https://www.macaucityfringe.gov.mo/2024/cn/event/10207

TURN路（Tunnel / Túnel）, 嘉模會堂/Carmo Hall/Auditório do Carmo, Macau (2026)

Q: What is the address?

嘉模會堂/Carmo Hall/Auditório Do Carmo

22/01/2024

一連兩日六場的演出已順利落幕🔥

再次感謝辛苦到來的各位觀眾🙇🏻‍♀️

創作團隊期待能以不一樣的方式
再次與大家見面❤️

💡也感謝大家的feedback:

「好喜歡這樣的互動劇場，很喜歡很好玩，期待你們有更多的創作。舞者的肢體很好看很厲害，而兩位舞者的身體質感很不一樣的這一點也很有趣。整體演出讓我有很多想像，特別是舞者在前方堆疊石頭的那一刻我感到很感動。」

「舞者動作很優美，特別是一開始在隧道裏看影子的那一段，舞者的身體、影子，與燈光之間的虛實交錯，令我感到很震撼。」

「互動舞蹈講求觀眾的參與度，參與其中，直接感受編舞者所帶出的氛圍，360度的觀賞角度突破了只有坐在觀眾席上看的感受。」

「演出帶給我一種宗教儀式感的感覺，可能是由於演出場地的外觀也有給我一種像教堂的感覺。但能打破傳統演出場地的限制，並選擇使用這個場所，把它改構成舞蹈藝術演出的這一點令我感到很佩服。期待會再有這樣有趣的演出。」

「這個表演很好看，又好玩，亦可以互動的，感覺真的不錯。」

⋯

也歡迎大家繼續留言或DM我們你的觀後感💬

——————————————————————————
🔹🔸第二十二屆澳門城市藝穗節🔸🔹
22º Festival Fringe da Cidade de Macau / 22nd Macao City Fringe Festival

Tunnel / Túnel
#互動式劇場

21/01/2024

來到演出的第二天，也是最後的三場🔥

📢再次提提大家

請留意今天氹仔的交通路況⚠️
🚫遲到者將不予進入演場

🔸 2 1 / 0 1 / 2 0 2 4 — 2 2 : 0 0
場次還剩最後一張門票☝🏻
來把握最後機會‼️

Photo Credit: Tres Kam

——————————————————————————
🔹🔸第二十二屆澳門城市藝穗節🔸🔹
22º Festival Fringe da Cidade de Macau / 22nd Macao City Fringe Festival

Tunnel / Túnel
#互動式劇場

🔹 2 0 - 2 1 / 0 1 / 2 0 2 4
🔸 1 8 : 0 0 , 2 0 : 0 0 , 2 2 : 0 0
📍 嘉模會堂 / Carmo Hall / Auditório do Carmo

⚪️⚪️⚪️

購票 Tickets Bilhetes: https://www.macauticket.com/TicketWeb2023/programme/P-003832

20/01/2024

今天就是首演日了🔥

📢溫馨提示大家

請留意今明兩日氹仔的交通路況⚠️
🚫遲到者將不予進入演場

🔹 2 0 / 0 1 / 2 0 2 4 — 2 2 : 0 0
🔸 2 1 / 0 1 / 2 0 2 4 — 2 2 : 0 0
以上場次還有少量門票🌟
歡迎walk in

——————————————————————————
🔹🔸第二十二屆澳門城市藝穗節🔸🔹
22º Festival Fringe da Cidade de Macau / 22nd Macao City Fringe Festival

Tunnel / Túnel
#互動式劇場

🔹 2 0 - 2 1 / 0 1 / 2 0 2 4
🔸 1 8 : 0 0 , 2 0 : 0 0 , 2 2 : 0 0
📍 嘉模會堂 / Carmo Hall / Auditório do Carmo

⚪️⚪️⚪️

購票 Tickets Bilhetes: https://www.macauticket.com/TicketWeb2023/programme/P-003832

