Regards palestiniens

03/31/2026

03/31/2026

Rejoignez-nous pour Up to the South, une projection de solidarité et une collecte de fonds pour le Liban, qui aura lieu à La Sala Rossa le dimanche 12 avril.

Face à la violence persistante, au nettoyage ethnique et à l’occupation israélienne qui se poursuit dans le sud du Liban, cet événement vise à soutenir les communautés déplacées confrontées à des conditions d’urgence et de précarité. L’ensemble des fonds recueillis sera reversé à deux initiatives d'entraide communautaire basées à Beyrouth — Raseef Kitchen et Roots of Resistance — qui fournissent de la nourriture et des produits essentiels aux personnes déplacées.

Ouverture des portes : 18 h 30 | Projection : 19 h 00
Don suggéré : 20 $ (comptant ou par carte).

Le programme comprend deux films de l'artiste Jayce Salloum :

untitled part b: (as if) beauty never ends..2002 (2000) 11’

Up to the South (1993), 60’

Si vous ne pouvez pas être présent·e mais souhaitez tout de même soutenir ces initiatives, vous pouvez faire un don directement :

Raseef Kitchen via PayPal ici (paypal.com/paypalme/raseefbeirut) et Roots of Resistance via virement Interac ([email protected]) | Réponse à la question de sécurité : mutual aid liban

Un gros merci à pour l’image utilisée sur l’affiche.

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Please join us for Up to the South, a Lebanon solidarity and fundraising screening, at La Sala Rossa on Sunday April 12th.

Amid on-going violence, ethnic cleansing, and the continued Israeli occupation of South Lebanon, this event aims to support displaced communities facing urgent and precarious conditions. All proceeds will support two Beirut-based grassroots mutual aid initiatives—Raseef Kitchen and Roots of Resistance —which are providing food and essential items to those displaced in Beirut.

Doors: 6:30pm | Screening: 7:00pm
Suggested donation: $20 (cash or card).

The program features two films by artist Jayce Salloum:

untitled part b: (as if) beauty never ends..2002 (2000) 11’

Up to the South (1993), 60’

If you are unable to attend but would still like to support these initiatives, you can donate directly:

Raseef Kitchen via paypal here (paypal.com/paypalme/raseefbeirut) and Roots of Resistance via interac transfer ([email protected]) | security question answer: mutual aid liban

With special thanks to for the poster image.

01/24/2026

This past Wednesday we had the honour of presenting Red Road to Palestine, a film program featuring a selection of Indigenous and Palestinian short films dealing with the big and small ways that Indigenous peoples continue to fight for and maintain vital connections to their land despite occupation.

We created this program for two reasons: to highlight the important work of and their ongoing solidarity work across Turtle Island and with the Palestinian struggle for liberation, and to fundraise for the land defenders of Turtle Island so that they can continue to resist the violence of colonization.

We would like warmly thank all of our filmmakers, especially ’s Franklin Lopez and Clifton Ariwakehte Nicholas for both sharing their work, including a new working cut of their documentary Red Road to Palestine, as well as being part of a post-screening discussion looking at filmmaking as movement-building at a time when state violence is accelerating and the image is being weaponized by the ruling class. The discussion was moderated by filmmaker Razan Al Salah ().

And finally, we’d like to give a huge thank you to our brilliant co-organizers Mick (), Fallon (), Yarro () and Sima () without whom this event would not have been possible.

To support Frank and Clifton’s continued work on Red Road to Palestine, you can donate here: paypal.com/donate/?campaign_id=3Z7GSYA8XSNRE

To support the ongoing work of Camp Souveraineté – Défense de la forêt à km 134 please visit their gofundme here: http://gofund.me/f3142e8d2

And if you’d like to support the work of the Unist’ot’en and help with their legal funds, you can donate here: unistoten.camp/support-us/donate/

01/18/2026

REMINDER: Please join us this coming Wednesday, January 21st at for a program of Indigenous and Palestinian films followed by a conversation with filmmakers Clifton Ariwakehte Nicholas, Franklin López and Razan Al Salah. 

These films remind us of the big and small ways that Indigenous peoples fight for and maintain vital connections to their land.

We created this program to highlight the work of and their ongoing solidarity work across Turtle Island and with the Palestinian struggle for liberation.

