Patel Brown

Patel Brown Patel Brown is a contemporary art gallery that has locations in Toronto and Montreal.

A look at Sergio Suárez’s process for Anamnesis, his solo exhibition currently on view at the Michael C. Carlos Museum a...
10/10/2026

A look at Sergio Suárez’s process for Anamnesis, his solo exhibition currently on view at the Michael C. Carlos Museum at Emory University.

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For the exhibition, Suárez scanned selected objects from the museum’s collection and had replicas made. Back in his studio, he traced their shadows under intense light, giving their forms another life through drawing.

This process reflects a question running through the exhibition: how do objects hold memory? In Suárez’s carved woodblocks, each cut records labour and time; in his ceramics, drawn lines meet unpredictable fractures. Installed among ancient works, these objects bring histories separated by centuries into a shared present.

“The present equalizes everything. All these objects are here now. And they share space in the present.”

– Sergio Suárez, quoted in Sergio Suárez’s ‘Anamnesis’ asks what objects remember by Andrew Alexander, ArtsATL [artsatl.org]

⋆⭒˚.⋆🔭

If you’re in Atlanta, visit Anamnesis, on view through January 24, 2027. For more information, visit carlos.emory.edu.

Image: Sergio Suárez with 3D scans and sculptural works. Photo courtesy of the Carlos Museum.

⋆⭒˚.⋆🔭 ⋆⭒˚.⋆🔭 ⋆⭒˚.⋆🔭 ⋆⭒˚.⋆🔭 ⋆⭒˚.⋆🔭 ⋆⭒˚.⋆🔭

Check out Howie Tsui’s recent public art installation, Sentient Relics, at the Oakridge Centre in Vancouver! 🤖⋆˚꩜。Inspir...
10/09/2026

Check out Howie Tsui’s recent public art installation, Sentient Relics, at the Oakridge Centre in Vancouver! 

🤖⋆˚꩜。

Inspired by childhood memories of Transformer toys, the twelve-foot fiberglass sculpture, positioned as a pond feature in front of Claridge House, evokes both nostalgia and futurism while exploring deeper ideas of identity and culture.

🤖⋆˚꩜。

Howie Tsui (Tsui Ho Yan, b. 1978 in Hong Kong and raised in Lagos, Nigeria and Thunder Bay) currently lives and works in Vancouver, Canada. Working in a variety of media—including ink brush work, sound sculptures, lenticular lighboxes, and installations—Tsui constructs tense, fictive environments that subvert venerated art forms and narrative genres, often stemming from the Chinese literati class.

Images from Carvel Creative

If you’re in Vancouver keep an eye out for Howie Tsui’s, sentient relics !

🤖⋆˚꩜。🤖⋆˚꩜。🤖⋆˚꩜。🤖⋆˚꩜。🤖⋆˚꩜。🤖⋆˚꩜。🤖⋆˚

Mia SandhuThe Sky is Green, 2026India ink, charcoal on silk⊹ ࣪ ˖ 🌾Mia Sandhu | The Sky is Green

“ Among these muted ton...
10/08/2026

Mia Sandhu
The Sky is Green, 2026
India ink, charcoal on silk

⊹ ࣪ ˖ 🌾

Mia Sandhu | The Sky is Green

“ Among these muted tones, a singular work rendered predominantly in green departs from the sunset palette, its green sky lending an unexpected hue to the exhibition’s title. The Sky is Green evokes the uncanny stillness before an approaching rupture, when the familiar world begins to feel unfamiliar and the air hums with tension. The phrase also gestures toward the disorientation of witnessing something that feels undeniably present while simultaneously difficult to name or collectively acknowledge. Against a cultural landscape marked by instability, ecological anxiety, emotional exhaustion, and fractured relationships with ourselves and others, Sandhu’s work suggests the value of sitting with this uncertainty, rather than attempting to resolve it.”

⊹ ࣪ ˖ 🌾

Excerpt from exhibition text by Jayda Gardner (on patelbrown.com)

There is still time left to visit, Mia Sandhu’s The Sky Is Green, on view through October 17 at Patel Brown. 