17/01/2024

「請緊跟隨燈光照射的區域」
“Please ensure that you closely follow the direction of light rays”

——————————————————————————
🔹🔸第二十二屆澳門城市藝穗節🔸🔹
22º Festival Fringe da Cidade de Macau / 22nd Macao City Fringe Festival

Tunnel / Túnel
#互動式劇場

🔹 2 0 - 2 1 / 0 1 / 2 0 2 4
🔸 1 8 : 0 0 , 2 0 : 0 0 , 2 2 : 0 0
📍 嘉模會堂 / Carmo Hall / Auditório do Carmo

⚪️⚪️⚪️

購票 Tickets Bilhetes: https://www.macauticket.com/TicketWeb2023/programme/P-003832

$🔸4️⃣🔸【About Tunnel】「有一顆光躺在前方人拼命向著它的方向行走身後的影子越拉越長路的盡頭是一個洞洞的另一端會是⋯⋯」// 空間設計 Set Designer //曹慧燕 Ada Chou\\如果用一句話概括目前的生命...$

13/01/2024

🔸4️⃣🔸
【About Tunnel】

「
有一顆光躺在前方
人拼命向著它的方向行走
身後的影子越拉越長
路的盡頭是一個洞
洞的另一端會是⋯⋯
」

// 空間設計 Set Designer //
曹慧燕 Ada Chou
\\
如果用一句話概括目前的生命狀態的話，會是：「我深怕自己本非美玉，故而不敢加以刻苦琢磨，卻又半信自己是塊美玉，故又不肯庸庸碌碌，與瓦礫為伍。」（中島敦《山月記》）。

畢業於澳門大學葡語研究系。現為澳門文化工作者，日常工作多為文字翻譯、書藉排版、短片拍攝、活動籌備。

現就讀澳門演藝學院戲劇學校舞台佈景設計基礎課程。曾任搏劇場節非常一搏第五回《WALKER》之空間設計、2022澳門當代舞展及交流平台《衣櫃裏有一隻怪獸》之裝置設計及繪製、澳門城市藝穗節2022《空．一人一世界》之作品概念及監製。
/
Graduated in Portuguese Studies at University of Macau, currently working on Macanese and Macau's culture, most of the daily work is translation, typesetting and proofreading of portuguese and chinese books, as well as short video shooting and activities coordinating.

Currently studying Basic Stage Design and Production at The School of Theatre, Macao Conservatory. Works include – Space design for Give It A Shot (The Fifth Round) – Dance Experiment “Walker”; Installation design and production for "The Monster in the Wardrobe" of 2022 Macao CDE Springboard; Concept and producer of The 21st Macao City Fringe Festival - The Immersive Theater “The Inside”.
⚪️⚪️⚪️
⚪️⚪️⚪️
🔹🔸第二十二屆澳門城市藝穗節🔸🔹
22º Festival Fringe da Cidade de Macau / 22nd Macao City Fringe Festival
Tunnel / Túnel
#互動式劇場

🔹 2 0 - 2 1 / 0 1 / 2 0 2 4
🔸 1 8 : 0 0 , 2 0 : 0 0 , 2 2 : 0 0
📍 嘉模會堂 / Carmo Hall / Auditório do Carmo
⚪️⚪️⚪️
購票 Tickets Bilhetes: https://www.macauticket.com/TicketWeb2023/programme/P-003832

