use a computer on top of it! Still, I know that part of being a DJ is knowing how to use the equipment and keeping up with technology. Iโ€™d like to learn more about what all the k***s and buttons do and how to use software better, so if anyone wants to give me a crash course, Iโ€™m down!
I donโ€™t think Iโ€™ll ever be able to use much software and still feel comfortable or like myself, even though I see its benefits. Itโ€™s taken time to feel confident in my style and to not feel less than, since so much is planned and seems seamless and perfect these days. Iโ€™ve learned that my genre-bending style is what makes my sound unique and that itโ€™s also beautiful. It might not be for everyone at any given moment, and thatโ€™s okay! Iโ€™ve realized I donโ€™t need to, nor do I even want to, be the DJ for every moment.

I respect any DJ who truly loves music, is authentic, and plays from the heart, no matter what equipment they use.

โ€ฆ continued in commentsโ€ฆ

๐ŸŽถ๐๐„๐–: ๐‘ณ๐’‚๐‘ณ๐’‚ ๐‘ณ๐’‚๐’๐’… โ˜€๏ธ ๐‘ช๐’๐’”๐’•๐’‚ ๐‘น๐’Š๐’„๐’‚ by .lama.nos from Belarus https://soundcloud.com/dlozada-1/lalaland_melamanos ๐ŸŽถ MELAMANOS ...
03/06/2026

๐ŸŽถ๐๐„๐–: ๐‘ณ๐’‚๐‘ณ๐’‚ ๐‘ณ๐’‚๐’๐’… โ˜€๏ธ ๐‘ช๐’๐’”๐’•๐’‚ ๐‘น๐’Š๐’„๐’‚ by .lama.nos from Belarus https://soundcloud.com/dlozada-1/lalaland_melamanos ๐ŸŽถ
MELAMANOS - ๐˜š๐˜ฆ๐˜ญ๐˜ฆ๐˜ค๐˜ต๐˜ฐ๐˜ณ, ๐˜Š๐˜ฐ๐˜ญ๐˜ญ๐˜ฆ๐˜ค๐˜ต๐˜ฐ๐˜ณ, and ๐˜š๐˜ต๐˜ฐ๐˜ณ๐˜บ๐˜ต๐˜ฆ๐˜ญ๐˜ญ๐˜ฆ๐˜ณ is a true music mixologist whose authenticity and musical style-expression are both refreshing and elegantly engaging.

This Ethno Electronic, Downtempo mixtape features sensually slow percussions, warm folkloric instrumentals, and deep tribal melodies.

Tracklist:
1 & -SU FO
2 -Kesha & Hash
3 Instinto Naturale feat. Juan Magaรฑa -Solar Messiah
4 feat. Danit - Movement of the Dawn
5 -Forc'a Da Floresta
6 feat. --Gold
7 -Canario
8 -Mundi
9 Analogkรคse -outsun
10 -Walking In The Air
11 .orsso -On Beethoven's theme from '5th Symphony_1st Movement
12 George Barker -Yuxibu Kaya (Kareem Raรฏhani Remix)
13 -Viaje Lunar
14 & feat. Corina Lawrence -Pรกjaro Toh
15 .iguana -Reg Spirit
16 & Kaygee - 3rbir el Awa4
17 & feat. Beatriz Pichimalen & Maywa -Mapu Newen
18 -Earth Spirit
19 & -Out Tal
20 -Floresta do Abaetรฉ

๐™ป๐šŽ ๐™ผ๐šž๐šœรฉ๐šŽ: ๐™ผ๐šž๐šœรฉ๐šŽ๐™ฒ๐šŠ๐šœ๐š ๐Ÿถ๐Ÿน๐Ÿพ ๐š‹๐šข ๐™ป๐šŠ ๐™ณ๐š“           >I chose the artwork for this podcast cover after recording this mixtape, whi...
12/03/2026

๐™ป๐šŽ ๐™ผ๐šž๐šœรฉ๐šŽ: ๐™ผ๐šž๐šœรฉ๐šŽ๐™ฒ๐šŠ๐šœ๐š ๐Ÿถ๐Ÿน๐Ÿพ ๐š‹๐šข ๐™ป๐šŠ ๐™ณ๐š“
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I chose the artwork for this podcast cover after recording this mixtape, which is the fourth piece in Kandinsky's ๐˜š๐˜ฎ๐˜ข๐˜ญ๐˜ญ ๐˜ž๐˜ฐ๐˜ณ๐˜ญ๐˜ฅ๐˜ด (๐˜’๐˜ญ๐˜ฆ๐˜ช๐˜ฏ๐˜ฆ ๐˜ž๐˜ฆ๐˜ญ๐˜ต๐˜ฆ๐˜ฏ) series. Why did I choose this piece? Because I resonate with the philosophy that inspired Kandinsky and soul-express myself in much of the same way via sound:

