House CLTR

House CLTR Contact information, map and directions, contact form, opening hours, services, ratings, photos, videos and announcements from House CLTR, Party Entertainment Service, Sydney.

18/05/2026

What started as a conversation at an afters between a few house heads… turned into something way bigger than we ever imagined. 💙

Season 1 of HOUSE CLTR was all about bringing back that golden era of deep house & proper house music to Australia.
No trends. No cheese. No phones on the dancefloor.
Just real music, real people & that feeling we all fell in love with in the first place.

Over the past season we’ve had the privilege of bringing some of the very best artists from that era back to our shores:

• Miguel Campbell
• Lee Foss
• Dusky
• Max Chapman
• SecondCity

Across Sydney and Perth, we’ve welcomed over 4,000 house heads through multiple sold out shows, afterparties & terrace sessions… and honestly, the energy has been something special.

This project has given us a completely fresh lease of life in the game.
To see older crowds reconnecting, new friendships being made, and proper music being appreciated again has reminded us exactly why we started doing this.

And trust us… we’re only just getting started.

Behind the scenes we’re already working on bringing over some more huge names from that era, partnering with brands worldwide, and expanding into more cities across Australia & New Zealand 👀 🌍

We’ll be back soon with Season 2.
More proper house music.
More no phones moments.
More terrace energy.
More of that older crowd vibe we all missed.

Thank you to every single person who’s supported HOUSE CLTR so far — whether you came to an event, shared a post, liked a reel, commented, told a friend or simply believed in what we were building.

We genuinely love this community.

House CLTR 💜🧡

15/05/2026

🎧 CLTR CUTS 🔥

◉ Miguel Campbell – Something Special

Label : Hot Creations 🌍
Release Date : 18-08-2011 📀

“Some tracks don’t age… they become part of house music history.”

When Miguel Campbell dropped Something Special on Jamie Jones’ Hot Creations imprint, it instantly became one of the defining records of the early deep house explosion.

Minimal groove. Warm bassline. Pure emotion.

Fun fact not everyone knows — was actually the vocalist behind this one.
Those vocals are genuinely stunning… soulful, emotional and impossible not to sing along to when that hook comes in.

What a lot of people don’t realise… this release helped shape an entire era of terrace and underground house music.
A proper turning point for the scene.

For us… it’s the best record of that entire era. No doubts about it.

You could hear this record everywhere — DC10 terraces, Ibiza sunsets, warehouse parties, afterhours sessions… and somehow it still sounds fresh today.

A timeless weapon built for:
☀️ sunsets
🌴 terraces
🪩 packed dancefloors
🎶 hands in the air moments

Absolute CLTR classic.

🎞 Swipe left:
— Jamie Jones taking London back to where we all fell in love with house music ❤️

Real house heads already know…
this track on a terrace at golden hour just hits different.

Is this the greatest track from that era? 👀







21/04/2026

🎧 CLTR CUTS 🔥

◉ Route 94 – My Love

Label: Defected Records 💿
Release Date: 28-02-2014 📅

“Some records don’t age… they reset the room every time.”

When Route 94 dropped My Love, it didn’t just chart — it defined a moment in UK house. Minimal, raw, and built around pure groove… no overproduction, just feeling.

Featuring uncredited vocals from Jess Glynne — recorded before she blew up — this was one of her first-ever major releases… and she wasn’t even listed on the original drop.

Built off a Korg M1-style organ bassline and stripped-back drums, the track was intentionally kept simple — Route 94 has said he didn’t want to “overthink it”… just something DJs could actually work with.

It debuted at #1 on the UK charts, but still held underground credibility — a rare crossover that never felt too commercial.

Built for locked-in dancers, and those moments where the whole floor just locks together and sings

🎬 Swipe:
Slide 1 → Mint Warehouse 2014 — raw early energy, pre-blow up 🔊

Real ones know… this one on the terrace at sunset hits different.

One of the best from that era ? Comment below ⬇️




So good we needed a week off 🔋Just got the film developed from our season finale at last long weekend. What a way to cl...
13/04/2026

So good we needed a week off 🔋

Just got the film developed from our season finale at last long weekend. What a way to close it out! 🎞️🔥

We’re going even bigger when we return later this year. Who’s your dream booking for the next one? Sound off in the comments! 👇

05/04/2026

Game day Perth.

Buzzing for this one — out on the terrace at Port Beach Brewery today with 1000+ house heads.




1 big outdoor terrace

Gonna be mega.

Final tickets left — link in bio.
See you on the dance floor.



04/04/2026

live from on Sydney Harbour ⚓️🔊

Set 1/3 for tonight - catch him at Terrigal and then tonight!! 😸

03/04/2026

Sydney we are BACK - this time tomorrow setting sail for the last time this season! 🎬

Don’t be fooled by the misleading weather app - if you look at the hour by hour there’s a tiny bit of rain during the night tonight and then we have perfect sailing conditions!

🎟️ LAST CHANCE to get your tickets, link is in the bio…

03/04/2026

POV:Tracks that shaped the 2010-2018 Deep House

- What I Might Do

There are a few tracks that didn’t just do well…
They changed the direction of house music.

One of those was “What I Might Do” — Ben Pearce.

Released in the early 2010s, this track helped define the sound of the 2010–2018 deep house era — a time when dancefloors moved away from big room EDM and back toward groove, basslines, emotion and late-night energy.

You started hearing:
• Lower BPMs
• Deeper basslines
• Garage-influenced drums
• Soul/R&B vocal samples
• Long blends
• Proper warm-up sets again

It was the era of Hot Creations, Jamie Jones, Lee Foss, MK, Miguel Campbell, Dusky, SecondCity — and dancefloors were about the groove, not the drop.

“What I Might Do” became one of those tracks every house head knows.
If you were going out between 2012–2016, you heard this track everywhere — clubs, warehouses, boat parties, terraces, Ibiza, London & beyond.

It didn’t feel commercial.
It didn’t feel EDM.
It felt underground… but everyone knew it.

That track is a big part of the reason the deep / tech house scene exploded globally during that period.

And honestly… that’s still the era and sound we love today.

Golden era house music.
No phones. Just music. 📵

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Sydney, NSW

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