12/01/2024

🔸3️⃣🔸
【About Tunnel】

「
步履如此急速
到底是為了什麼
本以為能迎接終結
卻又掉進了另一場輪迴
…不停地無限重複…
」

// 空間設計 Set Designer //
甘梓燊 Tresunnean Kam
\\
擁有難讀的名字，帶點奇怪有趣的靈魂。

全職娛樂統籌—製作，多年來曾擔任各項大型表演活動之舞台監督，並參與逾萬場各類型演出之製作；副業涉獵廣泛：攝影、平面設計、書籍及展覽排版等。

現修讀澳門演藝學院戲劇學校—舞台設計深造課程，並獲2021-2022學年專業優秀獎。上年赴日參加橫濱國際舞台藝術交流藝穗節2023，為作品《Monster in Wardrobe》擔任舞台裝置設計師。曾任澳門城市藝穗節2022《空．一人一世界》之空間設計、搏劇場節非常一搏第五回《WALKER》之空間設計、澳門戲劇社《共鞋連理》之舞台設計及平面設計，亦任足各藝術社《逆光》、大老鼠兒童戲劇團《親親·泡泡·郁郁貢》、澳門演藝學院戲劇學校《驢得水》《濃情繫我心》等作品之舞台設計助理。

期待透過各種視覺形式把想像化成現實，創作出能刺激觀眾想法的作品。
/
As a Stage Manager, Tresunnean has been participated in Entertainment Production of various large-scale events and more than 10,000 sessions of in-house performances over the years; she is also active in photography, graphic design, books and exhibition typesetting.

She is currently studying Stage Design (Advanced Level) at the School of Theatre, Macao Conservatory and was honored with the Professional Excellence Award in the academic year 2021-2022. Last year, she participated in the Yokohama International Performing Arts Meeting 2023 - Fringe in Japan, where she served as the Stage Installation Designer for "Monster in Wardrobe."

Recent works include Space Design for BOK Festival 2023 - Give it a shot “WALKER”, Stage and Graphic Design for Associação de Arte Dramática de Macau’s “Hobson’s Choice”, Space Design for Macao City Fringe Festival 2022 “The inside”, Stage Design Assistant for “Little Bath Wonders”, “Mr. Donkey”, “Steel Magnolias”, “Ni Guang”, etc.
⚪️⚪️⚪️
⚪️⚪️⚪️
🔹🔸第二十二屆澳門城市藝穗節🔸🔹
22º Festival Fringe da Cidade de Macau / 22nd Macao City Fringe Festival
Tunnel / Túnel
#互動式劇場

🔹 2 0 - 2 1 / 0 1 / 2 0 2 4
🔸 1 8 : 0 0 , 2 0 : 0 0 , 2 2 : 0 0
📍 嘉模會堂 / Carmo Hall / Auditório do Carmo
⚪️⚪️⚪️
購票 Tickets Bilhetes: https://www.macauticket.com/TicketWeb2023/programme/P-003832

11/01/2024

🔸2️⃣🔸
【About Tunnel】

「When you think it's the end, but it's not. Would I turn back to the beginning? The choice isn't just mine; it's a mix of my feelings, what others say, and the signs around me. My own desires and fears play a role, along with the advice and experiences of others. The signs, like guideposts, help shape the decision. It's a dance of self-awareness, external input, and reading the signs that determines whether it's truly the end or just a pause in the journey.」

// 舞者 Dancer //
Kathleen Carmelita
\\
來自印尼的舞者和創作者。曾獲得RAD（倫敦皇家舞蹈學院）高級2級認證。2023年畢業於韓國檀國大學現代舞學士學位。

積極參與多個舞蹈節，包括韓國青年舞蹈節、首爾國際即興舞蹈節等。同時，亦是當代舞「Dance Nomads」的成員，並曾被Korea Choreography Draft Biography評為最佳編舞家之一。

現正經營一個舞蹈 YouTube 頻道，專注於創作幫助觀眾快速準確地學習韓國流行舞蹈的內容。目前，該頻道已擁有 69 萬訂閱者。
/
Kathleen is a dancer and creator from Indonesia. She certified RAD (Royal Academy of Dance London) Advanced 2. In 2018, she enrolled in Dankook University, majoring in contemporary dance, and graduated in 2023.

She has actively participated in several dance festivals, such as Korea Youth Dance Festival, Seoul International Improvisation Dance Festival, etc. She is also a part of a duo contemporary dance group, 'Dance Nomads' and was awarded as one of the top choreographers by Korea Choreography Draft Biography in 2023.