๐™– ๐™๐™–๐™ง๐™ข๐™ค๐™ฃ๐™ฎ ๐™—๐™š๐™ฉ๐™ฌ๐™š๐™š๐™ฃ ๐™ฉ๐™๐™š ๐™จ๐™ž๐™ฃ๐™œ๐™ช๐™ก๐™–๐™ง ๐™–๐™ฃ๐™™ ๐™ฉ๐™๐™š ๐™˜๐™ค๐™ก๐™ก๐™š๐™˜๐™ฉ๐™ž๐™ซ๐™š; ๐™ค๐™ฅ๐™ฅ๐™ค๐™จ๐™ž๐™ฉ๐™ž๐™ค๐™ฃ ๐™–๐™ฃ๐™™ ๐™˜๐™ค๐™ฃ๐™ฉ๐™ง๐™–๐™™๐™ž๐™˜๐™ฉ๐™ž๐™ค๐™ฃ, "๐™ฉ๐™๐™š๐™ฎ ๐™–๐™ก๐™ก ๐™›๐™ค๐™ง๐™ข ๐™– ๐™๐™–๐™ง๐™ข๐™ค๐™ฃ๐™ž๐™ค๐™ช๐™จ ๐™ฌ๐™๐™ค๐™ก๐™š".
[๐™ฉ๐™๐™š] "๐™—๐™–๐™ก๐™–๐™ฃ๐™˜๐™š, ๐™ค๐™› ๐™š๐™–๐™ง๐™ฉ๐™๐™ก๐™ฎ ๐™˜๐™๐™–๐™ค๐™จ ๐™–๐™ฃ๐™™ ๐™จ๐™ฅ๐™ž๐™ง๐™ž๐™ฉ๐™ช๐™–๐™ก ๐™™๐™ž๐™ซ๐™ž๐™ฃ๐™š"- ๐™ฉ๐™ง๐™–๐™ฃ๐™จ๐™˜๐™š๐™ฃ๐™™๐™ž๐™ฃ๐™œ ๐™ฉ๐™๐™š ๐™จ๐™ค๐™ช๐™ก๐™จ ๐™ค๐™› ๐™ฅ๐™š๐™ค๐™ฅ๐™ก๐™š๐™จ ๐™—๐™ฎ ๐™˜๐™ค๐™ข๐™—๐™ž๐™ฃ๐™ž๐™ฃ๐™œ ๐™ฉ๐™๐™š ๐™ก๐™–๐™ฃ๐™œ๐™ช๐™–๐™œ๐™š ๐™ค๐™› ๐™˜๐™ค๐™ก๐™ค๐™ง ๐™–๐™ฃ๐™™ ๐™ก๐™ž๐™ฃ๐™š ๐™–๐™จ ๐™– ๐™จ๐™ฅ๐™ž๐™ง๐™ž๐™ฉ๐™ช๐™–๐™ก ๐™ฉ๐™š๐™–๐™˜๐™๐™š๐™ง ๐™ค๐™› ๐™ฉ๐™๐™š ๐™ฌ๐™ค๐™ง๐™ก๐™™.... "๐™š๐™–๐™˜๐™ ๐™›๐™ค๐™ง๐™ข ๐™๐™–๐™ซ๐™ž๐™ฃ๐™œ ๐™– ๐™˜๐™ค๐™ก๐™ค๐™ง ๐™–๐™ฃ๐™™ ๐™– ๐™ข๐™š๐™ก๐™ค๐™™๐™ฎ ๐™ค๐™› ๐™ž๐™ฉ๐™จ ๐™ค๐™ฌ๐™ฃ.โ€

Artwork: Small Worlds IV (Kleine Welten IV) from ๐˜š๐˜ฎ๐˜ข๐˜ญ๐˜ญ ๐˜ž๐˜ฐ๐˜ณ๐˜ญ๐˜ฅ๐˜ด (๐˜’๐˜ญ๐˜ฆ๐˜ช๐˜ฏ๐˜ฆ ๐˜ž๐˜ฆ๐˜ญ๐˜ต๐˜ฆ๐˜ฏ) by Wassily Kandinsky, 1922.

Likewise, the track Sฬaddufat - Nuฬnki (Xuqutopi Dubmix) is not only one of my favorites and the culmination of this mixtape but it also exemplifies Small Worlds:

