Christian Barre - carré de sable

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Christian Barre - carré de sable “...les faits divers, ce sont aussi des faits qui font diversion”
Pierre Bourdieu Social media management design

01/01/2025

🚨👽🌌 Firmament Conspiracy 2025: The Truth is Out There!

Are you ready to uncover the biggest conspiracy of our time? Join us on 2025.02.01 for a mind-bending journey into the unknown. From classified government documents to eyewitness accounts, we'll explore the evidence and expose the secrets behind the Firmament Conspiracy.

25/12/2024

🚀 The Firmament Conspiracy: Are we being deceived?

What if everything we know about our world is a lie? The Firmament Conspiracy claims that the Earth is actually flat and covered by a dome-like structure, hiding the true nature of our universe. Some say this is a way for the government to control us, while others believe it's a way to hide the existence of God. Whatever the reason, the debate is heating up and it's time to uncover the truth.

23/01/2024

💥 Call for Applications 2024 💥

Are you an artist, architect, writer, musician, photographer, do you work in the theatre?

Then your next Goal should be:
•Change environment
•New inspired Project production
•Interact with colleagues from all over the world
•Experimentation and escape from the routine
•Explore new places, nature, human history
•Enjoy the trip

ℹ️ More information about the application procedure can be found on https://eutopiaart.com/open-calls-2024

ℹ️ If you have any questions, please send an email to [email protected]

Fashion designer and a freaking good photograph !!!
15/05/2023

Fashion designer and a freaking good photograph !!!

17/03/2023
09/02/2023
30/08/2022

"In his last exhibition, Christian Barré made a number of rather unusual objects: an ergonomic piggy bank that could be used by beggars, a squeegee scraper with an advertisement, billboards for a sandwich man. Their particularity came not so much from their shape, nor their design, but from the fact that they were operational.

At the opening, "performers" demonstrated with obvious skill the usefulness of the object. In reality, these performances were carried out by "real actors", invited and paid to do what they usually do on the sidewalks or at the intersection of the streets. Is it a joke of bad taste to disguise human misery in this way as a show for art lovers, or is it a political gesture to stage a reality that we can no longer see? "

Exchange, Gaston Saint-Pierre 1999








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