Invasion (18’, 2019) produced and edited by Franklin López 

Ma’loul Celebrates its Destruction (30’, 1985) by Michel Khleifi

Blockade (13’, 2025) by Franklin López 

Excerpt from Red Road to Palestine (work in progress) by Clifton Ariwakehte Nicholas and Franklin López

Something from there (7’, 2020) by Rana Nazzal

La Sala Rossa
7:00 PM | Wednesday, January 21st
Pay what you can

[FR in comments]

01/07/2026

[FR in comments] Please join us on Wednesday, January 21st at for a program of Indigenous and Palestinian films followed by a conversation with filmmakers Clifton Ariwakehte Nicholas, Franklin López and Razan Al Salah. 

These films remind us of the big and small ways that Indigenous peoples fight for and maintain vital connections to their land. Whether the demand be "Land Back" or "Right of Return," our struggles for liberation are aligned in how we relate to the land—as home, as family, as medicine, as the whole we are part of— and in defiance of colonial land theft and greenwashing. 

We created this program to highlight the work of and their ongoing solidarity work across Turtle Island and with the Palestinian struggle for liberation.

Invasion (18’, 2019) produced and edited by Franklin López 

Ma'loul Celebrates its Destruction (30', 1985) by Michel Khleifi

Blockade (13’, 2025) by Franklin López 

Excerpt from Red Road to Palestine (work in progress) by Clifton Ariwakehte Nicholas and Franklin López

La Sala Rossa
7:00 PM | Wednesday, January 21st
Pay what you can

11/04/2025

A warm thank you to everyone who joined us Sunday afternoon for our screening of Mohammad Bakri’s deeply moving documentary “Jenin, Jenin” as part of Palestine Cinema Days Around the World, organiFilmlab Palestine | فيلم لاب فلسطينlestine.

It was an honour to be one of over 1000 film screenings taking place worldwide in solidarity with Palestine.

We’d especially like to thank Nayrouz Abu Hatoum for contextualizing the film within the history of Palestinian resistance, for graciously hosting us, and for introducing us to their electoral campaign.

09/30/2025

Regards Palestiniens fully supports and applauds the newly formed student coalition for the creation of this important new pledge campaign to boycott The Claudine and Stephen Bronfman Fellowship in Contemporary Art award.

We strongly believe that organizing and pressuring universities, in this case and , into boycotting the Bronfman Fellowship - an award that works to fuel and extract from the ongoing illegal occupation and genocide of Gaza - is an important step in addressing institutional complicity.

This campaign is also a wonderful example of how we can effectively organize around boycotts - boycott here being the vehicle used in identifying after thorough research how Zionist money is feeding on and further entrenching injustice.

Bravo MFAs Against Genocide!

You can read article here: thelinknewspaper.ca/article/mfas-against-genocide-boycott-concordia-fellowship

You can sign the pledge here: docs.google.com/forms/d/e/1FAIpQLSfCIwb5mFHI4VCyzVcisxAuAyjGA0290KmzLdLyVTAq0rOsjg/viewform


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Regards Palestiniens soutient et félicite la nouvelle coalition étudiante pour avoir lancé cette importante campagne visant à boycotter la Bourse Claudine et Stephen Bronfman en art contemporain.

Nous sommes convaincus que le fait d'organiser et de faire pression sur les universités, en ce cas et , pour qu'elles boycottent la bourse Bronfman - une bourse qui contribue à financer et à tirer profit de l'occupation illégale et du génocide en cours à Gaza - est une étape importante dans la lutte contre la complicité institutionnelle.

Cette campagne est également un merveilleux exemple de la manière dont nous pouvons nous organiser efficacement autour de boycotts, le boycott étant ici le moyen utilisé pour identifier, après des recherches approfondies, comment l'argent sioniste alimente et renforce l'injustice.

Bravo à MFAs Against Genocide !

09/17/2025

Our hearts are so full: thank you to everyone who came out last night to take part in our outdoor protest action / screening of our new counter-program THE MISSING IMAGE IS: GAZA, featuring films and images from Gaza, spanning the last seven decades of Nakba in Palestine.

Curated in response to the 2025 , this program sought to restore meaning to the Biennale’s exhibition titled ‘In Praise of the Missing Image’—a phrase that was originally drawn from the context of the Cambodian genocide. For Momenta to invoke this title while disregarding the genocide being enacted today against Palestinians - both in its curatorial statement and through the exclusion of Palestinian artists - reproduces the very violence and erasure the curatorial vision claims to critique.

We want to give an especially warm thank you to Samuel and James of , who were the most gracious hosts and collaborators.