ลš๐™–๐™™๐™™๐™ช๐™›๐™ฎ'๐™จ ๐™ก๐™ž๐™ซ๐™š ๐™—๐™š๐™ฎ๐™ค๐™ฃ๐™™ ๐™ฅ๐™ค๐™ก๐™ž๐™ฉ๐™ž๐™˜๐™จ, ๐™ง๐™š๐™ก๐™ž๐™œ๐™ž๐™ค๐™ฃ๐™จ ๐™–๐™ฃ๐™™ ๐™ง๐™–๐™˜๐™š๐™จ. ๐™๐™๐™ง๐™ค๐™ช๐™œ๐™๐™ค๐™ช๐™ฉ ๐™ฉ๐™๐™š๐™ž๐™ง ๐™ก๐™ž๐™ซ๐™š๐™จ, ๐™ฉ๐™๐™š๐™ฎ ๐™ก๐™š๐™–๐™ง๐™ฃ ๐™ฉ๐™ค ๐™ฅ๐™š๐™ง๐™˜๐™š๐™ž๐™ซ๐™š ๐™ฉ๐™๐™š ๐™ง๐™–๐™ฃ๐™™๐™ค๐™ข๐™ฃ๐™š๐™จ๐™จ ๐™ค๐™› ๐™ฉ๐™๐™š ๐™ช๐™ฃ๐™ž๐™ซ๐™š๐™ง๐™จ๐™š ๐™–๐™ฃ๐™™ ๐™ฉ๐™ค ๐™™๐™š๐™ง๐™ž๐™ซ๐™š ๐™๐™–๐™ง๐™ข๐™ค๐™ฃ๐™ฎ ๐™›๐™ง๐™ค๐™ข ๐™ž๐™ฉ. ๐™Š๐™ฃ๐™š ๐™ค๐™› ๐™ฉ๐™๐™š ๐™›๐™š๐™ฌ ๐™ฅ๐™ง๐™š๐™˜๐™š๐™ฅ๐™ฉ๐™จ ๐™›๐™ค๐™ก๐™ก๐™ค๐™ฌ๐™š๐™™ ๐™—๐™ฎ ลš๐™–๐™™๐™™๐™ช๐™›๐™ฎ ๐™ž๐™จ ยซ๐™€๐™ซ๐™š๐™ง๐™ฎ๐™ฉ๐™๐™ž๐™ฃ๐™œ ๐™ž๐™จ ๐™– ๐™จ๐™ค๐™ช๐™ฃ๐™™ยป. ๐™๐™๐™š ลš๐™–๐™™๐™™๐™ช๐™›๐™ฎ ๐™๐™–๐™จ ๐™ฉ๐™๐™š ๐™–๐™—๐™ž๐™ก๐™ž๐™ฉ๐™ฎ ๐™ฉ๐™ค ๐™ฉ๐™–๐™ข๐™š ๐™˜๐™๐™–๐™ค๐™ฉ๐™ž๐™˜ ๐™ซ๐™ž๐™—๐™ง๐™–๐™ฉ๐™ž๐™ค๐™ฃ๐™จ ๐™–๐™ฃ๐™™ ๐™จ๐™ค๐™ช๐™ฃ๐™™ ๐™ฌ๐™–๐™ซ๐™š๐™จ ๐™–๐™ฃ๐™™ ๐™ฉ๐™ค ๐™—๐™š๐™ฃ๐™™ ๐™–๐™ฃ๐™™ ๐™ฉ๐™ง๐™–๐™ฃ๐™จ๐™ข๐™ช๐™ฉ๐™š ๐™ฉ๐™๐™š๐™ข ๐™ฉ๐™ค ๐™๐™ž๐™จ ๐™ฌ๐™ž๐™ก๐™ก ๐™–๐™ฃ๐™™ ๐™จ๐™๐™–๐™ง๐™ž๐™ฃ๐™œ ๐™ฉ๐™๐™š๐™ข ๐™ฌ๐™ž๐™ฉ๐™ ๐™ค๐™ฉ๐™๐™š๐™ง๐™จ ๐™ฉ๐™ค ๐™—๐™ง๐™ž๐™ฃ๐™œ ๐™ช๐™ฃ๐™ž๐™ซ๐™š๐™ง๐™จ๐™–๐™ก ๐™๐™–๐™ง๐™ข๐™ค๐™ฃ๐™ฎ ๐™–๐™ฃ๐™™ ๐™—๐™–๐™ก๐™–๐™ฃ๐™˜๐™š."

Many thanks to for the invitation and its vision!

Grateful. ๐Ÿ™Œ๐Ÿฝ Honored. ๐Ÿ™‡๐Ÿฝโ€โ™€๏ธ Excited! โค๏ธโ€๐Ÿ”ฅ Looking forward to sharing, participating, receiving, and connecting with ever...
19/11/2025

Grateful. ๐Ÿ™Œ๐Ÿฝ Honored. ๐Ÿ™‡๐Ÿฝโ€โ™€๏ธ Excited! โค๏ธโ€๐Ÿ”ฅ
Looking forward to sharing, participating, receiving, and connecting with everyone again! See you in the jungle! ๐ŸŒด โ™ซโ™ชโ™ฉยท.ยธยธ.ยทโ™ฉโ™ชโ™ซ RooT RooT ๐Ÿฅณโ™ซโ™ชโ™ฉยท.ยธยธ.ยทโ™ฉโ™ชโ™ซ

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Sรฉ el primero en enterarse y dรฉjanos enviarle un correo electrรณnico cuando La Dj CR publique noticias y promociones. Su direcciรณn de correo electrรณnico no se utilizarรก para ningรบn otro fin, y puede darse de baja en cualquier momento.

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