NOMAD NO MAD

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04/05/2026
28/04/2026
24/04/2026
22/04/2026
15/04/2026
Cyanotype is the cornerstone of non-silver photography and one of the oldest, most enduring processes in this lineage. F...
07/04/2026

Cyanotype is the cornerstone of non-silver photography and one of the oldest, most enduring processes in this lineage. From its early use in botanical recording in the 19th century, it has carried a spirit of experimentation and wonder to the present. To mark the 200th anniversary of photography, the group exhibition As If Seeing, hosted by NOMAD NO MAD SPACE, honors the spirit of that history by stepping away from its historical uses and exploring the boundaries of the medium. The exhibition brings together artists working across different media, using cyanotype's alternative nature, photosensitivity, irreversibility, and uncertainty as shared expressive elements. By the collision of open ended materials, the works construct meaning and form an organic dialogue amongst
themselves.

有如照见 · As If Seeing

开幕 | Opening:2026.04.11 (SAT),14:00-18:00

展期 | Duration:2026.04.11(SAT) -2026.05.10(SUN)

开放 | Opening Time:周二-周日,11:30-18:30,周一展休

艺术家 | Artists:陆怡钧 Yijun Lu,鲁迪 Rudy Wimmer,王宇琛 Jack Wang,余少龑 Shaoyan Yu,赵晓沐 Xiaomu Zhao,赵晓薇 Vica Zhao,周丹 Dan Zhou

视觉设计 | Visual Design:ClayFun Gallery

策展人 | Curator:周丹 Dan Zhou

主办方 | Organizer:南荻纵生 NOMAD NO MAD SPACE

地址 | Add:上海市静安区愚园路546号创邑Space·愚园·6号楼

导航 | Navigation:南荻纵生 NOMAD NO MAD SPACE

22/03/2026
22/01/2026
21/01/2026
Let Light InIn 1826, Frenchman Nicéphore Niépce coated a pewter plate with bitumen and, through “heliography", obtained ...
01/01/2026

Let Light In

In 1826, Frenchman Nicéphore Niépce coated a pewter plate with bitumen and, through “heliography", obtained the first permanent image in the history of photography—View from the Window at Le Gras.

Photography constructs illusions upon the "indexical" trace of reality, leaving behind tangible, holdable evidence to corroborate the “real". The human will to intervene in cognition through images has moved beyond "Allegory" into reality. Since then, viewers have learned to discern truth from falsehood and to choose different perspectives to understand the world, while photographers bear the responsibility for interpretation. This complete path of argumentation—from capturing the object to generating meaning—appears especially protracted in the area of instant revelation of the image, which is a common demand. We need to exercise some patience and wait for the latent image to slowly emerge.

And all of this depends on light coming in.

In 2026, we anticipate light; we salute the 200th anniversary of photography's origin.

With this, we sincerely thank all individuals who connected with NOMAD NO MAD SPACE through work in 2025: Alicia、Linbo Huang、Jollen Jiang、Lily、Lizi、Dante Zhang、Cee、Arya、Lilia、Xiaotian Zhang、Vivia Zheng、Zoe Zhang、Jason、Bronek Kozka、John Rash、Shane Hulbert、Chris Pan、Zhihua Duan、Oin Zhang、Peggy Wang、Jingxian Wu、Hengli Ge、Shaoyan Yu、Danhong Zhao、Luyi、Jenny、Jack Wang、Xiaomu;Annual Partner Institutions: FULINGNAI, B1 SUR, 西木Studio, and HLiiC Imaging Center; Community Support: RMIT University China Alumni Association, Shanghai Art Map; And all participants of the NOMAD NO MAD SPACE Study Group and every visitor.
Dan Zhou 周丹, Laurence Chellali Laurence Chellali

14/12/2025

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SHANGHAI
Shanghai

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