If you have any questions about last night’s action or programming, don’t hesitate to be in touch via DM.

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Nos cœurs sont comblés : merci à tous ceux qui sont venus hier soir participer à notre action de manifestation et projection de notre nouveau contre-programme THE MISSING IMAGE IS: GAZA, présentant des films et des images de Gaza, couvrant les sept dernières décennies de la Nakba en Palestine.

Conçu en réponse à la Biennale Momenta 2025, ce programme visait à redonner tout son sens au titre de l’exposition de la Biennale, « Éloge de l’image manquante », une expression tirée à l’origine du contexte du génocide cambodgien. En utilisant ce titre sans reconnaître le génocide perpétré aujourd’hui contre les Palestiniens, tant dans sa déclaration curatoriale que par l’exclusion des artistes palestiniens, Momenta reproduit la violence et l’effacement mêmes que la vision curatoriale prétend critiquer.

Nous tenons à remercier tout particulièrement Samuel et James de , qui ont été des hôtes et collaborateurs fantastiques.

Si vous avez des questions concernant l’action ou la programmation d’hier soir, n’hésitez pas à nous contacter par message privé sur Instagram.

09/15/2025

Join us tomorrow for THE MISSING IMAGE IS: GAZA, an outdoor screening action and counter-program of films and images from Gaza, spanning seven decades of the ongoing Nakba in Palestine. Curated in response to the , this program seeks to restore meaning to its exhibition title, In Praise of the Missing Image—a phrase originally drawn from the context of the Cambodian genocide—at a moment when the Biennale fails to acknowledge the ongoing, live-streamed genocide in Palestine today.

When: Tuesday September 16 | 7pm
Where: 6282 St-Hurbert Street | parking lot across the street from gallery

Please bring your camping chairs (or blankets if you’re ok with sitting on the pavement)!

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Rejoignez-nous demain pour L’IMAGE MANQUANTE EST: GAZA, une projection et un contre-programme de films et d’images de Gaza, couvrant sept décennies de la Nakba en Palestine. Organisé en réponse à la , ce programme vise à redonner tout son sens au titre de l’exposition, In Praise of the Missing Image (Éloge de l’image manquante), une expression tirée à l’origine du contexte du génocide cambodgien, à un moment où la Biennale ne reconnaît pas le génocide en cours et retransmis en direct en Palestine aujourd’hui.

Quand: mardi 16 septembre | 19h
Où: 6282 rue St-Hubert | le stationnement en face du galerie

SVP apporter votre propres chaises de camping (ou des couvertures si vous n’avez pas peur de vous asseoir sur le sol) !

09/14/2025

Join us this Tuesday for THE MISSING IMAGE IS: GAZA, an outdoor screening action and counter-program of films and images from Gaza, spanning seven decades of the ongoing Nakba in Palestine. Curated in response to the , this program seeks to restore meaning to its exhibition title, In Praise of the Missing Image—a phrase originally drawn from the context of the Cambodian genocide—at a moment when the Biennale fails to acknowledge the ongoing, live-streamed genocide in Palestine today.

While there will be some seating available, we ask that folks please bring your own camping chairs (or blankets if you're ok with sitting on the pavement)!

Poster image sources: Gazan photojournalist Mahmod Hinawi's photograph of the Gazan sea before Oct. 7th + Palestinian artist 's photograph of a flower growing through a stone wall in Bethlehem entitled "Resistance defying the impossible".

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Rejoignez-nous ce mardi pour L'IMAGE MANQUANTE EST: GAZA, une projection et un contre-programme de films et d'images de Gaza, couvrant sept décennies de la Nakba en Palestine. Organisé en réponse à la , ce programme vise à redonner tout son sens au titre de l'exposition, In Praise of the Missing Image (Éloge de l'image manquante), une expression tirée à l'origine du contexte du génocide cambodgien, à un moment où la Biennale ne reconnaît pas le génocide en cours et retransmis en direct en Palestine aujourd'hui.

Il y aura quelques sièges disponibles, mais nous demandons aux participants d'apporter leurs propres chaises de camping (ou des couvertures si vous n'avez pas peur de vous asseoir sur le sol) !

Sources des images de l'affiche : photo de la mer de Gaza prise avant le 7 octobre par le photojournaliste gazaoui Mahmod Hinawi + photo d'une fleur poussant à travers un mur de pierre à Bethléem, intitulée « La résistance défiant l'impossible », prise par l'artiste palestinienne .