Documentation by Darren Rigo 

⊹ ࣪ ˖ 🌾 ⊹ ࣪ ˖ 🌾 ⊹ ࣪ ˖ 🌾 ⊹ ࣪ ˖ 🌾 ⊹ ࣪ ˖ 🌾 ⊹ ࣪ ˖ 🌾 ⊹ ࣪ ˖ 🌾 ⊹ ࣪ ˖ 


Tuan Vu
Nam Trung Bac, 2026
oil, oil stick on linen˚⊱🪷⊰˚Tuan Vu | Late Summer 

“One could interpret [the female figures...
10/06/2026

Tuan Vu
Nam Trung Bac, 2026
oil, oil stick on linen

˚⊱🪷⊰˚

Tuan Vu | Late Summer 

“One could interpret [the female figures in Tuan Vu’s paintings] as Dao Mau figures, the mother goddesses who govern animal and plant life, soil, water and the skies in Vietnamese folklore. Occasionally, however, the women represent something more. Although Vu says his personal views rarely inform his work, the painting Nam, Trung, Bac (meaning South, Centre, North) was inspired by a recent trip to Vietnam, with the figures representing the country’s three cultural regions and the reflections in the water representing the regions’ geographical shapes.”

Excerpt from exhibition text by Bill Clarke (on patelbrown.com) 

˚⊱🪷⊰˚

Late Summer is on view through Saturday, October 17.

Patel Brown is open from Tuesday to Saturday, 10 am to 6 pm at 21 Wade Ave, Unit 2. 

Documentation by Darren Rigo 

˚⊱🪷⊰˚ 🪷˚⊱🪷⊰˚ 🪷˚⊱🪷⊰˚ 🪷˚⊱🪷⊰˚🪷 ˚⊱🪷⊰˚


Patel Brown at Untitled Art, Houston 2026!⭐ ⊹ ࣪ ˖We’re all set up at Booth C12 with a group presentation featuring works...
10/02/2026

Patel Brown at Untitled Art, Houston 2026!

⭐ ⊹ ࣪ ˖

We’re all set up at Booth C12 with a group presentation featuring works by:

⭐️ Michael Dumontier & Neil Farber ⭐️
⭐️ Mia Sandhu ⭐️
⭐️Balint Zsako ⭐️

Fair Hours

Friday, October 2 | 11 AM–7 PM
Saturday, October 3 | 11 AM–7 PM
Sunday, October 4 | 11 AM–5 PM

At the George R. Brown Convention Center

⭐ ⊹ ࣪ ˖

Visit us throughout the weekend Untitled Art !

⭐ ⊹ ࣪ ˖ ⭐ ⊹ ࣪ ˖ ⭐ ⊹ ࣪ ˖ ⭐ ⊹ ࣪ ˖ ⭐ ⊹ ࣪ ˖ ⭐ ⊹ ࣪ ˖ ⭐ ⊹ ࣪ ˖ ⭐

Mia Sandhu | The Sky is Green
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“As a second-generation Canadian of Punjabi Sikh descent, Sandhu’s practice draws fro...
10/01/2026

Mia Sandhu | The Sky is Green

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“As a second-generation Canadian of Punjabi Sikh descent, Sandhu’s practice draws from intersecting cultural and personal narratives, placing the female figure in dialogue with foliage, ornament, and domesticity. Her imagined environments merge interiors with sparse, dreamlike landscapes, where cultural inheritance, nostalgia, and contemporary instability intersect. Within this shifting terrain, questions of home, selfhood, intimacy, and belonging remain open, allowing the familiar to become strange and the personal to resonate beyond itself.”

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Excerpt from exhibition text by Jayda Gardner (on patelbrown.com)

Mia Sandhu’s The Sky Is Green remains on view through October 17 at Patel Brown. 

Documentation by Darren Rigo

Work Highlighted

Mia Sandhu
Silk and Silt (26), 2026
India ink, charcoal on silk


🎀˚˖🎀⋆ ˚˖🎀⋆ ˚˖🎀⋆ ˚˖🎀⋆ ˚˖🎀⋆ ˚˖🎀⋆ ˚˖🎀⋆ ˚˖🎀⋆


Patel Brown is excited to return to Houston, Texas, for Untitled Art, Houston 2026!🌵⊹ ࣪ ˖Presenting works by:Mia Sandhu
...
09/30/2026

Patel Brown is excited to return to Houston, Texas, for Untitled Art, Houston 2026!

🌵⊹ ࣪ ˖

Presenting works by:
Mia Sandhu
Balint Zsako
Michael Dumontier & Neil Farber

Find us at Booth C12.

🌵Fair Hours🌵

Friday, October 2 | 11 AM–7 PM
Saturday, October 3 | 11 AM–7 PM
Sunday, October 4 | 11 AM–5 PM

🌵⊹ ࣪ ˖

We look forward to reconnecting with familiar faces and welcoming new ones in Houston!