Due to her interest in K-Pop grew, She started a dance cover YouTube channel which focuses on creating content that helps viewers learn K-Pop choreography quickly and accurately. Currently, her YouTube channel has 690,000 subscribers.
⚪️⚪️⚪️
⚪️⚪️⚪️
🔹🔸第二十二屆澳門城市藝穗節🔸🔹
22º Festival Fringe da Cidade de Macau / 22nd Macao City Fringe Festival
Tunnel / Túnel
#互動式劇場

🔹 2 0 - 2 1 / 0 1 / 2 0 2 4
🔸 1 8 : 0 0 , 2 0 : 0 0 , 2 2 : 0 0
📍 嘉模會堂 / Carmo Hall / Auditório do Carmo
⚪️⚪️⚪️
購票 Tickets Bilhetes: https://www.macauticket.com/TicketWeb2023/programme/P-003832

10/01/2024

‼️一連四日
為大家送上來自創作者們的想像🌟

🔸1️⃣🔸
【About Tunnel】

「每次的以為，都只是自以為。
那一波又一波的流動⋯
真的源自於『我』嗎？」

// 概念⚪️編舞⚪️舞者 Concept⚪️Choreography⚪️Dancer //
蕭嘉儀 Cynthia Sio

\\

現於韓國檀國大學修讀現代舞專業博士課程。曾於德國德累斯頓舞蹈學院進行舞蹈交換，並獲得結業證書。

作品曾入圍韓國NDA國際舞蹈節編舞大賽，更於韓國青年舞蹈節中獲得最佳編舞獎；ROLLOUT DANCE FILM FESTIVAL中獲得AUDIENCE CHOICE AWARD；天津舞蹈節中獲得優秀表演榮譽稱號。亦多次憑作品獲邀參演國際性藝術節，包括美國、巴西、日本、韓國、台灣、香港等地。

主要大型獨立製作有：舞蹈劇場《色》、舞蹈劇場《PAINTED MIND》、第二十一屆澳門城市藝穗節-互動劇場《空·一人一世界》、非常一搏第五回-舞蹈實驗《WALKER》。
/
She is currently pursuing a Doctoral Program in Modern Dance at Dankook University in South Korea. She participated in a training program at the Palucca University of Dance Dresden and earned a certificate in Master Dance Workshop.

Her works were shortlisted for the choreography competition of the NDA International Dance Festival in Korea and won the Best Choreography Award at the Korean Youth Dance Festival, the Audience Choice Award at the Rollout Dance Film Festival, an Excellent Performance Award at the Tianjin Dance Festival.

Her works also have been invited to worldwide festivals, such as the United States, Brazil, Japan, South Korea, Taiwan, Hong Kong, etc.Her main independent production are Dance Theatre “色”, Dance Theatre “Painted Mind”, The 21st Macao City Fringe Festival - The Immersive Theater “The Inside”, Give It A Shot (The Fifth Round) – Dance Experiment “Walker”.
⚪️⚪️⚪️
⚪️⚪️⚪️
🔹🔸第二十二屆澳門城市藝穗節🔸🔹
22º Festival Fringe da Cidade de Macau / 22nd Macao City Fringe Festival
Tunnel / Túnel
#互動式劇場

🔹 2 0 - 2 1 / 0 1 / 2 0 2 4
🔸 1 8 : 0 0 , 2 0 : 0 0 , 2 2 : 0 0
📍 嘉模會堂 / Carmo Hall / Auditório do Carmo
⚪️⚪️⚪️
購票 Tickets Bilhetes: https://www.macauticket.com/TicketWeb2023/programme/P-003832

08/01/2024

時間太快⏳
下週末就要與大家見面了🔥🔥

🤫偷偷告訴大家
2 0 - 2 1 / 0 1 / 2 0 2 4
🌟2 2 : 0 0場次
設有演後特別空間觀賞環節👀
屆時亦可與創作者們chill住chitchat💥

