Gold Satino is a Melbourne Independent Theatre and Performance Art Collective dreamed up by theatre maker Davina Wright. While not limited to, Gold Satino have particular interest in site specific, non-linear and immersive performance. Gold Satino Creatives:
Davina Wright
Ross de Winter
Cazz Bainbridge
Xavier O'Shannessy
Claudia Nugent
alongside seasonal guest performers, designers and collaborat
ors. Works:
2012: 'The Jar Collector' written by Davina Wright. Performed by Davina Wright, Cazz Bainbridge and Davina Wright
2013: 'Peaches' written by Davina Wright. Performed by Cazz Bainbridge, Davina Wright, Ross de Winter and Xavier O'Shannessy
2014: 'Suburbia' written by Davina Wright. Performed by Anneli Björåsen, Cazz Bainbridge, Davina Wright and Ross de Winter
2015: 'Oubliette' written by Davina Wright. Performed by Anneli Björåsen, Cazz Bainbridge, Claudia Nugent and Ross de Winter
2015: "Suburbia" rework for Melbourne Fringe Festival/ North Melbourne. Performed by Anneli Björåsen, Carolyn Butler, Claudia Nugent, Cazz Bainbridge, Davina Wright, Ross de Winter and Xavier O'Shannessy
WINNER of the 2015 Melbourne Fringe Festival Evolution Award
"Suburbia is exceptional in keeping the spectator constantly within and without the performance, while the wondering drive generates the feeling of a freedom by night: thoughts, visions and realities that are forbidden in the daylight, or in the limited space of a traditional theatre, expand in the world of Suburbia... an effortless and visionary interpretation." 4 STARS. Lavina Puccetti, ArtsHub
"From genuinely unnerving to simply gorgeous, Suburbia was one of my favourite experiences at the Fringe" Anne Marie Peard, Sometimes Melbourne
"FULL of young artists finding their way in the world of performance, this three-hander is a surreal engagement with director Davina Wright's family history. Wright has a talent for poetic drama and unorthodox imagery and her stage writing has promise. The performances were played with a finely controlled level of emotion" Cameron Woodhead- The Age, 'The Jar Collector' Review