Works pictured: 

Mia Sandhu
Silk and Silt (27), 2026
India ink, charcoal on silk

Balint Zsako
Untitled (Carne-Left-005), Untitled (Carne-Right-007), 2025
watercolour, gouache on paper

Michael Dumontier & Neil Farber
Call Me, 2026
acrylic and spray paint on MDF

🌵⊹ ࣪ ˖ 🌵⊹ ࣪ ˖ 🌵⊹ ࣪ ˖ 🌵⊹ ࣪ ˖ 🌵⊹ ࣪ ˖ 🌵⊹ ࣪ ˖ 🌵⊹ ࣪ ˖ 🌵⊹ ࣪ ˖

Tuan Vu | Late Summer 
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“Vietnam-born, Montreal-based painter Tuan Vu cites Bonnard, as well as Paul Gauguin and Va...
09/29/2026

Tuan Vu | Late Summer 

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“Vietnam-born, Montreal-based painter Tuan Vu cites Bonnard, as well as Paul Gauguin and VanGogh, as influences on his own paintings. (“Bonnard’s paintings always give me a ‘Wow!’ feeling,” he says. “I’m never bored looking at them.”) Like Bonnard, Vu takes a bold approach to combining colour, pattern and form, with his compositions and subject matter filtered through memories and imagination. Also like Bonnard, Vu pursued a career outside the arts before becoming a painter. (Bonnard studied law; Vu was a telecommunications engineer.)”

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Excerpt from exhibition text by Bill Clarke (on patelbrown.com) 

After visiting Monet to Matisse at the AGO, finish your Impressionist tour at Patel Brown with Tuan Vu’s solo exhibition, Late Summer, on view through October 17.

Patel Brown is open Tuesday through Saturday, from 10 am to 6 pm at 21 Wade Ave, Unit 2. 

Documentation by Darren Rigo 

Work highlighted:

Tuan Vu
Tristes Barcarolles, 2026
rabbit glue skin, oil, oil stick on linen

🌴⋆˚࿔ 🌴⋆˚࿔ 🌴⋆˚࿔ 🌴⋆˚࿔ 🌴⋆˚࿔ 🌴⋆˚࿔ 🌴⋆˚࿔


Patel Brown is thrilled to be part of the 2026 Canadian Art Hop, presenting two solo exhibitions:Tuan Vu | Late Summer
M...
09/26/2026

Patel Brown is thrilled to be part of the 2026 Canadian Art Hop, presenting two solo exhibitions:

Tuan Vu | Late Summer
Mia Sandhu | The Sky is Green

݁˖ ⊹ 🇨🇦 🎨🐇ᵎᵎ

From coast to coast, the Canadian Art Hop spotlights the diverse and dynamic landscape of the arts through commercial galleries, artist-run centres, public museums, and galleries.

݁˖ ⊹ 🇨🇦 🎨🐇

For the Art Hop, we’ll have ˖ ⊹ extended hours݁ ˖⊹ tomorrow and will be open from ˖ ⊹ 12 to 5 pm ˖ ⊹

If you’re taking part in the Art Hop, don’t forget your passport!

݁˖ ⊹ 🇨🇦 🎨🐇 ݁˖ ⊹ 🇨🇦 🎨🐇 ݁˖ ⊹ 🇨🇦 🎨🐇 ݁˖ ⊹ 🇨🇦 🎨🐇 ݁

Patel Brown is thrilled to congratulate Kim Dorland on the opening of his exhibition at the Burgos  Biennial.“Drawings a...
09/25/2026

Patel Brown is thrilled to congratulate Kim Dorland on the opening of his exhibition at the Burgos  Biennial.

“Drawings and paintings connect across space, time, and thought, unfolding as linked fragments rather than isolated images. Moving fluidly between representation, intimacy, and landscape, the exhibition considers how individual experience can open up to something collective: the impermanence of the body, the instability of memory, and the shared experience of living in a world in decline.”

For more information on the exhibition and the Caja de Burgos Foundation, visit cajadeburgos.com

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The image pictured is from Kim Dorland’s 2022 solo exhibition, Where Are All the Protest Songs, at Patel Brown, Toronto.

“What is a landscape artist left to paint when we’ve burned, bulldozed, plowed, flooded or paved over all the landscapes? This painting might be the answer to that question too. One could call this work apocalyptic, it’s undeniably macabre in places and some of the imagery terrifying, but that would overlook another energy that runs through the work. The energy of an artist grappling with what the future holds, for him, his family, his world.”

—Excerpt from exhibition text by Stephen Ranger.

The inaugural edition of the Burgos Biennial,  titled Afluente panorama, opened September 24, 2026, and remains on view through January 10, 2027.

Work pictured:

Kim Dorland
Where are all the protest songs?, 2022
oil on panel

Address

Toronto, ON

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