切勿錯過‼️

——————————————————————————

🔹🔸第二十二屆澳門城市藝穗節🔸🔹
22º Festival Fringe da Cidade de Macau / 22nd Macao City Fringe Festival

Tunnel / Túnel
#互動式劇場

🔹 2 0 - 2 1 / 0 1 / 2 0 2 4
🔸 1 8 : 0 0 , 2 0 : 0 0 , 2 2 : 0 0
📍 嘉模會堂 / Carmo Hall / Auditório do Carmo

⚪️⚪️⚪️

可見的隧道盡頭，是已知存在的“終點”。 “終點”過後會是甚麼? 會有甚麼? 能有甚麼?

以“隧道”作為切入點，嘗試梳理人生“終點”後的可能性存在。
/
The distant end of a tunnel is commonly known as the “end point”. What can one expect after that? What will be there?

Revolving around the concept of tunnel, this performance explores the possibilities lying beyond the end of life.
/
A extremidade mais distante de um túnel é vulgarmente conhecida como o “ponto final”. O que podemos encontrar para lá desse ponto?

Partindo da ideia de túnel, este espectáculo explora as possibilidades para além da vida.

⚪️⚪️⚪️

購票 Tickets Bilhetes: https://www.macauticket.com/TicketWeb2023/programme/P-003832

06/01/2024

Tunnel / Túnel
4️⃣
第四階段 🔄
Phrase four 🔄
⚪️⚪️⚪️
⚪️⚪️⚪️
可見的隧道盡頭，是已知存在的“終點”。 “終點”過後會是甚麼? 會有甚麼? 能有甚麼?
以“隧道”作為切入點，嘗試梳理人生“終點”後的可能性存在。
/
The distant end of a tunnel is commonly known as the “end point”. What can one expect after that? What will be there?
Revolving around the concept of tunnel, this performance explores the possibilities lying beyond the end of life.
/
A extremidade mais distante de um túnel é vulgarmente conhecida como o “ponto final”. O que podemos encontrar para lá desse ponto?
Partindo da ideia de túnel, este espectáculo explora as possibilidades para além da vida.

#互動式劇場

05/01/2024

Tunnel / Túnel
3️⃣
第三階段 🔄
Phrase three 🔄
⚪️⚪️⚪️
⚪️⚪️⚪️
可見的隧道盡頭，是已知存在的“終點”。 “終點”過後會是甚麼? 會有甚麼? 能有甚麼?
以“隧道”作為切入點，嘗試梳理人生“終點”後的可能性存在。
/
The distant end of a tunnel is commonly known as the “end point”. What can one expect after that? What will be there?
Revolving around the concept of tunnel, this performance explores the possibilities lying beyond the end of life.
/
A extremidade mais distante de um túnel é vulgarmente conhecida como o “ponto final”. O que podemos encontrar para lá desse ponto?
Partindo da ideia de túnel, este espectáculo explora as possibilidades para além da vida.

#互動式劇場

04/01/2024

Tunnel / Túnel
2️⃣
第二階段 🔄
Phrase two 🔄
⚪️⚪️⚪️
⚪️⚪️⚪️
可見的隧道盡頭，是已知存在的“終點”。 “終點”過後會是甚麼? 會有甚麼? 能有甚麼?
以“隧道”作為切入點，嘗試梳理人生“終點”後的可能性存在。
/
The distant end of a tunnel is commonly known as the “end point”. What can one expect after that? What will be there?
Revolving around the concept of tunnel, this performance explores the possibilities lying beyond the end of life.
/
A extremidade mais distante de um túnel é vulgarmente conhecida como o “ponto final”. O que podemos encontrar para lá desse ponto?
Partindo da ideia de túnel, este espectáculo explora as possibilidades para além da vida.

#互動式劇場

TURN路（Tunnel / Túnel）

22/01/2024

21/01/2024

20/01/2024

17/01/2024

13/01/2024

12/01/2024

11/01/2024

10/01/2024

08/01/2024

06/01/2024

05/01/2024

04/01/2024

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